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Just got a new knight! I sure hope his unwavering loyalty, mindless devotion, and tendency to kneel before me to kiss the palm of my hand before he commits atrocities in my name doesn't awaken anything in me.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sexy knights. sexy wounded knights. sexy wounded weary knights. sexy wounded weary knights in the rain. sexy wounded weary knights in the rain pledging their loyalty to you.
ahaha brooooo you have to check out how soft the skin on my inner thigh is this shit is crazy. no like just put your palm there and gentle caress with your thumb lmao it's like nuts you've gotta check this shit out. please.
Had a dream last night that i was a knight and this bigger scarier knight had me on the ground and right before he swung his sword at my neck he said smth like "i mourn the loss of life for the tree who will become your coffin" which shouldnt of turned me on like it did but alas
My problem with heterosexual romance novels (which I am reading under duress due to my coworker book club but find somewhat entertaining cuz they're not something I normally wld read) is that whenever the love interest is an asshole the author also makes him all dommy dom. when what I really want is for him to be thoroughly put in his place. All of these shithead Christian grey knockoff guys in these books would be excellent brat material but nobody cares what I want. Nobody cares what I want
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Whump | epic worldbuilding, desert-dwelling pirates, ancient pre-Islamic fantasy setting, slavery, monsterfucking (slow burn), defiant whumpee, environmental whump, language barriers, sword fights, monster attacks, and so, so much more.
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Set in 1,200 BCE. The Jackal of An-Nadr follows the capture of Nadeem, a date-farmer turned thief who was abandoned in the wastes of the desert when he tried to steal from the wrong ship.
Stranded and alone, he is found and enslaved by a crew of ifritâtowering demons that roam An-Nadr in ships that can sail the sand. Will he become a plaything of the creatures from his nightmares? Or is there something more for him waiting in the hands of his would-be captors?
Each chapter will be tagged above the cut with an individual content warning, but the following warnings apply to the entire series.
Series Content Warning | Slavery, kidnapping, prolonged captivity, grief, non-human whumper/caretakers, violence, captor-bonding, and adult themes, including both dub-con and non-con.
All chapters that contain explicit NSFW 18+ content will be thoroughly tagged and marked. Minors, while you are free to interact with the remainder of the series to the extent of your comfort, please do not interact with any chapter labeled âExplicit NSFWâ.
something you learn writing SOCIAL HORROR of any kind is there is just a huge portion of buckaroos who will always think the political things being reflected in art are not real or overblown, and theyre almost always wrong. i believe love wins out, but there ARE scoundrels to battle on our way there
in my first horror novella STRAIGHT the buds are going out to a cabin three years after first annual zombie day because theres a vaccine. theyre acting normal. amount of early reviews docking stars for 'being unrealistic that folks would return to acting normal in just three years' is HILARIOUS now
in BURY YOUR GAYS there are were some folks all the way up until a few weeks ago who would review and say something like 'loved the book but this issue is over. queer media is mainstream'. YET SUDDENLY we now have pride days getting removed from official calendars, gay media deleted, flags banned
so point is IM RIGHT ABOUT EVERYTHING. just kidding. although i am. BUT ACTUALLY my point is that HORROR taps into something SO important. it taps into fear yes, but it also taps into a subliminal deep knowledge that culture KNOWS but most people are not ready to hear yet. it is a MESSENGER genre
maybe that is why i talk to much about connection between PUNK and HORROR. both strong messenger genres, and how fitting that we have whole idioms about 'killing the messenger'. these artistic expressions are often maligned as 'too much' because sometimes the truth is hard to hear and feel and read
all of this is to say I AM SO PROUD to trot here in the world of uncomfortable truths with you. im also deeply honored, and it is fight i will not back down from. fortunately WITH LOVE AS OUR FUEL this is battle we will win. that is a truth i am certain of, so lets HOIST THE FLAG OF LOVE AND TROT ON
PS: as far as pointed messages go, my next book LUCKY DAY has a ferocious way and sure as heck isnt pulling any punches. give it a preorder if you can
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This did not happen, but on the plus side I have a good start on a rewrite of the FIRST PORN I EVER WROTE, and rereading it to see how I could update it did not cause me to die of embarrassment.
I still like the characters! There are some pretty funny lines! It needs a solid rewrite but it has good bones. Nice job horny college me.
I love the practice of requisitioning, remixing and reworking books, comics, movies etc. through any means you like, but I hate hate hate the way so much vocabulary that used to be rooted in individual creativity has been taken over by this kind of fucked up deference to mainstream publishing and ip.
easy example: everyone calls the characters they work up for their projects 'OCs' now. that genie is out of the bottle, I'm not even going to try and cram it back in. it's universal terminology. but I do want to reflect - why is the default position to assume that when someone says 'my characters' they mean something derivative, unless they specify 'my Original characters'?
similarly, all character relationships are 'ships'. but what's wrong with that? you say, it's just short for 'relationship'. and you would be right, by merit of completely ignoring the fandom ancestry and common understanding of that term in order to win an argument. because you know as well as I do that 'ships' aren't 'relationships', they're hypothetical romances that the speaker is rooting for. so why do I keep seeing people talk about shipping their OCs? why is a hypothetical relationship entertained and enjoyed by the creator of the work described using fan terminology?
I have for real no joke seen people talk about their 'headcanons' for their own characters, in their own stories. that's not a headcanon babe, that's canon!!! that's YOUR WORK. moreover, why are we even talking about the canonicity of your personal original writing? this isn't the star wars extended universe, why are international franchise IPs setting the baseline for the relationship you have with your writing and the terminology you use to conceptualise it?
tbc this is not a 'fandom brainrot' post. because I don't think it's fanwork that's the root of the problem. I think it's the insidious creep of capitalism and the ever more draconian weaponisation of copyright law that has rewritten our capacity for talking about creative work so that it revolves at all times around ownership and precedent. there is a deep learned anxiety about describing fictional works as fictional properties, that echoes in our vocabulary as we constantly make clear what is owned and what is not, what has been established on the record and what exists in the realm of speculation.
the reason 'fandom brainrot' is such a compeling stand-in for this issue is that it's really just one step downstream from all that voracious rent-seeking behaviour by publishers. if the only things you ever read or watch are in the milieu of those franchise copyright lawyers, that is the understanding of fiction-as-property you develop. if you're not exposed to a broader spectrum of art and artists, living and dead, who talk about their work as work - as expression, as experimentation, as a personal process and as a shared space with their audience - you will quickly be alienated from your own creative practice by design.
the point i want to make is this: going off the beaten track, exploring outside the franchises and bestsellers and box office babies, is not just a matter of good taste. imo it is a necessary act of solidarity with artists who still live, work and speak as individuals. it's a healthier environment for you as an artist. you deserve a relationship with your own work, not a ship.
areudirty
amandla
tangentwithtanner
turnnoffyourmind
stormborns
yousharknotpass
