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What other kids do when they feel rebellious: Hang out in places and/or with friends their parents don't approve of, get their hair wildly cut and/or dyed, try smoking, etc. etc. etc.
What the Rivera kids do when they feel rebellious: Whistle on the way to school.
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DISCLAIMER: Any similarities that are contained in this headcanon list is purely coincidental. Any forms of plagiarism was not used in the creation of this AU.
WARNING: This AU contains mentions of early death. If you are sensitive to said issue, please feel free to keep scrolling.
Despite all the big opportunities he was presented, he rejected the offers as he was content to just being a plaza singer. The other mariachis around him thought it was a huge waste of talent.
Many other musicians have wanted to collaborate or form a duo or band with him, but he would always decline the offers. He just didnât trust them for some reason, no matter how close they were.
He had been a family friend of the Riveras ever since the incident with Luisa. Even when he was still living in the orphanage, he would come visit regularly to help out with Miguel to whom he is a godfather to. They even allowed him to put his motherâs photo on their ofrenda. Eventually, the Riveras had him as a part-time delivery boy and he would help deliver orders to clients.
When he first told them that he wanted to be a musician, they werenât too happy with his choice of career. But since he wasnât really family, they couldnât really stop him from pursuing it. The rules they had for him were that he couldnât bring his guitar and he couldnât hum, sing, or dance whenever he visited. Though he thought it was weird, he never went against the rules. Not purposely at least.
âI never really asked your family this before, but what is it that made your family hate music so much?â
âOh, itâs a long story.â Miguel exasperated. âYou see, back in 1921, my great-great grandmother and great-great grandfather got married and had a little girl, my MamĂĄ Coco. He was a musician, like you. One day, he had a dream to play for the world and never returned home since then. My MamĂĄ Imelda wasted no time in ridding everything related to music, including him. Thatâs why you see his face on the photo ripped out.â Miguel explained as he gestured to the photo on top of the ofrenda.
âNo buts, Miguel! You will listen to your family, no more arguments.â TĂo Enrique scolded.
âJust listen to me play.â
âEnd of discussion!â
Miguel ignored his fatherâs words and began plucking a tune in an attempt to convince his family. His performance was cut short with Abuelita snatching his guitar away.
âDo you want to end up like that man? Forgotten? Left off your familyâs ofrenda?â Abuelita retorted.
Abuelita, TĂo Enrique, TĂo Berto and Abel were able to catch up with the two of them. They stopped in there tracks at the sight in front of them. Miguel cradling Hectorâs body and begging him to wake up.
At that point, Miguel collapsed on his knees and started sobbing uncontrollably.
âNo, no, no! He was still talking and walking a few hours ago! We were plucking cempasĂșchil petals just a while ago! He canât be gone! He canât be!â
Miguelâs father, uncle and cousin comforted him as best as they could while trying to hold back their own tears. Abuelita stood behind them, hands clasped onto her mouth, silently muttering to herself.
Miguel Riveraâs been fascinated by the story of the legendary ghost, the Musician with Poison Tears, since he was a kid. Heâs always wanted to know the full story behind the weeping specter that haunts the train station with its invisible guitar. Now 18, the travels to Mexico City to try to observe the ghost from afar and get some clues about its origin. Who knows? He might even get a song out of it.
This story is based on the art and ghost!au created by @melcecilia14â. Go check out her artwork here, here, here, and here. Itâs really awesome.
Miguel and his cousins watched from the doorway as their Abuelita sat in the courtyard reading the newspaper.
âYou think this is a good idea?â Abel asked?
âNot really, but itâs the only one Iâve got.â Miguel spent all night preparing what to say to her. He rubbed his thumb over the cover of the journal in his hands. He figured, if she wouldnât listen to him, she might listen to MamĂĄ Coco. Even then, it might not be enough, but heâd never forgive himself if he didnât try.
âMaybe it would be better if one of us did the talking,â Rosa suggested.
Miguel shook his head. âNo, it has to come from me.â
With one more breath, he stepped out into the morning sunlight. âAbuelita?â he said approaching the table. She flipped one corner of her paper down and peered at him over it. âI have something to show you.â He sat down beside her and set the book on the table. âI opened MamĂĄ Cocoâs gift. You know? The one she gave me right before she died?â
Abuelita put her newspaper aside, looked inquisitively at the book, and opened the cover.
