#bonemagic

Hello Darlings 🥰

Today we're going to talk about the ancient art of bone-throwing/casting and other uses of animal bones in witchcraft 🦴✨

Bone-throwing is a divinatory practice that has been used by various cultures throughout history. It involves tossing bones, shells, or other objects onto a surface and interpreting the patterns that they make. The bones are typically collected from animals that are considered sacred or hold symbolic meaning. Each bone has its own unique significance and can represent different aspects of life, such as love, wealth, health, and death.

In addition to bone-throwing, animal bones have been used in various other ways in witchcraft. Here are some examples:

🦴Talismans and amulets: Bones can be used to make powerful talismans and amulets. For example, a necklace made from a bird bone might be worn to bring good luck and protection.

🦴Spells and rituals: Animal bones can be used in spells and rituals for a variety of purposes. For instance, a spell might involve burying a bone to create a binding spell, or using a bone in a spell to banish negative energy.

🦴Altar decorations: Bones can make unique and interesting decorations for your altar. They can be arranged in patterns, used to represent certain deities or spirits, or simply displayed as a reminder of the cycle of life and death.

It's important to note that the use of animal bones in witchcraft should be done with respect and reverence. It's important to obtain the bones ethically, either through scavenging, buying from reputable sources, or receiving them as gifts. Additionally, it's important to properly clean and dispose of the bones when they are no longer needed.

Bone-throwing and the use of animal bones in witchcraft can be a powerful way to connect with the natural world and the spirits that inhabit it. If this practice speaks to you, consider exploring it further and incorporating it into your own spiritual practice.

I’ve got a growing collection of animal bones, including ones that I am cleaning and prepping myself, so do let me know if you’d like a more in-depth post or series on this! 

____

🌞 If you enjoy my posts, please consider donating to my energies 🌞

✨🔮 Request a Tarot Reading Here 🔮✨

____

With love, from a Sappy Witch 🔮💕 

"The Witch of Falsehope" Sir Walter Scott

It is said, that, when residing at the Tower of Aikwood, upon the Ettrick, about three miles above Selkirk, the wizard Michael Scot heard of the fame of a sorceress, called the Witch of Falsehope, who lived on the opposite side of the river. Michael went one morning to put her skill to the test, but was disappointed by her denying positively any knowledge of the necromantic art.

In his discourse with her, he laid his wand inadvertently on the table, which the hag observing, suddenly snatched it up, and struck him with it. Feeling the force of the charm, he rushed out of the house; but as it had conferred upon him the external appearance of a hare, his servant, who waited without, haloo’d upon the discomfited wizard his own greyhounds, and pursued him so close, that in order to obtain a moment’s breathing to reverse the charm, Michael, after a very fatiguing course, was fain to take refuge in his own jawhole (Anglice, common sewer.)

In order to revenge himself of the witch of Falsehope, Michael, one morning in the ensuing harvest, went to the hill above the house with his dogs, and sent down his servant to ask a bit of bread from the goodwife for his greyhounds, with instructions what to do if he met with a denial. Accordingly, when the witch had refused the boon with contumely, the servant, as his master had directed, laid above the door a paper which he had given him, containing amongst many cabalistical words, the well known rhyme —

“Maister Michael Scot’s man

Sought meat, and gat nane.”

Immediately the good old woman, instead of pursuing her domestic occupation, which was baking bread for the reapers, began to dance round the fire, repeating the rhyme, and continued this exercise till her husband sent the reapers to the house, one after another, to see what had delayed their provision; but the charm caught each as they entered, and, loosing all idea of returning, they joined in the dance and chorus.

At length the old man himself went to the house; but as his wife’s frolic with Mr. Michael, whom he had seen on the hill, made him a little cautious, he contented himself with looking in at the window, and saw the reapers at their involuntary exercise, dragging his wife, now completely exhausted, sometimes round, and sometimes through, the fire, which was, as usual in the midst of the house.

Instead of entering, he saddled a horse, and rode up the hill, to humble himself before Michael, and beg a cessation of the spell; which the good-natured warlock immediately granted, directing him to enter the house backwards, and with his left hand, take the spell from above the door; which accordingly ended the supernatural dance. — This tale was told less particularly in former editions, and I have been censured for inaccuracy in doing so. — A similar charm occurs in Huon de Bourdeaux, and in the ingenious Oriental tale, called the Caliph Vathek.

Notwithstanding his victory over the witch of Falsehope, Michael Scott, like his predecessor Merlin, fell at last a victim to female art. His wife, or concubine, elicited from him the secret that his art could ward off any danger except the poisonous qualities of broth, made of the flesh of a breme sow. Such a mess she accordingly administered to the wizard, who died in consequent of eating it; surviving, however, long enough to put to death his treacherous confidant.