introducing...the starling.
tara khanna. xxvi. she/her/hers. executive asst to [insert rich asshole here].
application. / skeleton. / pinterest. / tasks. / starters.
penned by mina.
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@sweetstcrling
introducing...the starling.
tara khanna. xxvi. she/her/hers. executive asst to [insert rich asshole here].
application. / skeleton. / pinterest. / tasks. / starters.
penned by mina.

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TASK 002:Â Â Â Â power.
ALLY EMPOWERMENT --
n. the ability to strengthen other peopleâs natural power or skills. ex. Tara used ally empowerment to improve Erinâs karaoke skills.
aesthetic ïč how does your magic manifest itself physically? how does it feel?
as passive ability, for the most part it feels like nothing. it's as intrinsic as breathing, or her heart beating. when she focuses however, it feels likes tinnitus and tunnel vision at once, her experience of reality honing into the person she is supporting, almost as if she could inhabit the parts of their brain controlling the nerves and muscle tissue required for their enhancement. tara has used her power often, sharpened it against whetstone to the point that it is most useful to stand back to back of the person she's empowering during missions, watching their six. out and about when she uses this power for subtler or stealthier purposes, tara usually tries to accompany their power boost with some casual touching. this is especially helpful when working with strangers whom she doesn't know as well and thus doesn't know which skill to cultivate.
mechanic ïč how do you picture this to work ooc in game-play?
in game, taraâs ability manifests as +2 to any skill check roll by a player she chooses to enhance. she must identify the character and which skill she is enhancing prior to the roll and her enhancement can only be used twice per thread (group or individual). passively, taraâs ability means that for only group rolls, everyone gets +1 to their roll. this has unlimited use in group threads as long as the dm is asking for a group roll.
features & limitations ïč expand on what has already been written in the skeleton. for every positive feature, you must write a negative drawback.
( + ) works on both nihilum and non-nihilum -- for nihilum she can improve their magic. for all, she can enhance only what skills they already have. i.e. she can't make a terrible dancer a prima ballerina. she can improve their sense of rhythm or discipline so that after spending enough time with her and putting in the effort, they've improved to corps de ballet level, at which point tara can give them that last boost they need.
( - ) must be in proximity for enhancement to work -- other factors that help, in depth knowledge of the mechanics of the skill she is enhancing (i.e. she can enhance someoneâs dancing skills better than she can enhance their operatic skills because she actually knows how to dance), intimate knowledge of the person she is empowering and how they use their skill, trust of the person being empowered, physical contact, eye contact
( + ) has control over what trait/skill she enhances -- when she focuses on a person, she can further select what exact skill she is improving, otherwise the person she is empowering will notice a slight improvement in everything theyâre doing. often results in feelings of higher confidence and self esteem.
( - ) passive ability that works on multiple people to a lesser degree or on a single person when she focuses to a higher degree -- see above for more in depth explanation, but tara does not sense itâs use consciously when the ability is working passively (i.e. sheâs totally walked past people in an office building and peopleâs typing speeds went up and no one noticed because it was so subtle). it takes immense focus (which she has so far trained herself to do) to enhance natural skills while also conducting normal activity like conversation, or any other skilled activity, like driving. she cannot focus her ability on nihilum powers and perform any other skill requiring activity at the same time.
past uses ïčwhen have they used their power before?
secondary school: the gretchen wiener to her schoolâs regina george (heightened her gossiping tendencies to get her kicked out of the friend group), her schoolâs regina george (enhanced her self-pity to get her to party too hard), a few boys she liked (enhanced their motorbiking skills so they could do cooler tricks and go faster when she rode behind)
university: lawrence, fei
post university: a mafia heir (heightened his charisma so he started dating her, heightened his intimidation for mafia jobs), assorted non-nihilum well placed community members, her current boss jack sweeney (heightens charisma and mental arithmetic ability), in general very liberal with her use, passive or focused
caedes corvi: often, for whoever needs it, but especially mateo
future features ïčthere will be an opportunity later in the game to transform your characterâs power. what ideas do you have for this?
skill suppression: the opposite of her powers, tara is able to reduce someoneâs natural trait/skill
user boost: improve her focus to enhance skills of more than one person at a time
skills boost: can improve multiple skills on a single person simultaneously, or extra boost a single skill (i.e. increasing from +2 to +4 etc.)
distance boost: increase distance between tara and user such that only a knowledge of that personâs skills and remaining in taraâs line of sight is necessary for her to enhance userâs skills
skills assist: can essentially replicate the skill she is enhancing for as long as that person is using that skill. only as good at the skill as the person she is enhancing. canât boost a skill and mimic at the same time (ie has to choose between quantity vs quality).
Registers of Illuminated Villages, Tarfia Faizullah
âOpera has the power to warn you that you have wasted your life. You havenât acted on your desires. Youâve suffered a stunted, vicarious existence. Youâve silenced your passions. The volume, height, depth, lushness, and excess of operatic utterance reveal, by contrast, how small your gestures have been until now, how impoverished your physicality; you have only used a fraction of your bodily endowment, and your throat is closed.â
â Wayne Koestenbaum, The Queenâs Throat: Opera, Homosexuality, and the Mystery of Desire.
shonali singh

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(sitting in court on trial for murder) wow. god forbid women do anything
A black crow attacks one of the Popeâs white doves in my new favourite image of All Time / basically what Lars Von Trier takes two to four hours to capture with every try.
âHer hatred glittered irresistibly. I could see it, the jewel, it was sapphire.â
â Janet Fitch, White Oleander (via 89words)
âJames Baldwin, The Art of Fiction No. 78â, An Interview by Jordan Elgrably
What do you expect after this? Applause? Your name on stone? You will have nothing but me and in a worse way than before,
Margaret Atwood, from Power Politics

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Sylvia Plath, from The Unabridged Journals
âI have a conscience, but itâs a feeble, withered shred of a thing. It couldnât protect you or anyone else from a stiff breeze. You could not even guess at the things that I have done. Awful, evil, obscene, the telling of them alone could make you puke. They nag at me from time to time, but I tell myself I had good reasons. The years pass, the unimaginable becomes everyday, the hideous becomes tedious, the unbearable becomes routine. I push it all into the dark corners of my mind, and itâs incredible the room back there. Amazing what one can live with.â
â Sand dan Glokta (Joe Abercrombie, Before They Are Hanged)
TASK 001: Â Â Â connections.
sheâs an empty husk of a human, so letâs not pretend any of these actually matter to her. theyâre just another way of staving off the doldrums of existence until she can do what she really wants: destroy.
Shonali Singh (400x640)
Credit: Gérard Menjoui
Shonali Singh (400x640) Crédit: Gérard Menjoui

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âYou and I wear the dangerous looseness of doom and find it becoming.â
â e.e. cummings, from the introduction to New Poems, Complete Poems:1904-1962
dude trust me *lying, manipulating*