THE FOUR TEMPERAMENTS by George Balanchine Melancholic: Bart Cook Sanguinic: Merrill Ashley & Daniel Duell Phlegmatic: Adam Lüders Choleric: Colleen Neary
New York City Ballet (1977, filming for Dance in America)
📷 Martha Swope
seen from United States
seen from Malaysia

seen from United States

seen from Malaysia
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United Kingdom

seen from United States

seen from Singapore
seen from United States
seen from China
seen from China

seen from United States
seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from Spain
THE FOUR TEMPERAMENTS by George Balanchine Melancholic: Bart Cook Sanguinic: Merrill Ashley & Daniel Duell Phlegmatic: Adam Lüders Choleric: Colleen Neary
New York City Ballet (1977, filming for Dance in America)
📷 Martha Swope

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Which symphony do you prefer?
Hindemith Mathis der Maler
Hisaishi 2
Mindemith Mathis der Maler ("Matthias the Painter")
No submitter comments
Hisaishi 2
I bought this album for the viola concerto, but this symphony is great!
joe hisaishi does a lot of the composing for studio ghibli movies and he fills my soul with joy. this is his latest symphony, premiered over the summer. it's only 3 movements, ending with the slow movement. he does symphonic minimalism so well <3
I love when the moon is shining through clouds giving off a cold glow like ghostly light, and I see it now outside my window glowing through the bare tree branches
Paul Hindemith (1895-1963) - Concerto "Der Schwanendreher" for Viola and Orchestra, I. "Zwischen Berg und tiefem Tal": Langsam – Mäßig bewegt, mit Kraft. Performed by Tabea Zimmeramann, viola, and Claudio Abbado/Berliner Philharmoniker.
Why don’t you listen to the first movement of Paul Hindemith’s alto horn sonata accompanied by Glenn Gould and maybe you’ll calm down

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Paul Hindemith (1895–1963) was a German composer, teacher, and conductor. He is known for his unique neoclassical compositional voice, which was strongly influenced by the counterpoint of Johann Sebastian Bach and Max Reger.
Hindemith’s musical style employs a unique system of structure that he formulated. This system is tonal, but non-diatonic; rather than relying on a scale as a subset of the 12 chromatic pitches in order to establish tonality, this system employs all 12 pitches freely according to a hierarchy of dissonance. Hindemith ranked all intervals and chords according to their perceived relative dissonance, and used this hierarchy to move into tension and then resolution. Much of his music begins largely consonant, progresses into increasing dissonance, and resolves at the end again to consonance.
Although Hindemith’s musical system is wholly unique, he was strongly influenced by the counterpoint of Johann Sebastian Bach. Much of his music is very contrapuntal. Hindemith even wrote a set of pieces named Ludus Tonalis, which were a set of twelve fugues in the style of Bach’s 24 fugues in the Well-Tempered Klavier. Just like Bach’s set, Ludus Tonalis contains one fugue in each key, the difference being that Bach differentiated between major and minor modes while Hindemith, whose music does not contains such a distinction, only wrote one for each tonal center.
In addition to his unique compositional voice, Hindemith is known for writing Gebrauchsmusik, or utility music. This is music that is written not only for its own sake, but for some other specific, identifiable purpose.
Major works include 'Symphonic Metamorphosis of Themes by Weber' 'Mathis Der Maler' & 'Noblissima Visione'
Here’s day 2! I know I missed yesterday and it was probably not a good idea to start 100 days of practice the day before I had to do three finals but I’m still here
@m0nicaish3re asked me what pieces I was working on, which is just the Hindemith Sonate right now. I hear a lot of clarinetists hate it so we’ll see if I end up feeling the same way about it!Â
Soon I’ll start working on my audition excerpts for next semester too. Today I also worked on Rose #29 and some Kroepsch exercises.Â
I could only practice for half an hour because my new hand position is still pretty uncomfortable for me, but there was some improvement and more consistency today!Â