:thumbs up:

Celine's wardrobe is no exception, despite having much fewer examples or variances. Pleasantly, the outfits we see in the film can be tied directly to the two viewpoints wardrobe can expose-- the face toward the world, and the view of the self. We see movie-era Celine in two contexts: at work in a paparazzi photoshoot and at the Huntrix Tower, and in the comfort of her own home which includes Miyeong's grave. The former is the face she presents the world-- a professional, if basic, set of button ups and slacks. The latter is the unpolished Celine wearing a tanktop, sweats, and cardigan when the only eyes on her are a young Rumi's and, later, nobody's at all. Additionally, we get a shot of Celine at her most visible as an idol, in which she has a stage outfit that is not only elaborately patterned, but NOTABLY more so than her fellow Sunlight Sisters. These are the Celines we see in the movie, but we are blessed with concept Sunlight Sisters art and have more to work with yet: two elaborate tops matched with a tasseled and... i have no words other than 'fuck ass' belts plus a set of insanely high heels as a sunlight sister, a dark long sleeve-jean combo at an undiscernible time, and another iteration of a tank top and sweats when Rumi was young.

So, as of the movie, Celine has two outfits. Both are boring, and one is almost entirely grey. Comparing them to the other outfits in the film, they almost jump out with their simplicity-- even Bobby, shown in a comparable number of scenes, has a Huntrix t-shirt visible beneath his blazer (which was a genius level merch strat btw. i have that shirt). Even young Rumi in the grave flashback, dressed nearly to match Celine, has color and buttons on her outfit. Celine's clothing is not just boring, but exceptional in its featurelessness. Comparing her professional outfits, previously tied to how she wishes to be viewed by the public, we see her in (possibly the same) black slacks with a navy blue shirt when Rumi was young and a white shirt with iridescent patterning at the time of Huntrix's debut. Professional and put together, but with little needed forethought. The cardigan outfit, previously connected to her view of herself, remains consistent across approximately 20 years in universe.

The outfits we see from her idol era, in which we can presume she is happier with the other Sunlight Sisters present and fulfilling her duty to the Honmoon, her wardrobe is not just as elaborate as other character's clothing, but more elaborate than her bandmates'. The visual representation of her prime includes notable detail and color, where her worst moments-- where she is losing everything and greiving what she has lost-- are all shapeless and grey. In concept arts, there seems to almost be a correlation between how confident she appears and how elaborate her outfit is. Additionally, the one exception to the lack of detail in her movie-era outfits are the iridescent patterns on her sleeves during Huntrix's debut, which in the context of the movie it is known that iridescent patterning demonstrates overcoming tribulation with acceptance-- a potentially significant demonstration of care, given the context of the photo being taken around Huntrix's debut.