Il cimento dell'armonia e dell'inventione

Wenzel Heinrich Veit (1806-64) - Romanze "Les Adieux" for Violin and Piano in d-minor, Op. 26. Performed by Duo Connessione on period instruments.

Johann Sebastian Bach (1685-1750) - Concerto for Oboe, Violin, Strings and Basso continuo in c-minor, BWV 1060R, I. Allegro. Performed by Isabelle Faust, violin, Xenia Löffler, oboe, and Akademie für Alte Musik Berlin on period instruments.

Francesco Durante (1684-1755) - Partimento for Harpsichord in g-minor. Performed by Nicoleta Parashicvescu, harpsichord.

Georg Philipp Telemann (1681-1767) - Concerto à 7 for 2 Recorders, 2 Oboes, 2 Violins and Continuo in a-minor, TWV 44:42, IV. Allegro. Performed by Reinhard Goebel/Musica Antiqua Köln on period instruments.

Giovanni Porta (ca. 1675-1755) - Sinfonia for Strings and Basso continuo in D-Major, I. Allegro. Performed by Fabio Biondi/Europa Galante on period instruments.

Johann Wilhelm Wilms (1772-1847) - Concerto for Piano and Orchestra in E-Major, Op. 3, I. Allegro. Performed by Ronald Brautigam, fortepiano, and Michael Alexander Willens/Kölner Akademie on period instruments.

Antonio Vivaldi (1678-1741) - Concerto for Bassoon, Strings and Basso continuo in e-minor, RV 484, III. Allegro. Performed by Sergio Azzolini, bassoon, and Diego Cantalupi/L'Aura Soave on period instruments.

George Onslow (1784-1853) - String Quintet "The Bullet" in c-minor, Op. 38, II. Menuetto Presto. Dolore, febbre, e delirio. Performed by L'Archibudelli & Smithsonian Chamber Players on period instruments.

Johann Melchior Molter (1696-1765) - Concerto for Violin, Strings and Basso continuo in b-minor, MWV 6.1, I. [Allegro]. Performed by Catherine Martin, violin, and Michael Alexander Willens/Kölner Akademie on period instruments.