Hello there! Mostly fanart and reblogs over here
Like what I do? I have a ko-fi! -> https://ko-fi.com/spectralgecko
I'm an artist, writer, and occasionally a musician. Also an available proofreader.
Hey y'all! Lots of fanart and eclectic fandom posting over here, plus miscellaneous postings from life and a lot of reblogs.
Tagging is perfectly fine, and the ask box is open if you have any questions!
My original content output is not super consistent. If you were hoping for any kind of regular content short of reblogs and silly day-to-day stories, alas, this is not the right blog. I sporadically drop art into the void and then disappear for a month. I do have an art tag below, though, for easy perusal!
If it takes a while for me to respond or get to an ask, don't worry - I've probably seen it and haven't had a chance to get to it. You're welcome to check in, though (I may answer privately).
School work and life in general eat up most of my time. Sundays are pretty reliably free, though.
Additional Info:
Other blogs ● tags ● fandoms
Other Blogs:
@sqarletsworldlesswandering - Various shenanigans about the gorgeous indie game Worldless (100/10 recommend it - Steam has a free demo here).
@sqarletgecko - A separated blog for more original stuff and official stuff. Dormant for the time being (also, my apologies for the confusion with the deactivated version of the account - I needed to rearrange, and now it's all confusing)
@bugfablesampedau - A designated blog for all my Bug Fables Amped shenanigans.
General Tags:
SqarletTalks - any and all rambles from yours truly
AU tags are "[fandom] AU: [name]". I will also often have a shorter version that's just "[abbreviation] AU". Ex: TSBS AU: Everything is Fine; EiF AU
Fandoms:
While by no means a comprehensive list, here's some stuff you can find on my blog at the moment. The gist is "indie games and some youtube shows."
Stuff I've made content for:
The Security Breach Shows: Mostly TSAMS, LAES, and rarely MGAFS. Some of that is more tangential and AU related, so those don't have show tags besides "tsbs au." The one that's currently got an actual AU tag is "Everything is Fine"/"EiF." Bunch of OC and concept designs. There's also the Hyper Light Drifter/HLD AU. I'm not very active in this community anymore. I will maybe finish the astral designs sometime.
Worldless: I occasionally reblog Worldless content here, but that mostly stays over on my other blog, mentioned above.
Black Resin: A small game currently looking to be published. It's a neat lil' game! You can find the demo here.
Portal: I've got some crossover stuff with that so far.
Minecraft/Steve Saga: Yes the Steve Saga is... quite old by now. But I rediscovered some old art I had for it, so that's going here. There's an AU/Speculative Worldbuilding project for it that's tagged "Worlds and Wonders"/WaW.
Bug Fables: I finally made art for this! Lots of miscellaneous stuff and AU stuff. The main AUs I have are the Dead Lander Hoaxe AU and Bug Fables Amped. Acolyte is in progress.
Other stuff I've not made (much) content for yet but enjoy:
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Love that pillow pet Gordon is the size of a fully grown human, scrungliest little brick shithouse ever ❤️ like he could crush me to death and I'd be happy
- 🍑 (too nervous to come off anon for now)
That’s okay you don’t gotta come off anon! ^^ but here Mr brick house
Thinking about Zuko bringing the steambaby to council meetings so Katara can have an uninterrupted nap
• The first time he does it, the council members expects chaos. Instead, the baby immediately falls asleep against her father's chest the moment he starts speaking
• Zuko becomes surprisingly skilled at conducting business one-handed. He signs papers, points at maps, and gestures during debates while his daughter is tucked securely in the other arm
• Whenever the baby starts fussing, Zuko instinctively stands and begins pacing around the chamber while continuing the discussion without missing a beat, as if it's completely normal for the Fire Lord to be walking laps around the room while soothing an infant
• Meetings actually run more smoothly when the baby is present. Nobody wants to be the person who wakes the sleeping princess
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firelord zuko who loves going to the southern water tribe not just bc it makes katara happy but also bc he’s treated like a normal guy and is put to work and only needs to do breathing exercises to remain optimally warm. not only is he meditating as he goes, he can make himself SO useful outside of the politics of it all. kanna doesn’t feel like using the spark rocks for a fire? chop chop blowtorch boy, the fire won’t start itself. they need hot water? yeah katara’s boy can heat that up in a few seconds and he can also do the laundry. he’ll get to you in a minute he’s making me tea. hakoda is like mom you can’t just demand the firelord does chores and kanna goes well he’s not the firelord here is he. hashtag not my firelord. and don’t pretend you didn’t come in here to take him hunting. zuko is like oh i can tag along if you need me to and kanna goes no you need to do dishes after that tea is done. hakoda slinks back out and is like sorry boys the space heater can’t go, and sokka is like ah fuck. is gran-gran hogging him again. i was hoping he could warm my hands when they get cold. and katara goes well i wish you would all stop stealing my boyfriend but we can’t all get what we want can we sokka.
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I am so tired of short-attention-span, trim-the-fat culture.
