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Bro, you better shut the fuck up before I look at you one day and feel warm and realized Iâve fallen in love you, bro. Iâm serious, quit it dude.
Madison Montgomery to Zoe Benson
"Gone to bed on an unclean head, The angels they forgot her"
The Blackcoat's Daughter, dir. Oz Perkins
AHS: 1984 Successfully Steers into the 80s Skid, but How Long Will the Novelty Last? (9x01 Review.)
Iâm part of a minuscule group of people who believed that maybe, just maybe, after eight seasons, itâs two leads Evan Peters and Sarah Paulson leaving might give the show the revitalizing kick it needs. They have given us some of the most iconic horror characters in history, (Tate Langdon, Mr. March, Lana Winters, Cordelia Goode), but after a while, itâs possible all these characters could start to run together. To inject the show with a new theme, a new core cast and a new vibe might just be the thing to bring back some of the showâs originality, but the first episode of American Horror Story season 8 never really gets where it wants to be.
The first episode of season 9, AHS: 1984, certainly does feel different. While the first scene is your typical mysterious murder blood bath, a pile of impaled teens with chopped off ears, itâs followed by a colorful, campy, 80s synth-pop workout video starring the show's core young cast. Coupled with a catchy tune and neon pink title cards (with character names like Xander, Chet, and Montana) the scene firmly placed us in the decade of leg warmers and crop tops.
The firm placing and over the top recreation of the 80s cultural landscape is the premiers most entertaining, fun, novel component. The costuming (neon, scrunchies, crop tops, windbreakers) and puffy hair, the music, and the dialogue are so campy and over the top that it works. Itâs a love affair with classic 80s slashers of the time, down the seasonâs summer camp setting. It even changes itâs the usual style of gore, favoring the simpler visual effects techniques of the era were the blood is just red corn syrup that flies in every direction, even out of peoples eyes.
However as the plot is also incredibly clichĂŠ (group of hot youngsters works a summer at a camp haunted by a serial killer) itâs quite possible that all these fun, campy dressings wonât hold the people's interest for very long. Â The classic character tropes (nerdy virgin, oversexed barbie, hot-headed roid monster, overtly sexual gay guy) and camera angles (peeking out of the bushes as if someone is watching the campers) are all a loving tribute to the 80s, but also quite boring. As the seasons Big Baddie âMr Jinglesâ chases Emma Roberts through the woods, at a glandular pace, she trips multiple times, getâs hit with falling branches and falls into some mud, using some very well used tropes in the slasher, you have to wonder how long these familiar scenes will work. The gore isnât enough to excite, as there isnât very much of it in the premier, just the initial scene and one other killing tell us that this is a horror show at all and not a coming of age movie.
Hope lies in the seasonâs core actors Billie Lourde, Emma Roberts and Cody Fern, all returning after last seasons nostalgic âApocalypseâ, with new characters and mannerisms. While they may not have the same pull or raw power in scenes that Evan and Sarah once had, theyâre talented in their own right. Emma has to really stretch herself to play Brooke, a non-blonde who is also not a raging bitch like all her other characters, and is surprisingly good at it. Billie plays glam rocker Montanabr, an 80s sex siren who loves aerobics and headbands, and is a fair bit more animated than weâve seen her previous characters. Â Fern plays Xavier, an outlandish, effeminate aerobics instructor who convinces everyone to work at the dreaded camp. I expect these three will do a lot of the emotional heavy lifting, as Gus Kenworthy plays a character who never wears a shirt, and Matthew Morrisonâs character only has one personality trait, and thatâs that he has a big dick. Those jokes got boring after about thirty seconds. Leslie Grossman play a delightfully repressed ex victim of Mr Jingles, whoâs religious zealot ways are sure to make her snap at some point, and the delightful Angelica Ross plays Nurse Rita. Zach Villa is set to become more central as the local psychopath who attacks Brooke, the newest on the long list of heartthrob killers to sexually confuse people.
As the season moves forward the most important thing the show could do is not getting too bogged down in the 80s schtick which, while fun, will limit the shows potential to surprise and entertain. Whether the show can sustain itself without Evan and Sarah is yet to be seen, this season could just end up feeling more like season 3 of Scream Queens.

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Julianne Nicholson, Emma Roberts & Zachary Quinto To Star In New Matthew Newton Pic âWho We Are Nowâ
Julianne Nicholson, Emma Roberts and Zachary Quinto have been set to star in Who We Are Now, the follow-up movie for writer-director Matthew Newton after his SXSW-winning pic From Nowhere. The new pic, which reunites Newton with his From Nowhere star Nicholson, has just started shooting in New York.
The drama centers on convicted felon Beth (Nicholson), who forms an unlikely alliance with a young public defense lawyer Jess (Roberts), who does everything she can to get Bethâs young son back from her sister after Beth went into prison 10 years earlier for manslaughter. Beth finally lowers her guard enough to meet a former U.S. soldier (Quinto) unfazed by her checkered past.
Cinematography AppreciationÂ
Cinematographer Michael Simmonds
Nerve (2016)