#fraudster

A fresh idea for the serious commitment that marriage is believed to be in India, this film was entertaining to the end of how she played her part well. While Sonam Kapoor is not well received through her work, this film was exemplary with a few other films. The idea was novel to me when it was released, I nevertheless believe it is easy to get away with a similar scam, as marriage is a sensitive and elaborate process between families with not many serious qualifications needed. While it is a light-hearted film about a charming con girl, marriage scams are authentic leaving its victims with serious consequences.

Ladies Vs Ricky Bahl (2011)

One of my first films on con artists, this film too glorifies the illegal profession. With Ranveer Singh as the lead, we first see him scamming a girl to fall in love with him while convincing her father to buy his property from a fake owner. We then see him run a painting scam with a businesswoman, only for her to get conned by him. In her rage at being fired, the businesswoman teams up with other women conned by the same man and plans revenge to get back their money.

Having presented the same topic in college, I stand by my statement, that India is one of the top ten on a list of countries with the most frauds and scams. This movie was charming, convincing us of how good-looking he was that we almost forgave him for his crimes. But in reality, this film, however unintentional, glorified the actions of a con artist. It was one of my favourite films to rewatch, and it still is, not just for the story but for the empowered victims and gave them a course of action. While the tactics are hard to replicate in reality, the film is still entertaining.

Players (2012)

Another classic in this list, this film has a brilliant execution of their elaborate plan of subjective justice for their lives. Initially planning to steal gold with a unique team of individuals, the film spins out of trajectory when their plan goes unfinished. The film then picks off from a different perspective, and with every turn in the movie we zoom out to see that there was a bigger picture than the one we saw before and believed. The film was mindblowing with the nuances added to the plot that made it gripping every single time, and with stereotypes that were not all that unique but still had humane characters.

Having a specific aesthetic through the direction and actors that were skilled and very specific to the character roles, this film is entertaining and compelling until the very end. Being over a decade old, it might initially seem cliche for today’s standard and yet it has a timeless value repetitively ingrained throughout. The film focuses heavily on loyalty and doing right by what is morally expected of someone, even though it is a conflicting topic in this genre of the film. ‘Players’ was thrilling with a sense of humour while keeping us on the edge of our seats on what could unravel next.

Vaastu Prakara (2014)

One of the first films by Rakshith Shetty, this film is a bag of laughs and drama. While conning is not the leading theme here, it is ruled by romance and them deceiving one family for their own reasons. Two men come together for a profession deeply dependent on faith and indigenous science, though their beliefs are inconsistent for the same. With a job that brings romance to one and work to do for both, they both go on a trial of their skills.

With seasoned actors like Ananth Nag and Sudha Rani, this film is an amusing punch. It is easily a family watch despite the romance and the humour. It also highlights the generational gap most people experience with their parents and children. With a controversial director, this film had its fans and critics having unique opinions, but I’d like to point out they only presented a perspective, not the reality.

Roy (2015)

Creating enormous buzz when it came out, this film was a paradox to the audience until someone dissected the storyline to make it sensible. With enchanting directions and captivating actors playing enigmatic characters, the storyline makes sense but somehow leaves a vital dot that needs to be connected that suddenly makes sense in the very end. It starts with a story of an art thief falling in love and changing his direction with another parallel of a filmmaker who meets a captivating woman and connects with her. The rest of the film takes us on a journey that none of us can predict.

With its enchanting music, dreamy visuals and ensnaring plotline, this film is one for an evening that requires contemplation on the experience it was. While the story is not original or unique, the narration and direction of the story makes it distinctive. Somewhat appearing to break the fourth wall of the cinema, this film gives a perspective peek into the lives of the storytellers we regularly consume from.

Special 26 (2013)

Based on a real story, this film entails the time of individuals fraudulently posing as government officers and raiding corrupt politicians and local businessmen. Getting away with it was the easy part, with them being quickly followed and chased by the legal government officials, fleeing them in minutes and having a solid system. It was based on the heist in 1987, where they even interviewed the people for the heist, making it seem like they were actual officers, involving real police authorities for support during the raids.