All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line?
The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy?
Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess.
I want the fat left it.
I want the pleasure and the indolence and the indulgence.
Fuck this art-advice that's always "your art needs Ozempic."
Im back with the random q's about your bandit bug boys (+ Grash lol),,
Whats their ages? :D (or like if you have anything planned for them /estimate XD)
(Please bear with me, I enjoy having the most little info on basically everything XD)
Hey Hey! Long time no see, no worries I been in the process of moving out and such and headed back home soon! Finally done with my big boy education stuff lol.
Hmm ages ages...this is in terms of our human lives in respect to their lifespan
Venx - 28
Zimmlerken - 31 (haha old but not really)
Grash - 26
Elnren - 25
Shrim - 22
Zag - 25
Tento -22
No plans as of now, maybe some dumb shenanigans while I write Swan Song (whenever I can get back to it) I can probly write whole chapters just on the boys planning heist style set ups on getting Asto to interact with his number one embarrassment source lol
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Wait a sec, so if Hiro was a time traveler who fast forward through 100 years did he leave anyone behind in the past like say.. a wife or maybe a child?
Did Hiro have any family ?
hiro does, sadly. his family never knew what happened to him despite the outrage his disappearance sparked in japan, and hiro in casa tidmouth didn’t know how the entirety of his nuclear family got destroyed by one of japan’s greatest natural catasthropes.
hiro’s wife and children (except satoko) were eventually wiped out the Great Kanto Earthquake in 1923, but he does have descendants of his own that he managed to meet after the events of casa tidmouth’s Hero of the Rails arc.
(more info about them under the cut)
THE YEAR IS 1894.
Hiro Hideki
秀紀 弘 Hideki Hiro
Age: 57 (before transportation, canon Casa Tidmouth is 62)
The patriarch of the Hideki family. Wise, calm, level headed, but has a tendency to overwork himself and put others before himself. He has a mindset of finishing his work first before rewarding himself with the most basic necessities such as eating or going to the bathroom which exasperated Kamome.
Hiro originated from 1894, the Meiji era. Before he was transported to 1994, he’s a civil engineer and railway inspector that was heavily involved during the modernization and westernization of Japan and oversaw the construction of the Tokyo to Yokohama railway in 1872 and its subsequent expansion to Kozu in the following years.
In an attempt to further the connections with the United Kingdom and as part of a collaboration to improvise their engines and railways, the Emperor formed a research group and sent them to England and its surrounding islands – one of them being the Island of Sodor, infamous for its rumored supernatural influence and cases of outsiders going missing (not a great idea, Emperor). Hiro was sent there alongside his colleagues and seniors and the next thing he knew… his environment was alien, his clothes were tattered, he cannot remember anything, and he’s all alone in a steep siding.
Kamome Hideki
秀紀 鴎 Hideki Kamome
Age: 54 (83 at death)
Hiro’s wife. Their marriage was arranged by their parents but Hiro fell in love with her at first sight. While Hiro speaks gently and avoids unnecessary conflict, Kamome is blunt and goes straight to the point when talking. She was constantly seen wearing a tasuki sash and was well-toned for her age. The neighbors and family’s acquaintances see her as a scary woman with a sharp tongue and even sharper eyes, but… that’s just how her face is. Kamome doesn’t take compliments well and instead of smiling, she usually purses her lips or scrunch her eyebrows to express her happiness (Hiro thinks it’s cute).
During the early years of Hiro’s disappearance, Kamome put on a strong facade for their children. She didn’t have much financial worries because their children already had jobs. Hirokazu’s and Akira’s families visit from time to time, and Kamome quickly came into terms with Hiro’s disappearance, but the loneliness and frustration inside her heart still well.
I took her given name from the limited express train service that JR Kyushu operated, Kamome. Her name also means “seagull”.
Hirokazu Hideki
秀紀 弘和 Hideki Hirokazu
Age: 34 (63 at death)
Hiro’s eldest son. He was named after his father. Hirokazu was a serious, rigid man — always bent on following every rule there in his line of work and wouldn't hesitate to reprimand people for messing up. He liked expressing his thoughts (usually related to Japanese politics) without sugarcoating anything and got a knack for debating with his peers, so he’s often exhausted with his father who’s always calm and open to anything Hirokazu says without refuting much of his opinions. Despite being polar opposites, Hirokazu greatly respected and adored Hiro — hence why he followed in his footsteps to become a civil engineer.
Ever since Hiro disappeared, everytime Kamome looked at Hirokazu she felt like he resembled Hiro more and more. Hirokazu’s responsibility in taking care of his family (especially his elderly mother) grew stronger and his need to live up to his father’s legacy eats away at him.
