#aoty2016

14. TTNG – Disappointment Island This is one of those albums I can only listen to once in a while because it is very emotional. Henry Tremain's falsetto is a beautiful haunting deity that pierces my soul and the instrumentation is a light kind of noodley which can be more punishing than the hardest breakdown especially on the track Whatever, Whenever where the strings pluck on after moody disaffection. This section is shorter than the others because I need to be in a very particular mood to listen to this album. If you feel moody and disaffected, put on this album and drift away. 13. Letlive – If I'm the Devil Another band I had been seriously sleeping on. Letlive is normally known for their high intensity fiercely political songs and while I love that and we desperately need voices like that who speak out against political injustices, it was somewhat nice to see them dial it back a little bit and become just a little more personal. I think the intro of the album, I Learned to Love Myself doubles as basically the album's thesis paired with the album title essentially that they have been shaped in a bad way but they're going to love themselves anyway and I think that is a message that needs touting and in the coming years of turmoil, I hope to look to Letlive as a vehicle for change and revolution. 12. Animals As Leaders – The Madness of Many You know how I slagged off noodliness and downtuned guitars in the Polyphia spot? Well, this is different. Animals as Leaders has a way of crafting the densest music that I find pretty accessible. From the opening notes of sitar from Arithmophobia, you know you're in for something you may not fully get your first listen but have an unparalleled appreciation for. While it is less melodious than their last album The Joy of Motion, The Madness of Many offers a lot of great songwriting for those willing to take the dive. 11. The Fall of Troy – OK   Holy shit, The Fall of Troy had an album this year! These guys were on hiatus for 7 fucking years! The likelihood of them making an album at all was astronomically unlikely and the fact that it's so fucking good is a god damn triumph! If you've been missing their particular brand of post hardcore then this is a real treat! Thomas Erak is just as much a guitar god as ever and his voice has aged into a bitter howl that’s fucking intense. Hearing his refined screams and blistering guitar playing is amazing! I'm blown away that even as stripped down as this album is compared to In the Unlikely Event that just three guys can pull of this huge ass sound! 10. Haken – Affinity Affinity is one of those albums where really one song is worth the price of admission. Don't get me wrong, the rest of the album is great too but... 1985. As far as I'm concerned, the album could just be that song and I'd be like, “it was a little short but this album was fantastic!” This album positively oozes 80's synth prog but with a reckless progressive abandon that's quintessentially now that makes it the perfect tribute because you're struck with nostalgia (or if you're as young as me, secondhand nostalgia) for all the good stuff about the 80's like the first 5 80′s Rush albums but coincidentally forget all the shitty stuff about the 80's which happens to be basically everything else from the 80's. I swear the little synth break in the middle of 1985 evokes some kind of emotion in me. I either start crying or get really pumped or have a stupid ass grin on my face or some bizarre combination of the 3 and if you want to experience that too, listen to this album! 9. VOLA – Inmazes With Haken covering 80's synth prog, there's also a great place for electronic elements in modern metal and VOLA showcases that perfectly with Inmazes. It's a bizarre combination of heavy riffage with video gamey synths that works extremely well. I've heard VOLA described as Tears for Fears mixed with Meshuggah and if that sounds like a combination you might like, you need to check this out because odds are you will. Even if it doesn't seem like it will mix, trust me it will. 8.  Three Trapped Tigers – Silent Earthling The fact that I'm putting another instrumental band higher than Animals As Leaders is seen as blasphemy in some circles but you have to believe me when I say that these guys are really that good. They have a really technical approach to synthy music that I haven't really seen anywhere else and are yet again another trio that makes everything sound really big and grand. At times it feels like the Hotline Miami soundtrack but other times it's super bombastic and crazy. The more I say about this album, the less good I get at describing it so I implore you GO LISTEN TO THESE GUYS THEY’RE REALLY GOOD!! 7. Deftones – Gore This album is both crushing and beautiful at the same time with both some of the sludgiest breakdowns I've heard and some of the lightest passages of ambiance. Chino Moreno's voice booms and croons and soars all over the damn place throughout this album and the guitars echo and crunch along with him. It's ultimately an uplifting album by the end but damn does it sink deep into depressions to get us there. If you need to fade away, pick this album up. 6. Balance and Composure – Light We Made Remember Deftones? Well now you don't have to! Okay, that's not quite it but at the same time though, Balance and Composure's latest shares a lot of similarities to Gore with its ambiance and overall melancholy. I was a fan of their previous albums but this new album is almost a complete departure from that style and whereas most bands feel very odd in new territory