Three Little Birds - Michelle Olson, mother of Henry "Hank" Olson
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Three Little Birds - Michelle Olson, mother of Henry "Hank" Olson

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tlw my baby congrats on the movie trailer
different versions under the cut
more modern headcanons because i like them
tressler has a Frankenstein'd ipod that he and his dad fixed up
tressler and ray are only acquaintances, but they love sharing music with one another or sharing dvds and cds
tressler was in marching band!! he was on the drumline and he played the tenors!
the xylophone was his number one for concert band
harkness and stebbins get coffee every once in a while
they had an english class together freshman year and just started hanging out every once in a while
they just talk about whatever, mainly when they both need to get stuff off their chests
harkness hangs out with the guys sometimes (mainly on ray’s invitation) and somehow, his identity came up and he came out
he was kinda nervous
ray and art were gonna say something nice, but barkovitch beat them to it
“womp womp”
but yeah they’re all supportive of it
clem is a ballerina and went to a school that specializes in the performing arts!
hank brings up this fact often
hank: guys the school posted clem-
pete: hank, man, tell us after you take out storm, yeah?
tressler really like x-men i think (projecting)
he likes storm and cyclops the most
i think ray knows how to play the guitar some. nothing crazy, just a few songs
he does not play in front of anyone
he HAS played in front of pete once though
ray got kinda tipsy and pete was drunk
ray hopes he doesn’t remember but pete does
he can never forget anything involving ray
harkness can very casually play the harmonica
his dad taught him when he was young
pearson is ray’s number one opp, but pearson thinks they’re friends
ray feels kinda bad, but he just can’t stand the guy
“hey ray :D”
“heeey pearson”
ray does the white person smile a lot
you know the one
pete has picked up the habit
art goes to church every sunday still and sometimes pete goes with him
“wanna grab food after this?”
“we’re about to enter the house of the lord” (that means yes)
hank went once and art had to kick him out mid sermon
“hank you can’t be on your phone”
“it’s clash of clans. i can’t miss my daily rewards”
collie is tired of the group
he can’t stand the verbal edging of pete and ray much longer. he might combust
art’s actually collie’s favorite
collie, watching ray and pete flirt very openly and casually: can you believe this shit?
art: i’ll pray for them tonight
collie: ask the big man to put this one at priority
henry winkler as henry olson in season four of the practice
primetime emmy award nominee for outstanding guest actor in a drama series
Making a struggling organization more efficient is not a conspiracy.
President Trump’s conflicting comments about the U.S. Postal Service and the security of mail-in voting have made headlines and stoked anxiety. But a closer look at what’s actually happening at the USPS reveals nothing that hints at a hidden plot to steal the election.
The Postal Service was troubled long before the coronavirus pandemic made it obvious that many Americans were going to cast their ballots by mail. And efforts to grapple with its chronic multibillion annual losses aren’t new either.
The advent of email was a fiscal hurricane for the venerable institution. It has lost money for 13 consecutive years, with total losses of roughly $78 billion. The USPS lost nearly $9 billion in the past fiscal year, a 125 percent increase over the previous year. If it were a wholly private business, it would have been declared bankrupt long ago.
Given these challenges, it shouldn’t be surprising that the new postmaster general, Louis DeJoy, has a mandate to turn the ship around and is pursuing significant changes to achieve it. But the USPS has very strong unions, and any change in operations that will achieve savings and generate new revenue will almost certainly result in lower overtime and fewer employees. That means the solidly Democratic unions have every incentive to fight back — and they are using the election as their lever to force a system-wide bailout.
The Democratic House leadership has been happy to oblige. It tried to force a massive bailout through the Cares Act in the spring and has again included a $25 billion bailout in the Heroes Act it passed earlier this summer. The USPS says it does not need additional funding to handle the expected uptick in mail-in balloting; even if it’s wrong, it surely does not need $25 billion to handle what is no more than an additional couple of percentage points of mail than it normally handles in the fall months. This aid — and this hullaballoo — are about keeping the Post Office afloat without asking it to improve its business practices, not protecting the integrity of the presidential election.

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