âCareful,â Miguel instructed. âItâs very old and thereâs a few loose pages.â
She turned to a random page and her eyes went wide when she saw the handwriting inside. âMiguel, what is this?â
He grinned. It was a small victory but those were the first words she spoke to him since that awful fight. At least he was making progress. âMamĂĄ Coco gave me the journal she kept when she was young. She writes about a lot of things in here. She talks about MamĂĄ Imelda and TĂo Oscar and TĂo Filipe. She talks about growing up in Santa Cecelia and working in the zapatoria⊠and she talks about music.â
Abuelita threw him a sharp look.
âI know, I know, itâs not your favorite subject,â he conceded, âbut if you read her words, youâll know she loved music too. Though, I already knew that because sheâs the one who introduced me to music in the first place. She used to sing to me when no one was listening.â
Her lips curved downward into a hard frown. âYouâre trying to use your MamĂĄ Coco to justify your lies?â
âNo, that not it,â he backpedaled. âI just meant that she loved music and she wanted to share it with the people she loved. She did it because thatâs what her father did. She loved him and he loved her. She never believed he abandoned them on purpose and she was right. I know because I met him.â
Abuelita looked at him like he was trying to convince her the earth was flat.
âI know how it sounds, but itâs the truth. Heâs the ghost whoâs haunting the train station. I talked to him. Rosa and Abel talked to him. He went on tour with his best friend, Ernesto de la Cruz, always planning to come home, but when the time came, Ernesto wanted him to keep going. Â He tried to go home anyway, and Ernesto murdered him for it, stole his songs, and became famous off of them. Now heâs trapped, but heâs still trying to come home.â
Abuelita kept staring at the photo. The initial shock left her face, but now, Miguel couldnât tell what she was thinking.
âAll he wants is to see MamĂĄ Imelda and MamĂĄ Coco again. Thatâs his unfished business. Itâs why heâs still hanging on. Heâs too late to meet them in person now, but there might still be a chance. Youâre MamĂĄ Cocoâs daughter. I think if her met you, if he knew his family still loved him, itâd set him free. Heâd be able to cross over and heâd finally return to MamĂĄ Coco and MamĂĄ Imelda.â
She was silent for a long time. Miguel resisted the urge to fill that silence. He knew she needed it and it was best to let her take this in at her own pace. âYou lied to me,â she finally said. She didnât sound angry, but hurt. âYou lied to your whole family for years. After all those lies, why should I believe you are telling the truth now?â
She went quiet again and looked off into the distance. He thought he could see tears brimming on her eyes. âYou donât have to answer me right now. Here,â he slid the journal closer to her, âIâll leave this with you. I hope youâll read through it. I think MamĂĄ Coco wanted us to know how she really felt.â
A few days later, Miguel had his answer. He was hanging out in the living room with his cousins when Abuelita walked it, journal in hand. âAlright, when do we leave?â she asked, looking at Miguel.
She nodded. âAt the very least, I can see what he has to say for himself.â
âGreat, so when do you want to leave?â It was really best to let her take the reins from here.
âTomorrow, bright and earlyâ she said. Her voice made it clear there would be no argument.
âRight, of course Abuelita. Tomorrow.â
[-]
The drive back up to Mexico City was tense to say the least. It was nearly silent. The no-music rule was still in effect, after all. Rosa and Abel sat up front and exchanged a few words but that was about all the sound they had. Miguel sat in the back with Abuelita, who looked out the window with a determined look on her face. At least the quiet gave Miguel time to think about how best to approach this whole day. That last thing he wanted was for Abuelita to chew out her long-dead grandfather in front of a crowd who couldnât see who she was yelling at. And he definitely didnât want Hectorâs first encounter with his long lost family to leave him feeling even more alone than he already did. He just had to cross his fingers and pray this all went smoothly.
When they arrived at the train station, Miguel begged Abuelita to let him introduce her. âFine Miguel,â she agreed with a shrug. âThis is your ghost. Weâll do it your way.â
âMyâŠâ He stared at her like he was seeing the sun for the first time. âI can hardly believeâŠâ
âYouâŠâ Abuelita started. Miguel held his breath. âYouâŠâ she said again, apparently searching for the right word.
Miguel braced himself. Would it be an insult? A tirade about how he abandoned his family? Could he even hope sheâd say something kind? Please God, let this go well.
âNo Iâm tellingâŠâ He looked helplessly at Miguel who could only shrug. Neither were able to comprehend the awesome power of Abuelita.
âDios mio, I have grandchildren older than you,â she sighed, shaking her head. âMy boys were idiots at that age. Itâs no wonder you got those ideas in your head. All this time I thought you were cruel and careless. Turns out you were just young and stupid.â
He nodded sadly. âI am ashamed to be the cause of that. If I knew how much my family would suffer for my mistake, I never would have touched a guitar.â