A visão destas faces dentre a turba: Pétalas num ramo úmido, escuro. Trad.: Augusto de Campos In a station of the metro The apparition of th
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A visão destas faces dentre a turba: Pétalas num ramo úmido, escuro. Trad.: Augusto de Campos In a station of the metro The apparition of th

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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On a highway in India, two elephants stretched across the asphalt for a final touch of their trunks, a touching moment, 2016 - by Bandeep Singh, Indian
"hephaistion made this" in a beautiful trompe-l'oeil piece of paper half unstuck by the wind still some of the rawest stuff ever put in a mosaic (2nd century bc, pergamon)
Gao Hang
Your Boss and Your Boss’ Boss, 2024
Acrylic on canvas.
Gao Hang (Chinese, 1991), Your Boss and Your Boss’ Boss, 2024. Acrylic on canvas, 59 4/5 × 48 in.
Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)

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Antropofagia brasileña: devorar a Europa para crear identidad
¿Y si la respuesta a la colonización no fuera copiar a Europa, sino devorarla? En 1928, Oswald de Andrade publica el Manifesto Antropófago y propone una de las ideas más radicales del arte latinoamericano: la cultura no se imita, se digiere. Más que un movimiento artístico breve, la antropofagia fue una estrategia cultural: absorber influencias externas para transformarlas en algo propio. Una forma de romper con la dependencia simbólica sin caer en el aislamiento. ¿Fue una vanguardia pasajera, o una de las primeras teorías culturales verdaderamente latinoamericanas? Porque la pregunta sigue vigente: ¿Estamos consumiendo el mundo, o sabemos digerirlo? #ArteContemporáneo #ArteLatinoamericano #Brasil #Antropofagia #OswaldDeAndrade #TarsilaDoAmaral #HistoriaDelArte #Decolonialidad #TheKitschPress Texto retranscrito da descrição do vídeo no youtube. Referência: KITSCH PRESS. Antropofagia brasileña: devorar a Europa para crear identidad. [S. l.], 7 abr. 2026. YouTube. Disponível em: <https://www.youtube.com/watch?v=q996U-eq0hM>. Acesso em: 28 abr. 2026.
Contemplation (1910) by Arthur Dampier May (British, 1857 – 1916), signed and dated bottom right “A. Dampier May. 1910”, oil on canvas, 80.3 x 39 cm, Private Collection
Saul Steinberg - The New Yorker, February 3, 1945.
Le surréalisme en 8 chefs-d’œuvre | Le Centre Pompidou en courant(s)

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““Vivre est une chute horizontale” ― Jean Cocteau”
—
Alfred Stevens - "News from Afar"
Marianne von Werefkin (Russian/German/Swiss, 1860–1938)
In Town, 1924
Oil on paper mounted on cardboard, 78 × 75.5 cm
Paul Busch (German, 1889 – 1974)
Vertigo, 1921
Watercolour over pencil on paper, 54,5 × 65,9 cm
Eliot Hodgkin (British, 1905-1987) - A Solitary Boot (1943)
Eliot Hodgkin (British, 1905-1987), A Solitary Boot, 1943/44. Tempera, 6 7/8 x 9 in.

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Wounded Niobid. 1822. James Pradier French 1790-1852. marble. http://hadrian6.tumblr.com
Mexican painter, Alfredo Castañeda (1938–2010).