“La belleza no es locura/ Aunque yo esté rodeado por mis errores y mis ruinas”. Ezra Pound en Venezia.
Foto David Lees (1964)
“Beauty is not madness/ Even though I am surrounded by my mistakes and my ruins”. Ezra Pound in Venice.
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“La belleza no es locura/ Aunque yo esté rodeado por mis errores y mis ruinas”. Ezra Pound en Venezia.
Foto David Lees (1964)
“Beauty is not madness/ Even though I am surrounded by my mistakes and my ruins”. Ezra Pound in Venice.

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The sum of human wisdom is not contained in any one language, and no single language is capable of expressing all forms and degrees of human comprehension.
– Ezra Pound
Resurrection of Vivaldi
Antonio Vivaldi and Ezra Pound left indelible footprints in their passage through time.The world would be a much less livable place if it weren’t for the music of one and the poetry of the other.
But Vivaldi lay silent for two centuries.
Pound brought him back. The strains the world had forgotten opened and closed the poet’s radio show from Italy, which broadcast Fascist propaganda in English.
The program earned Mussolini few if any sympathizers. But the Venetian musician gained worldwide adoration.
When Fascism collapsed, officers from the United States out Pound in a barbed wire cage outdoors so that people would lob coins at him and balls of spit, and later they sent him to an asylum for the insane.
Text by Eduardo Galeano in “Mirrors: Stories of Almost Everyone.” Nation Books, 2009. Highly recommended!
Ezra Pound in Venice, 1963
Ezra Pound in Venice

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And the days are not full enough And the nights are not full enough And life slips by like a field mouse Not shaking the grass
Ezra Pound, And The Days Are Not Full Enough (poem)
“What thou lovest well remains,
the rest is dross
What thou lov’st well shall not be reft from thee
What thou lov’st well is thy true heritage”
― Ezra Pound, The Pisan Cantos
“What do you do with your love for someone when they die? Or the memories they’ve left? Do you pack them up in moving boxes and write strange names for them across the top? Then where do you put them and the rest of a life you were supposed to share with a person who left without warning?”
— Jonathan Carroll, The Marriage of Sticks
Simon Quadrat, Couple by an Arch 39 x 30 cm oil on board

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Simon Quadrat
Simon Quadrat, The Red Battleship
6 Gnossiennes, No.6 - Ave Conviction Et Avec Une Tristesse Rigoureuse
By Composer Erik Satie
Pascal Roge, Pianist
Artwork : “Girl At The Piano” (1946) By Artist Simon Quadrat
Haiku
too far now, my muse,
I can barely remember
her scent, her laughter
-- Michael Boiano

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山あれば山を観る 雨の日は雨を聴く yama areba yama o miru ame no hi wa ame o kiku when there are mountians, I look at mountains when there is a rainy day, I listen to the rain
By Taneda Santoka (Taneda Santooka) 種田山頭火 (1882-1940) (明治15年)12月3日 - 1940年(昭和15年)10 月11日 A haiku nonconformist who cast aside all the rules including the 5-7-5 syllable structure, is also associated with Matsuyama. Santoka, an ordained Zen priest, after spending most of his life wandering all over the country as a begging monk, chose to settle in Matsuyama only to die 10 months later. The humble cottage where he dwelt — Isso-an (A Blade of Grass Hermitage) is preserved north of Ehime University.