Golden stars of the Milky Way. Die Milchstrasse. 1908. Cover detail.
Internet Archive
Alisa U Zemlji Chuda

Product Placement
cherry valley forever
Sweet Seals For You, Always
will byers stan first human second

❣ Chile in a Photography ❣
Cosmic Funnies
noise dept.

if i look back, i am lost
almost home
Today's Document
Jules of Nature
2025 on Tumblr: Trends That Defined the Year
occasionally subtle
Cosimo Galluzzi
Keni
Three Goblin Art

pixel skylines
seen from Germany

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@st0nemilker
Golden stars of the Milky Way. Die Milchstrasse. 1908. Cover detail.
Internet Archive

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René Magritte
- drawing from “Aube à l'Antipode”
1966
Conversely, the assumption that things cannot go on like this will one day find itself apprised of the fact that for the suffering of individuals as of communities there is only one limit beyond which things cannot go: annihilation.
Walter Benjamin, One-Way Street
[O]n a small scale, there are perhaps paths that lead us again and again to people that have one and the same function for us: passageways that always, in the most diverse periods of life, guide us to the friend, the betrayer, the beloved, the pupil, or the master. - Walter Benjamin, Berlin Chronicle
"And strangely enough: in spite of the fact that Luzhin had read still fewer books in his life than she in hers, had never finished high school, and had been interested in nothing but chess — she felt in him the ghost of a culture that she herself lacked. There were titles of books and names of characters which were for some reason household names to Luzhin, although the books themselves he had never read. His speech was clumsy and full of shapeless, ridiculous words — but in it there sometimes quivered a mysterious intonation hinting at some other kind of words, which were living and charged with meaning but that he could not utter. Despite his ignorance, despite the meagerness of his vocabulary, Luzhin harbored within him a barely perceptible vibration, the shadow of sounds that he had once heard" - Vladimir Nabokov, The Defense

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Amedeo D'Aosta high school, L'Aquila, Paolo Portoghesi, 1975-80. Photograph by Roberto Conte
Amedeo D'Aosta high school, L'Aquila, Paolo Portoghesi, 1975-80. Photograph by Roberto Conte
Lago di Como. Italy
Reiji Hiramatsu aka Hiramatsu Reiji aka 平松礼二 (Japanese, b. 1941, Tokyo, Japan) - 路-夕花 (Michi - Evening Flower), 1990, Ink, Color
Maybe we are here to experience people as a reason for love.
Solaris | Солярис (1972), dir. Andrei Tarkovsky

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Cook, The Thief, His Wife & Her Lover, d. Peter Greenaway (1989)
Yaphet Kotto as Parker, Alien (UK/USA, 1979 dir: Ridley Scott).
A metamorfose dos pássaros (Catarina Vasconcelos, 2020)
Tendría que haber en nuestro lenguaje palabras que tengan voz. Espacio libre. Su propria memoria. Palabras que subsisten solas, que lleven el lugar consigo. Un lugar. Su lugar. Su propria materia. Un espacio donde esa palabra suceda igual que un hecho. Como en el lenguaje de ciertos animales, de ciertas aves, de algunos insectos muy antiguos. ¿Pero existe lo que no hay?
Augusto Roa Bastos, Yo el Supremo
from tarantino’s incarnational theology: “reservoir dogs”, crucifiction and spectacular violence by kent l. britnall

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Gregory Crewdson
ONO Chikkyo(小野竹喬 Japanese, 1889-1979)
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