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Per tutti i santi!
Che una biblioteca pubblica sia uno strumento di cultura, è possibile; che lo sia anche di proselitismo religioso lo trovo decisamente riprovevole.Â
Questo 'bigliettino' l'ho trovato in: R. Bizzocchi, Genealogie incredibili, preso in prestito dalla biblioteca comunale di Siena.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Vidas Cruzadas - Danidio/Livro 1 (on Wattpad) https://my.w.tt/XEI3j2RtLbb O que fazer quando encontrar o amor da sua vida: 1 - Deixe ele morar na sua casa; 2 - Cuide dele com carinho e devoção; 3 - Apresente ele para toda a sua famÃlia; 4 - Seja uma boa companhia e o faça rir; 5 - O ajude a realizar seus sonhos. História feita por mim, por favor não façam plágios! Iniciada em: 08/05/2020 Terminada em: 15/06/2020
The goal of Re:Cycle is to create an ambient work that will run indefinitely, and do so without repeating either shot sequences or specific transitional moments. This increase in playability does come with a price - and that price is a loss in aesthetic control over the details of sequencing and transition. [...] The problem then shifts to a more subtle challenge - how to find the right balance between variability/replayability on the one hand, and aesthetic control on the other.
Bizzocchi J. 2011. Re:Cycle - A Generative Ambient Video Engine, in J.C. Anacleto, Fels S., Graham N., Kapralos B., El-Nasr M.S. & Stanley K. (ed.) Entertainment Computing - ICEC 2011: 354-357. Berlin: Springer.
Ambient Video is video intended to play on the walls in the backgrounds of our lives.
Bizzocchi J. 2011. Re:Cycle - A Generative Ambient Video Engine, in J.C. Anacleto, Fels S., Graham N., Kapralos B., El-Nasr M.S. & Stanley K. (ed.) Entertainment Computing - ICEC 2011: 354-357. Berlin: Springer.
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Popular forms of narrative - such as mainstream cinema and novels - typically rely on the complete commitment to the narrative arc as the backbone and the engine for the storytelling experience. Other narrative forms, however, such as video games, song lyrics, television commercials and the long history of generative narrative art show that narrative can follow other paths. (329)
Eigenfeldt A., M. Thorogood, J. Bizzocchi, P. Pasquier & T. Calvert. 2014. Video, Music, and Sound Metacreation, in M. Carvalhais & Verdicchio M. (ed.) xCoAx 2014: Proceedings of the Second Conference on Computation, Communication, Aesthetics and X: 320-332. Porto: Universidade de Porto.
The aim of sound art is to transform a concept, devised by the artist, into a set of decisions and processes that will ultimately result in an acoustic work. (325)
Eigenfeldt A., M. Thorogood, J. Bizzocchi, P. Pasquier & T. Calvert. 2014. Video, Music, and Sound Metacreation, in M. Carvalhais & Verdicchio M. (ed.) xCoAx 2014: Proceedings of the Second Conference on Computation, Communication, Aesthetics and X: 320-332. Porto: Universidade de Porto.
From a research standpoint, the question regarding metacreation is no longer 'can a computer exhibit creative behavior?': that question has been answered, in the positive, many times over. AARON's [...] paintings have exhibited at the Tate Gallery in London, and EMI's compositions [...] have created music that could not be discerned from human-composed music by the most educated experts [...]. (321)
Eigenfeldt A., M. Thorogood, J. Bizzocchi, P. Pasquier & T. Calvert. 2014. Video, Music, and Sound Metacreation, in M. Carvalhais & Verdicchio M. (ed.) xCoAx 2014: Proceedings of the Second Conference on Computation, Communication, Aesthetics and X: 320-332. Porto: Universidade de Porto.