Akira Hideki
秀紀 明 Hideki Akira
Age: 31 (60 at death)
A shy, stoic woman whose social battery drains quickly. She’s soft spoken and doesn’t talk much because of her social anxiety, so he enjoyed conversations with her gentle father more. Akira is also kinda awkward at socializing — behind her neutral face, she’s constantly nervous when faced with a crowd or an unexpected acquaintance of either his father or mother who wanted to chat with her, something she’s extremely self conscious about (Hiro told her she’s fine the way she is). When she succeeded in a conversation, however, she got all fired up and overly proud of herself Akira married a wealthy textile businessman who’s been seeing her for a while and is incredibly smitten with her.
After Hiro went missing, Akira’s husband, mother, and siblings often find her wandering around the train station, sitting solemnly or even asking railwaymen and random passersby if they’ve seen her father. She wasn’t doing mentally well, but luckily her family was there for her.
Masaharu Hideki
秀紀 雅治 Hideki Masaharu
Age: 24 (53 at death)
A student from the Tokyo Imperial University. He studies medicine and was an apprentice of his professor at a hospital in Tokyo. He’s timid, always stressed out, and have trouble standing up for himself, especially against his professor who always reprimand him for even the smallest things such as being late to a conference or being too slow to hand him an operating tool. Masaharu was also a mama’s boy. Kamome fusses over him and always tells him to eat more. Hiro too, but he’s not the most stern.
His professor used his connections to help Masaharu look for his father. Rescue teams, fellow colleagues from Europe, even autopsy labs and funeral homes — he looked everywhere, yet he and Masaharu are stumped. Masaharu felt so useless and even considered dropping out, but Kamome and Hirokazu dragged him back to reality, which made Masaharu end up crying.
Hisae Hideki
秀紀 久愛 Hideki Hisae
Age: 21 (50 at death)
Spunky, stubborn, and always up-to-date. She is IN LOVE with western fashion and a HUGE francophile. She’s a tad spoiled and always asks Hiro for some money whenever new clothes hit the market. Hisae likes dressing up her younger sister Satoko in various clothes she made or bought. She also worked at Irohanayama’s tea house because government officials and their wives always visit in their western attire. She’s also good at talking with people and pleasing upper-crusts. She dreamed of visiting France someday, though this is mostly because of the rose-tinted glasses she has for Europe.
After Hiro went missing, Hisae spent most of her days moping, not wanting to eat or leave her room until Hirokazu and Satoko convinced her to. One day, she suddenly stopped holing herself up in her room, quit her tea house job, and planned on opening her own clothes shop.
Satoko Hideki
秀紀 聡子 Hideki Satoko
Age: 17 (46 during Great Kanto Earthquake)
Being the youngest and most obedient, Kamome frequently asked her to go out to town to run errands. Generally a quiet person, though she always butt heads with her more hotheaded sister Hisae. Most of her clothes during her late teenage years are hand-me-downs from her. She didn’t really have any notable abilities or talents, but she likes collecting hairpins and combs.
In 1923, Satoko survived the Great Kanto Earthquake because she lived at her husband’s hometown far from Tokyo, making her the only living member of Hiro’s nuclear family (some grandchildren from the Hideki family survived but that’s another story. It’ll make this tree longer)
She is Kenji and Kana’s great grandmother.
———
THE YEAR IS 1999.
Kenji and Kana met Hiro during their visit to the Great Kanto Earthquake Memorial Museum. When Kana was taking pictures of the memorial hall for her school assignments, Kana spotted Hiro staring at the list of names. Kenji went to the bathroom for a second, and Kana saw Hiro sitting alone on the bench. Kana sat beside him and sparked a conversation, leading to them eventually becoming friends. Kenji joined them shortly after, and they parted ways soon after it got dark and Kana urged Kenji to take her home so she can print her photos. Hiro bid them farewell, looking wistful but also satisfied with himself.
Neither of them knew that they’re Hiro’s great great grandchildren… until much, much, later.
Kenji Shirogane
白鐘 健二 Shirogane Kenji
Age: 22
Lives in Shinjuku, Tokyo, with his younger sister, Kana. Ever since their parents went abroad for work-related purposes, Kenji has been acting as a guardian for his sister. He studies biomed at Tokyo University in Bunkyou. He goes there via the Yamanote line.
Kenji’s great at cooking and Kana only likes his curry rice because he doesn’t put any “weird” vegetables in it. He likes Japanese variety shows like Takeshi’s Castle and Gaki no Tsukai.
Kana Shirogane
白鐘 華菜 Shirogane Kana
Age: 16
Lives in Shinjuku, Tokyo, with her older brother, Kenji. Second year in high school. She’s in the sports club at her school and is a star for the girls’ running team. A cheerful and hyperactive girl, Kana is rather mischievous and can put on crocodile tears whenever Kenji doesn’t allow her to do something. She frequently gets into trouble at school because of her purple inner dye and grommet belt.
Kana is also quite foul-mouthed and has little respect towards most adults that boss her around, labeling her as a problem child at school. Kenji’s fond of her, but he also describes her as “disrespectful towards older folks”. She would also pull on his nose whenever she’s hungry in the middle of the night and saw Kenji sleeping by the couch to wake him up. However, she truly cares about her family and loves her older brother. Kana’s just a kid being a kid.