#hctm

Here come the mummies of the week!!!

2 because I forgot last time, next week I'll (hopefully) have art to share! For now umm poll

Mummy song for the week 👅

Here they come

Let's close our eyes and make a wish.

not healthy about the ocdd live performance rn

The motif of life-saving medical intervention comes up in all but one of the works he takes screenwriting credit on. He's Coming To Me: P'Med dies originally because of a lack of medical intervention. 1000 Stars: Tian gets a heart transplant. Moonlight Chicken: this one's more subtle, but the whole series is explicitly established in the context of reopening following the COVID pandemic, and Wen will later say to Jim, "we are survivors." It was this line upon rewatch that made me start considering how thorough this theme is. Survivors of what? The meaning is three-fold: hard lessons in love, COVID, and, for gay men of their age, the HIV epidemic. The hope of medical intervention for Day's condition takes on a secondary meaning, with this trend in mind, even if the mixed disability politics between visual impairment and being HIV positive really fails.

His comparisons are more intricate though. Pills and daily regimens are a consistent motif. Day has his daily eye-drops, Tian his pills (which are presumably immune-suppressants to help accept the transplant but I'm not going to Viki right now and watching every ep to find out so someone feel free to correct me). 'But people take medicine for lots of things,' you say. 'Just because its gay doesn't mean its an HIV metaphor!' You have a fair point! But here's where Aof gets real fun and sneaky. P'Med dies from lack of pills the same year Torfun, whose heart will save Tian's life, is born, 1997. I'm mentioned once before 1997 as important for the class-conscious Aof because of the Asian financial crisis that Thailand set off that year. However, 1997 is also important because its the year HAART, or Highly Active Anti-Retroviral Therapy was first used in Thailand (it had hit the market only one year earlier). HAART, a multi-drug regimen, boosted someone's life-expectancy with HIV up by 15 years, and its side-effects were significantly milder than previous approaches. The medical conditions of P'Med and Torfun's heart point us directly to HAART, and what it could offer.

Now we're moving out of the medical and into the experiential connections because, while Dark Blue Kiss is the only work Aof chose to take credit for screen-writing without incorporating medical references, it is by far the most dense with references to the issue of concealment. Its in the narrative as people closet identities and hide relationships, yes, but its in SO much of the visuals, too, most obviously the Pete & Kao mug hidden inside its coozie. It's easy to see the surface story about gay visibility and the closet, but there's a more specific subtext here about the associated condition that intensified the stigma of being gay and how that impacts your sense of self. Bad Buddy explores this issue less, but even in the BL Bubble, its haunted by the stigma of homophobia--it just shuffles it over onto rivalry so the audience can experience it without reproducing it.

However, the grief and shame of surviving when others haven't haunts Aof's other works much more intensely. Jim and Tian both are hung up on guilt for someone's death that they did not actually cause, continuing to pursue the goals for those that passed rather than their own. Then, there's Thun and P'Med, which is the best allegory for living and dating with HIV, bar none. It goes into the feelings of stigma and the limits of physical intimacy with partners that living with HIV caused, especially prior to Truvada's introduction in 2004. Even then, the show depicts how a HIV negative partner maintains the choice to participate in their own regimens, as Thun's desires for physical intimacy with P'Med manage their relationship and never the other way around.

This sense of required separation and gay identities that are less sex-focused also play into oft-maligned motifs in Aof's work. He's talked explicitly about people's criticisms of the limited physical intimacy in his earlier works that led to the more prominent stuff in Bad Buddy, but I hope given the above context, we can appreciate why physical intimacy is less of a priority than other kinds (and I'd add that 1000 Stars, which got the most sh*t about it, is actually one of the most erotically-charged BLs out there because of it's restraint). Then, you have the finales where characters separate for periods of time, and while I don't see this as explicitly tied to HIV experiences (Aof is literally following the book of romcom beats there, even if everyone whines about it), I can't help but appreciate a tangential connection to loving beyond time and distance that was required for those who lived with or lost loved ones to HIV.