Jan 6
Gelitin, (democratic sculpture 7).
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Gelitin, (democratic sculpture 7).
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Gelitin
View of the exhibition "Gelatin: Vorm-Fellows-Attitude" at museum Bojimans Van Beuningen, Rotterdam (Netherlands), 2018
"Hase"
By gelitin (group of artists)
Sculpture, 2005
Colletto Fava.
key's famous predebut social media selfie (around 2006?)
"tantamounter", by art collective Gelitin (2005)
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did y'all know about hase*, the giant pink bunny that the italian art collective gelitin made & installed on a hillside in the alps?
it measured 200 feet long & 20 feet high, took five years to make out of wool & hay, & was placed in 2005. over time it became sunbleached, the fabric increasingly thin and ragged; by 2016, it was almost completely worn away. its page on atlas obscura lists the work as "permanently closed"
more from elephant.art: while it stood (or lay), some visitors used the bunny's body as a ski jump
:)
*this linked page is distinct from a lot of the collective's other projects, which are adventurous in a way probably considered not safe for work, or for the people reading over your shoulder on public transit
Gelitin, "HASE" Artesina (Italy), 2005
On a hilltop in the romantic mountainous Piedmonte region of northern Italy, on Colletto Fava, just above the village of Artesina lies a sculpture, which is of such a daunting scale and childish nature, that it seems it can only have been conceived by a twisted mind. Ears nibbled off, stuffing exploding from a body covered with mangy fur, eyes missing - here are all the destructive signs a stuffed animal suffers under the affection and physical abuse of its infant owner. Love can be destructive.
Rabbit (2005), a gigantic pink cuddly toy made primarily of straw and wool, is the work of the artist group, Gelitin. It's so big that one begins to get an idea of how small and insignificant a Liliputian must have felt next to Gulliver. According to the legend, dozens of grannies knitted one ton of wool into the rabbit's skin, contributing to a work, which is to remain on site for 20 years - and left to rot. Its decay was programmed into the rabbit from its conception - it was essentially born a corpse:
With mouth wide open as if in horror, one eye plucked out, and intestines pouring out of its body, it seems to have died a cruel death, like an animal flattened on a road run over by a car. In spite of this, it receives unconditional affection - or maybe just because of this: love also heals all wounds. Like a place of pil-grimage, the rabbit attracts hoards of tourists from all over the world. Some visit the rabbit, much like the three Holy Kings who travelled to welcome Christ - to worship and observe it for hours on end. -Text by Monte Packham
source
from my rotting body flowers will grow, and i am in them.
in a week, hozier & karen cowley // hare installation, gelitin // house of leaves, mark z. danielewski // petal deer, ellen jewett // sir ribbeck von ribbeck on havelland, theodor fontane // edvard munch [id under the cut]