i kind of love that mark and gemma’s relationship is such a blank spot in severance so far. no flashbacks to their life together, mark never talks about her, devon has to skirt around barely mentioning her. nothing of substance has been conveyed about their relationship beyond the intensity of how her death shattered mark. it’s simultaneously the motivation behind his every move and something we as the audience know nothing about. there’s this harsh haunting nothing where those memories and love should be — the severance procedure represented by her total absence from the story. mark was so blinded by his grief that he followed gemma down into hell without even knowing she was there. it’s orpheus and eurydice playing out their roles totally absent of will and intention. they were face to face on the severed floor and he was unable to recognize her and unable to save her because he cut her out of his brain in order to live.
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what if you switched places with your identical twin as a last resort to tackle her depression only for her to find out you have a similar but slightly different flavour of depression, the two of you going through complementary life crisis. AND what if your crush was got7 darling park jinyoung.
just two guys, cursed by a god to be eternally bound by their souls
One of the main contributers to Joel and Etho's dynamic in this AU is the supposed familiarity (or lack thereof) each of them has with their curses and the soul god. Etho first picked up that stupid dagger over a decade before the story begins, he's been living with it for a large part of his life. After feeling forced to leave his family because of the bloodlust, and travelling for years trying desperately to find a way to break the curse or get rid of the dagger, Etho's jaded. He's... given up, and is trying to be content with the quiet life he's built in this tiny island village. He's got friends! A friend! The bloodlust has been pretty quiet! The soul god is probably busy doing other things, pestering other victims. He's scared of upsetting this small sanctuary he's built, even if that upset may lead him back to his home and his family.
Then along comes Joel, freshly cursed, shipwrecked, and stubborn as fuck. Joel's got a loyal crew to get back to, a wife, people he's promised to protect. He may not have had much, but he had them, and he'll do anything to get back (Etho thought he'd do the same, once, but then again, he ran away willingly). And in some twisted move on the soul god's part, they're tied together! Feel everything the other does, can't get much more than half a kilometre away from the other before they double over in pain on the verge of death.
Joel doesn't understand Etho yet, and Etho doesn't want Joel to understand him. Neither of them can get what they want without sacrificing the other's needs. It's almost like some higher power orchestrated this whole thing in an attempt to cause drama!
In the end, Etho's the one dragged along on adventure to reunite with Grian, Jimmy, and Lizzie. If he's secretly hoping Joel's quest will bring him closer to getting back to Cleo, Bdubs, and Beef, that's his business.
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shoutout to that one person in the marcmarc tag yesterday who said their love language is physical touch and there might be a hug coming in some distant future. the future is now
So excited to finally share my full piece for the @curtaincallzine!!! I had sosososo much fun making this piece!!! the drama of 3-5 and the drama of Mozart operas, together at last <3
(details/ analysis under the cut!)
This was inspired by the final scene of the 2001 zurich production of don giovanni! the thought was Dahlia (Don Giovanni) being cast into hell by the returned ghost of Mia (the Commendatore)-- it works too well!! Also Don Giovanni/ Dahlia as the seducer is just perfect!
I included the thinker statue because it represents the statue of the Commendatore/ Mia that speaks to Don Giovanni/ Dahlia asking them to repent and then casting them into hell! Mia is on the dinner table because of the dinner table Don Giovanni sets when he defiles the statue which actually works pretty well with the gravy/ dinner that the aa cast had the night of the murder! And the rope bridge was meant to parallel the ladder that Don Giovanni casts himself off of in the Zurich 2001 production
Also!! Not only is evidence from the case falling into the river-- I included paper with the final words of the show written on it!! why??? because I'm insane!!
I never quite nailed down 1-to-1 parallels for the rest of the cast but I always saw Iris as Leporello (servant who got in over their head) and Phoenix and Edgeworth as Donna Anna and Don Ottavio (seeking vengeance for the murder/ boyfriend of the person seeking vengeance). I think Pearls and Godot could work as Zerlina and Donna Elvira but it's more about being tricked than being seduced obv. So i guess that makes Maya..... Masetto? There is also a world in which Maya and Franziska are Zerlina and Masetto if only to make "batti batti" absolutely hysterical djhshdjh. Misty Fey could also work as the Commedatore but I feel like this game as a whole is more about Mia? That's just cause i like her more tho tbh
