Jun 11, 2020
I made a girl inspired in the character of KIKI @DyveKev on twitter
She’s a star!
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I made a girl inspired in the character of KIKI @DyveKev on twitter
She’s a star!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Basiani Ensemble showcase the marvel of Georgian polyphony. I will take some time to read about the development of Georgian music, because it is completely unlike most other countries in Europe or Asia Minor. From the little I know, its disconnect from other nations allowed the development of a completely unique form of polyphony, using dissonances unheard of in Western music. I have listened to Georgian Orthodox chant and Georgian folk music before, and have been awed by the richness of sound they can produce, entirely without instruments. This is a superb concert, the voices are flawless!
The 3 Things You Need To Add To A Lick To Make It Sound Like Jazz
https://www.youtube.com/watch?v=7ZwP4rsnLYA&list=PLWYuNvZPqqcHlxGNppZ6MNdJC3GMmFtZM
What are the key ingredients of a Jazz Lick? What do you need to figure out to get something to sound more like Jazz? In this video, I am going to start with a simple Pentatonic lick and then gradually add things to it to make it sound like a Jazz or Bebop line. This is useful if you want to experiment with adding some jazz ideas to your playing or if you want to check out how good you are at using some of the key Jazz Skills.
Hope you like it!
Hour 100
I lifted and practiced the first 24 bars of Miles Davis’ solo in “Right Off”, from the album A Tribute To Jack Johnson. A few observations:
Miles famously said, “It’s not the notes you play; it’s the notes you don't play.” This solo perfectly backs up this claim with bars of whole rests that leave room for the rhythm section to interact in a big way. The space provides support for the coolest lines with maximum impact. This is the first solo I’ve transcribed by a trumpet player and probably one of the most spacious solos I’ve ever lifted. The takeaway: even though, by nature of my instrument, I don’t need to stop playing to take a breath, I’ll give it a try more often.
The range of a trumpet is higher than that of a guitar’s. I’ll need to use a whammy pedal set to an octave above to emulate Mile’s line at 3:01.
I love the chromatic lines (notably at 2:25, 2:41and 2:50). Not only are they fun to play, but conceptually, they open up a whole new world of sonic possibilities.
Playing chromatic stuff is nice and all, but analyzing it has made me hate music theory with a burning passion.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Froberger - Canzona IV in G major, FbWV 304 Francesco Bravo, organ
Dennis Sandole Polytonal Guitar Scales: Lesson:
Dennis Sandole Polytonal Guitar Scales Lesson and Examples Please watch video above for detailed info: Hi Guys, Today, a look at the unique scale formations/superimpositions of Dennis Sandole. Dennis Sandole We will take three examples from a handwritten page of polytonal scales by Dennis Sandole and apply them to the guitar: SCALE 1: Dennis Sandole’s Handwritten Polytonal Scale: Same…
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