Balance and Composure seems to thrive. The long stretches of guitar tones and soft ambient vocals layered with light keys is something they've never attempted before but absolutely nail. This is another fade album for those of you who need to fade away.   5. The Dear Hunter – Act V: Hymns With the Devil in Confessional You know how award shows give out awards to actors who recently starred in something that the award show just now recognizes and the award is well deserved but really you know it's for their earlier works and this is kind of penance for all the other better stuff? Okay, well maybe not that specifically but that's my place with The Dear Hunter. I had heard of these guys and checked out a few albums before but this is the year that I really dove into their discography and discovered the treasure trove of gems awaiting me. This isn't to say that the album isn't worth this spot, it totally is. Casey Cescenzo's lyricism is on point as ever with a poetic gravity that makes each bit hit super hard and this album basically went full on musical with songs like The Haves and the Have Naughts I can basically envision taking place on stage. The reason I had that little caveat before this however is that you need to be familiar with The Dear Hunter's previous acts to really get into the album. Granted, the album itself is great, but knowing about the previous acts going in makes it much better.   4. Thank You Scientist – Stranger Heads Prevail None of the people I watch had this album on their top lists and honestly I think they're doing a disservice to themselves. Thank You Scientist dropped one of the most creative, imaginative, and fun releases of the whole fucking year and the so called “critics” didn't do shit! This album is an explosive blast of jazz fusion that's at once technical and crazy but also accessible and catchy. You know what? Instead of me waxing poetically about this album, go check out the song The Amateur Arsonist's Handbook and thank me later. There's a violin solo that's beyond words it's so good! 3. Dance Gavin Dance – Mothership Some of you may know that Dance Gavin Dance is one of my favorite bands and this year they released one of their best albums to date and I'm tempted to say that this is their best album ever. Yes, even better than DBM 1. Where DBM 1 is lightning in a bottle, Mothership is pure cultivated skill over the course of their decade long career. Everyone has never sounded better. Tilian is raw and emotional but still possesses amazing skill and range from screaming along on Chucky Vs. The Giant Tortoise to his soaring over Deception. Jon Mess sounds better than anything he's put to record before with an unparalleled clarity to his screams. Will Swan's guitar playing has been gushed about to death and honestly I can't add anything to it except another glowing appraisal. Matt Mingus' drums are bombastic and crazy but consistent and Tim Feerick's bass provides a much needed spine to the songs. Before I gush myself to death I implore you to listen to this album. Even if you weren't on board with Dance Gavin Dance before, give this a spin because it may make you a fan. 2. Periphery – Periphery III Select Difficulty This is one other instance where one song or in this case, cluster of songs is worth the price of admission. I saw a lot of people turned off by The Price is Wrong's lyricism and I'm hoping that the triple threat of Flatline, Absolomb, and Catch Fire are enough to bring them back. I also see a lot of people wishing that Periphery would go back to their Periphery 1 sound but that's for another time. The fact that this was made right after what I consider their magnum opus Juggernaut and it's still pretty damn good is a miracle in itself. The fact that it's just as good as Juggernaut I can't even fathom. To keep this from just becoming a bunch of gutterances I'll just say please check out this album. If you’re anything like me, the bass line in Absolomb will awaken things in you. 1. Iamthemorning – Lighthouse Technically if we're going by favorites, Periphery would be number 1. However, sometimes I have to forego personal taste and showcase something masterful. Iamthemorning's Lighthouse is a work of genius that needs to be remembered. From the first track I Came Before the Water Part 1, Marjana Semkina graces the ears with her operatic falsetto that I just cannot praise enough and when combined with Gleb Kolyadin's piano work, and a veritable studio orchestra it creates a thing of unbridled beauty. This all culminates in what I think is the best track off the album, the title track where Mariusz Duda shows up and I just fucking die because it's just too beautiful. This is yet another album I can only listen to sometimes. It tells the tale of somebody suffering through mental illness and their suicide. It's very bleak but not without hope. At the end of the album in the liner notes the band has a message that says, “This album is dedicated to the subject of mental illness and we'd like to pass on the message to all the lost souls out there: you are not alone, ever.” I want to take that sentiment with me into the coming years and I hope you do too. Thanks if you read this far. If you want more of this music talk abouty type of thing, tell me.

Ela foi o momento. Depois que lançou esse ela nunca mais saiu da boca do povo e ainda está nas playlists. Ela conseguiu fazer uma grande era de diva pop com composições ótimas e uma produção que não vai ficar datada. fav: Clean 

1. Iamthemorning - Lighthouse

Suribot

1) Joyce Manor - Cody

Worth the wait. #frankocean #AOTY2016 #blond