#artwriting

I wrote a text to accompany Luz Carabaño's exhibition of paintings, resonancias, at Super Super Markt's pop-up gallery in Hydra. You can read it here.

I wrote the cover feature on Michaël Borremans for the summer issue of Flash Art. You can purchase a copy of the magazine to read it here.

I wrote a profile on Sung Tieu, who is co-representing Germany alongside Henrike Naumann at this year's 61st Venice Biennale. You can read it here.

I wrote about painting, choices and life paths in an ode to ordinariness as part of this essay for Professor Christian Macketanz's painting class at the University of Fine Arts Dresden (HfBK Dresden). An exhibition of the students' work will take place at Bethanian in Berlin from 30 April 2026, where you can pick up a copy of the essay in person. You can also read it here.

For frieze, I selected 7 shows worth seeing over Berlin Gallery Weekend 2026. You can read it here.

This summer I will teach a course in art writing and editing at the International Summer Academy of Fine Arts, Salzburg, from 17–29 August 2026. This course centres the “art” in art writing and asks you to get up close and personal with why art matters to you. It focuses on language ­to ask what it means to write authentically and accessibly about your opinions on and experiences of art, and how to make that compelling for a reader. If you're interested in applying, you can read more about the course here.

I wrote an essay for the exhibition catalogue accompanying Erik Schmidt's survey exhibition at KINDL. The essay focuses on Schmidt's painting practice and his preoccupation with surface. You can read it here.

I reviewed KW Institute for Contemporary Art's Klara Lidén exhibition for frieze. You can read it here.