#interpenetration

Everything that exists consists of a single substance. This substance is not static; it is subject to constant, uninterrupted transformation. The potential of this substance is limitless. Every particle can adapt to any system. Therefore, existence is an endless interpenetration. Nothing is truly static - neither dead nor alive.

Consciousness is a phenomenon that emerges from this substance as a result of many coexisting and overlapping processes. It is equally inherent in the unity and interpenetration of matter.

Because of this, there is no complete death through annihilation. There is only transformation - the passing of a momentary form, itself a process resulting from many conditions occurring at a given moment.

"Imagine a multidimensional spider's web in the early morning covered with dew drops. And every dew drop contains the reflection of all the other dew drops. And, in each reflected dew drop, the reflections of all the other dew drops in that reflection. And so ad infinitum. That is the Buddhist conception of the universe in an image."

- Alan Watts

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Indra's Net symbolizes the universe as a web of connections and interdependences [...] I seek to revive it as the foundation for Vedic cosmology and show how it went on to become the central principle of Buddhism, and from there spread into mainstream Western discourse across several disciplines.

The Avatamsaka Sutra (which means 'Flower Garland') of Mahayana Buddhism uses the metaphor of Indra's Net to explain cosmic interpenetration. This sutra explains everything as both a mirror reflecting all ana an image reflected by all. Everything is simultaneously cause and effect, support and supported. This important sutra was translated from Sanskrit, and its logic further developed in China under the name of Hua-yen Buddhism.

The Hua-yen tradition was developed by a series of thinkers, most notably Fa-tsang (CE 643-712). Through him, it passed on to Korea and other East Asian countries, becoming known as 'Kegon' in Japan. Hua-yen is praised as the highest development of Chinese Buddhist thought. D.T. Suzuki called Hua-yen the philosophy of Zen, and Zen the meditation practice of Hua-yen. Francis Cook explains the core philosophy of Hua-yen as follows:

'Far away in the heavenly abode of the great god Indra, there is a wonderful net which has been hung by some cunning artificer in such a manner that it stretches out infinitely in all directions. In accordance with the extravagant tastes of deities, the artificer has hung a single glittering jewel in each "eye" of the net, and since the net itself is infinite in dimension, the jewels are infinite in number. There hang the jewels, glittering "like" stars in the first magnitude, a wonderful sight to behold. If we now arbitrarily select one of these jewels for inspection and look closely at it, we will discover that in its polished surface there are reflected all the other jewels in the net, infinite in number. Not only that, but each of the jewels reflected in this one jewel is also reflecting all the other jewels, so that there is an infinite reflecting process occurring.'

Rajiv Malhotra, Indra's Net

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My Divine Mother

is the primordial Divine Energy.

She is omnipresent.

She is both the outside

and the inside of visible phenomena.

She is the parent of the world,

and the world carries Her in its heart.

She is the Spider

and the world is the web

She has spun.

The Spider draws the thread

out of Herself

and then winds it round Herself.

My Mother is at the same time

the container and the contained.

She is the shell,

but She is also the kernel

~ Sri Ramakrishna

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My feelings of grief had become unbearable, and I attempted to pull off the road. But as suddenly as the wailing began, it ceased, and everything was transformed. Looking at the landscape around me through the window of my parked car, I wondered at first if I might be dreaming. Every rock, every sagebrush, every lofty pine and blazing aspen, as well as the mountain itself, was bathed in a yellowish-gold light connected to luminous threads. I felt as if I were enveloped in soft down.

"This is not a vision," I said to myself. "I am seeing the world as it really is!"

...The mysterious glow surrounding everything seemed to emanate from within all things...more accurately, perhaps, from within the earth, herself. The threads of light were even more extraordinary. Unlike the visible spectrum of light, these felt alive. It seemed that each strand of this "living light" was self-aware and also aware of the whole. I felt that I perceived, on an energetic level, the very essence of the earth - perhaps the nature of Creation itself. I also felt that for a brief, timeless moment, I perceived the "flow" of things, for these luminous threads of light seemed fluid, shimmering, and eternal. These threads of light were connected to all things, thus forming the impression of a vast living web. There were also strands, which extended upward as if connecting this web to some greater whole. Perhaps they reached into Infinity itself. My heartwrenching anguish had been transformed into utter bliss. It was then that I heard an inner voice telling me that one must know the sufferings of the world before bliss is possible... ...When my perception returned to normal, I thought of the Navaho deity, Spider Woman, who wove the web of the Universe. I remembered the opening verse to an ancient East Indian account of Creation, "Father, Mother, spin a web, whose web is the Universe".

I felt that my eyes had been opened. For the first time I understood what these ancient people must have known through direct experience. For the next half hour while standing on that mountain pass, I continued observing the glow of our world with its luminous threads. I knew that the goddess of our world had shared with me both her anguish and her bliss. Through a spontaneous shift in awareness, I had perceived her energetic configurations, while experiencing a joyous and ecstatic union with this great being - the Earth Mother - in her Gaia, or planetary, form.

- Peter Calhoun, "Soul On Fire: From Priest To Shaman"

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photo by Carmina Escobar / photo by Valentina Grilli

Luigi Russolo (1885-1947), Compenetrazione di case + luce + cielo / Interpenetration of houses + Light + Sky, 1912.