Dan and Arin:
Everyone watching whoâs played the games:

Love Begins
RMH
let's talk about Bridgerton tea, my ask is open

pixel skylines

Product Placement
Sweet Seals For You, Always
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Mike Driver
YOU ARE THE REASON

â
Keni
ojovivo
Not today Justin
2025 on Tumblr: Trends That Defined the Year

occasionally subtle


seen from Australia
seen from TĂźrkiye
seen from Malaysia
seen from United Kingdom

seen from United States

seen from Netherlands

seen from Malaysia

seen from Malaysia
seen from United States

seen from United Kingdom
seen from Argentina

seen from Netherlands
seen from Singapore

seen from Singapore
seen from South Korea
seen from TĂźrkiye
seen from United States

seen from Malaysia

seen from South Korea

seen from Germany
@squillyjustbo0lin
Dan and Arin:
Everyone watching whoâs played the games:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
i canât believe castiel went to super hell to turn georgia blue
please god let me find these things out normally I am begging you
nonsense dump cuz this game has me off the walls
To-may-to, to-mah-to.
Anyway, I played through all of the academy phase fully expecting to be sacrificed on an altar at some point. Maybe itâs still going to happen, idk I havenât finished a single route yet.
đđžEducation đđžis đđža đđžright,đđž notđđž ađđž service đđž
Pass along and use the shit out of them

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
short enderman
short enderman
how did you do this.
When I was a kid, I thought those pillars went down to the sea floor.
In reality, they usually go down to some large submerged floats.
I dislike this.Â
God bless the gay that yells,
âDaddy did cummies in you, and you want to make sure youâre notââ
Iâm not kidding this is my favorite video in the world

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
critical thinking while consuming media is important but some of you really are like "if you enjoy a cartoon with flaws you will never achieve happiness"
i found this pogchamp mask on redbubble and it makes the person wearing it vaguely resemble iconic cartoon character homer simpson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
HILDA! HILDA! HILDA!
âFor some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.â
âMost films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They arenât so much made for children as theyâre made to be not not for children. Itâs perhaps telling that the genre is generally called âFamily,â rather than âChildrenâs.â The films are designed to be pleasing to a broad, age-diverse audience, but theyâre not necessarily specially made for young minds.â
âMy Neighbor Totoro, on the other hand, is a genuine childrenâs film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsukiâs shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows childrenâs goals and concerns. Its protagonists arenât given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.â
âConsider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that sheâs âoff to run some errandsâ - The film is hers for the next ten minutes, with very little dialogue. Sheâs seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play âflower shopâ with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but weâre never bored, because Mei is never bored.â
â[âŚ] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoroâs world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.â
âMy Neighbor Totoro has a story, but itâs the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, âAnd then what happened?â This kind of whimsicality is actually baked into Miyazakiâs process: he begins animating his films before theyâre fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those thingsâand there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.â
A.O. Scott and Lauren Wilford on âMy Neighbor Totoroâ, 2017. Â