This film was an enormous success in the theatres and the television when it was released, well-known for the story and the work of prominent actors. While the film seems like an adaptation of a Robin Hood figure, taking black money from corrupt individuals, the money does not flow out to the people as the original story goes. The brilliant execution of the raids, the plot twists and the stunning performance by the actors are unmatched. With a very Indian touch to the film theme and the art of conning being perceptible from the beginning, this film is exceptional.

Drive (2019)

With distinctively bad ratings, this film is a good watch for the first time. Starring Sushanth Singh Rajput and a few other stars from Bollywood, it was refilmed several times to fit into the genre of OTT Platforms. The film starts with a buzz, a corrupt politician hiding her money in the Rastrapathi Bhavan only to hear rumours that it could be stolen by the “King”. With steep conflicts and two officers dispatched to dissolve this situation, the film pans to a group of individuals dabbling in illegal car racing who encounter another mysterious character who offers help with everything and nothing.

With innumerable plot twists and characters revealing their identities layer by layer, this film is mind-boggling and undeniably fictional. The film is like a meld of Dhoom and the Race series, with cliche themes of adrenaline pump and complex characters coming together for the impossible. While the mix is not invalid, somehow the film does not pack the punch either series did. The chase is thrilling, and this film is absolutely recommended to people who love the adrenaline rush. The car races are the icing of the film.

Operation Alamelamma (2017)

A truly underrated gem from the Kannada film industry, this film was hilarious with an excellent plan that was successfully executed. The film starts with a simple man who casually picks up a luggage bag on the street only to get hauled into a kidnapping case making him the prime suspect. Claiming to have picked the bag out of curiosity, the man ends up on a road trip with the police officials scrambling to find the son of a businessman. The story has flashbacks and unique characters, everything coming together in the end with an unimaginable tale.

I was enamoured by this film, not having seen anything like this in any other films of any language. The characters not being con artists in reality, the film is ingenious and out of the ordinary. With nearly all the actors being underrated, the reception was limited amongst the audiences with barely any fame, making it a hidden jewel. The language and setting are local to South Indians and could be a fresh perspective to the prospective global audience. Having very down-to-earth characters and a story that leaves us speechless, this film is like no other.

Race series (2008, 2013,2018)

The first Race film was groundbreaking setting standards high in the con artists and heist experts genre of films, with the second film surpassing the first film with the buzz created. With nearly terrible ratings for the third film, I promptly ignored its existence while rewatching the first two. The film mafia groups, complex familiaes with hidden crimes and agendas, and a plottwist to leave us all in shock. The first film came with a lot of twists and turns, mostly involving family drama between two ambitious brothers. The second film features one of the said brothers and he many heists he gets involved in with a very well-known business tychoon to make money.

Being very young when I first watched both the films, the adrenaline rush and the exciting plot left me entalled in its brilliance. Having rewatched it recently, I can certainly find plenty of faults in the films, but nonetheless, it is fast paced and takes us on a race to the end with the exhilaring story. The films are creative thats for sure, but the characters never seem to evolve which is both good and bad for the story. Race was always a classic in this genre of films, with con artists living the best life while also having incredible music, and each of their entrances with alluring romances.

Dhoom series (2004, 2006, 2013)

If anything could beat the Race series in its brilliance, its these three films. While the Race series highlighted the cons and the heists from the perspective of the con artists, these three films takes a wider shot including the storyline of the infamous two cops in the three films while also letting us in on the con artists lives behind the crimes. The thieves here are called just the ame and pan out from just India to South and North America with the crimes being greater than the one featured before.

The first film involves heists that are local but frustrating enough to the police officials who are unable to catch them on their own, having to bring in special officers to deduce the mind of this unique crime group. The second film however brings in an artistic persective to the tale with the con artist not just being excellant at his job, but also being a master of disguises. The last film involves Aamir Khan taking the stage as a circus entertainer, brought by his father in the same profession sworn to revenge for a bitter past and brilliant plans for the American Banks.