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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Why is scraps x yatta called partycraft when it could be called paperpinata.
Uhhh here is a friendship offering :]
FRIENDSHIP ACCEPTED!!!! LETS GO DEFEAT GANON!!!!!!!!
May I know about the titanic through you informing possibly ... JEJWJRJKSKRK
BWAHHH I LOVE YOU
Okay okay just watched a documentary on it so im going to try n say everything that's fresh on my mind
one of my favorite things about fallout 4 is that story component of ‘waking up in a new world’ that fantasy stories sometimes use, is completely flipped on it’s ass. Because there is no magic, it’s just the sheer brutality of war. There is nothing left of Sole’s past, and there’s no going back. And how they’re given an artificial model of the son they never watched grow up, and will never continue to see grow—it’s like a slap in the face to that sentiment. Killing Kellogg can surely avenge your spouse and the theft of your son, but there’s no real closure there. You can’t pursue vengeance on Vault Tec for experimenting on your family, or on the employees that left you in that pod to die because they’re already dead. The Sole Survivor is forced to come to terms that their world is gone forever, there is no return but you’re still alive; you can still form new connections, be capable of more than just revenge or hate, fall in love again, breathe the dusty air and grill some radioactive cow in the ruins of your old neighborhood, surrounded by new faces, new lives. It’s complete renewal. I know all of this sounds super obvious but as someone who’s had to deal with unclosed trauma and the passage of time, it HURTS so uniquely bad.
Also, to be more survivor-specific; I can’t imagine what either spouse could’ve felt in that scenario. Nate, being a former soldier who thought he could narrowly escape that carnage, only to be reminded of their reality as the familiar sound of vertibirds fly overhead. To helplessly watch his wife be murdered the same as his old comrade-in-arms after everything he did to keep them safe.
And for Nora, who probably spent each day worrying and stressing for her husband’s safety while he was deployed. Only to watch him be murdered helplessly trying to shield their son, unable to do anything once again. To have that sense of a permanent future be swiped from them and wrecked into oblivion.
And then in 210 years, be face to face with the son they don’t know and never knew at all, unable to be saved and the embodiment of guilt—older than their own selves and completely unrecognizable. The way their voices welled with emotion as they saw the synth version of their son, believing him to be real and begging for him to follow. They come all this way and for what? Realize their own child is the enemy? When they watch from that rooftop as the Institute explodes, everyone celebrates but does Sole? Do they want to question if it was worth it? I also like the addition of the Silver Shroud missions because maybe it offered a chance for Sole to reminisce, live within their old life for a minute and be human. And they seemed really happy about it too despite everything.
or maybe im just overly empathetic uhhhhhh

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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