Roman Mosaic Floor, Palacio de la Condesa de Lebrija, ca.2nd-3rd century CE, Seville, Spain
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Roman Mosaic Floor, Palacio de la Condesa de Lebrija, ca.2nd-3rd century CE, Seville, Spain

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The Battle of Toro 1476 (detail) by José Daniel Cabrera Peña
The Iberian lynx is now classed as "vulnerable" as numbers surge due to conservation efforts.
"One of the world's rarest cats, the Iberian lynx, is no longer classed as endangered, according to a report by the International Union for Conservation of Nature (IUCN).
On Thursday [June 20, 2024], the IUCN, which categorises species according to the level of risk they face in a "red list", bumped the Iberian lynx from "endangered" to "vulnerable" after a significant surge in numbers.
Its population grew from 62 mature individuals in 2001 to 648 in 2022. While young and mature lynx combined now have an estimated population of more than 2,000, the IUCN reports.
As the name suggests, the wild cat species calls the Iberian region - Spain and Portugal - home.
According to the latest census data, there were a total of 14 clusters where the animals were stable and reproducing. Of those, 13 were located in Spain and one in Portugal.
The wild cat used to be common across the whole of the Iberian Peninsula, but from the 1960s its numbers plummeted.
Habitat loss, poaching and road accidents all helped to push the species to the brink of extinction.
Now, the cat is coming back.
The increase is largely thanks to conservation efforts that have focused on increasing the abundance of its main food source - the also endangered wild rabbit, known as European rabbit.
Programmes to free hundreds of captive lynxes and restoring scrublands and forests have also played an important role in ensuring the lynx is no longer endangered.
Francisco Javier Salcedo Ortiz, a coordinator responsible for leading the conservation action, described it as the "greatest recovery of a cat species ever achieved through conservation".
Mr Ortiz said there was still "a lot of work to do" to ensure the animals survive and the species can recover.
"Looking ahead, there are plans to reintroduce the Iberian lynx to new sites in central and northern Spain,” he added.
The area the species occupies is now much larger, according to IUCN, jumping from 449 sq km (173 sq miles) in 2005 to 3,320 sq km today."
-via BBC News, June 20, 2024
Chest. Al-Andalus, Spain. 1400s to 1500s
Aga Khan Museum.
floral medallion | c. 250 - 300 CE | conímbriga, roman-era iberia (modern day portugal)
in the museu nacional de conímbriga collection

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Temple Pendants from Georgia (South Caucasus) c.350 BCE: this jewelry was worn as part of an elaborate headdress, with each pendant hanging on one side of the wearer's face
These temple ornaments were created in the Kingdom of Kartli (also known as the Kingdom of Iberia) nearly 2,400 years ago, when Kartli controlled most of what is now eastern Georgia. Like the neighboring Kingdom of Colchis, Kartli was famous for its mastery of goldsmithing, and these pendants are a reflection of that tradition.
Temple pendants (also known as temple ornaments) are pieces of jewelry that hang down along each side of a person's face, often covering the temples and part of the cheek. The pendants are typically suspended from a headdress, headband, or diadem. This type of jewelry is often associated with the cultures of the Near East, the Caucasus, and Eastern Europe, but it has appeared in many different cultures throughout history.
These particular pendants were discovered in a cache of artifacts known as the Akhalgori treasure. They measure about 13cm long, and each pendant depicts a pair of horses in exquisite detail. The legs and ears are crafted from pieces of gold leaf, while the eyes are formed by thin gold wire; the horses are depicted with reigns, harnesses, rounded forelock tufts, and decorative saddle-cloths, and each pendant is decorated with intricate patterns of gold granulation.
As this book describes:
These temple ornaments are masterpieces of the goldsmith’s art. The finest granulation is used, and individual parts are created from fine wire and thin gold leaf. The bodies of the horses are formed by two halves soldered together. The legs and ears are made of gold leaf with details depicted in relief, and even the horses’ eyes are soldered on with fine wire.
The pendants reflect some Achaemenid, Scythian, and Greek influences, but the style and technique is still distinctly Georgian:
The form of the temple pendants — a wide plaque surmounted by a large rosette with special springs for fastening — is not found among objects from Achemenid Iran, whereas the figure of the horse, with its horse-cloth ending in a toothed pattern and drop-shaped pendants, “plumes” and harness is indisputably Achemenid. The technique employed is also Achemenid, although ornamental jewellery found in Iran does not have such rich granulation.
The temple pendants of the Akhalgori hoard are an example of metalwork fashioned in the imperial Achemenid, yet incorporating the achievements of the local metalwork schools, which can be seen in the details of the ornamentation.
Sources & More Info:
Georgian National Museum: Temple Pendants
Lost Treasures of Persia: Temple Ornaments from the 4th Century BC
Papers in Ancient Near Eastern, Mediterranean, and Armenian Studies: Achaemenids and the Southern Caucasus (PDF)
Classical Wisdom: Should We Own Stuff?
Alguien me preguntó por straw, si podía hablar un poco más de Cataluña.
¡¡Así que aquí me tienen!! - Hablaré largo y tendido sobre los orígenes de Bernat y la relación con sus padres, además de cómo éstos forjaron consciente o inconscientemente patrones, pasiones y sí, el futuro de sus relaciones con sus dos esposas.
Así que, vayan por algo de beber y disfruten el catalanoposteo (y mi bias por el Araluña)