I just want to take the funny looking foal home. He's like the opposite of those overbred seahorse arabs.
And I'd let him grow a tail. Obviously.

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I just want to take the funny looking foal home. He's like the opposite of those overbred seahorse arabs.
And I'd let him grow a tail. Obviously.

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Roman Mosaic Floor, Palacio de la Condesa de Lebrija, ca.2nd-3rd century CE, Seville, Spain
An Andalusian Horse and Rider by Jehan Georges Vibert
This antique Portuguese jewel looks like golden lace made solid and sparkles with the most bewitching old cut diamonds.
Do elaborate older treasures like this have your heart, or do you prefer the more streamlined designs of more recent eras?
Spotted at Talia Jade Jewelry during #NYCJAOS.
Ancient Iberian Fox and Prey
A scene of a fox with prey animals painted in the style of ancient Iberian pottery (300-200 BCE) on a full fox skull. Done in textured acrylic paint with matte vanish.

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Celtes, Germains, Grecs, Slaves, Scandinaves, Latins, Ibères, ou plus précisément nous, leurs descendants, devons désormais nous considérer comme un seul peuple, héritiers d'une même terre, une immense patrie.
Guillaume Faye - L'Archéofuturisme
Title: Sword (Falcata)
Date: 5th–1st century BCE
Culture: Iberian
Medium: Iron alloy
Dimensions: H. 20 15/16 in. (53.2 cm); H. of blade 17 in. (43.2 cm); W. 2 5/8 in. (6.7 cm); D. 13/16 in. (2.1 cm); Wt. 1 lb. 0.7 oz. (473.4 g)
The falcata was a popular type of sword in the Iberian Peninsula from the fifth to the first century B.C. Closely related in form to slashing weapons found in Greece, it is distinguished by the fact that its blade is double-edged for about half of its length, whereas Greek specimens normally have a single cutting edge.
Although its old patina was removed and an inaccurate modern wood grip was added sometime before it was acquired, The Metropolitan Museum's falcata occupies an important place among the examples known to survive because of the otherwise fine state of preservation of its blade, which is structurally intact and only superficially corroded.
© The Metropolitan Museum of Art