The State of being Spector

die Welt = world

die Umwelt = environment

ver = prefix to indicate something difficult or negative, a change that leads to deterioration or even destruction that is difficult to reverse or to undo, or a strong negative change of the mental state of a person

der Müll = garbage, trash, rubbish, litter

-ung = -ing

die Vermüllung = littering

ver- = see before

zweifeln = to doubt

-ung = see before

die Verzweiflung = despair, exasperation, desperation

das Monster = monster

das Wort = word

der Groll = grudge, anger, malice, rancor

die Imitation = imitation

un- = un-, in-

fähig = able

-keit = -ility

die Unfähigkeit = inability

die Fehde = feud

der Handschuh = glove

der Fehdehandschuh = gauntlet

der Wurf = throw

Monsterwortbildungsunfähigkeitsangstverzweiflungsrückzugsecke

Monster=monster // wort=word // bildung(s)=formation

unfähigkeit (s)=incabability  // angst=anxiety

verzweiflung(s)=desperation  // rückzug(s)=retreat // ecke=corner

Monsterwortbildungsgespür

Monster = monster 

Wort = word 

Bildung(s) = formation

Gespür = intuition

• irren = to become lost (also: to err, to be mistaken; to wander, to stray)

• der Garten = garden

der Irrgarten = maze, knot garden

• be- = prefix with a variety of functions: ¹as part of a compound word, it denotes a processing or change of state; ²as part of a compound word, it denotes a touch; ³as part of a compound word, it denotes a more intensive preoccupation with or thematization of something; ⁴it forms from a noun an adjective with a pseudo-participle form because the corresponding verb does not exist; ⁵as a prefix, it forms a transitive verb from a previously intransitive verb; ⁶as a prefix of a verb, it shifts the focus and thus changes the sentence structure

• lustig = funny

• -ung = suffix turning an adjective/adverb into a noun

die Belustigung = amusement, entertainment, merriment

Doom scroll // self explanatory

auf- // lit.: „up“ indicates rising, or something becoming bigger, better, healthier

hell // bright

aufhellen // to brighten something up

-ung // makes a verb a noun

-s- // the glue that keeps german compound words together

repost // self explanatory

Doomscrollaufhellungsrepost // a repost to brighten up your doom scroll

It’s just conventional in English to keep writing spaces in between larger compounds, whereas in German it’s conventional to remove them. But they sound the same! Grammatically, they’re identical!

You could call it the…

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.

Here are Celtic bronze swords…

…Ancient Greek Xiphoi…

… and a Roman “Mainz-pattern” gladius…

Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.

Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…

…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.

This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…

…but may also have had the secondary function of being a saw.

A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.

I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).

A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.

The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.

Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.

Again, the clue is the centre-line.

Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.

Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.

There’s no doubt about this one either.

The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.

However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.

Here’s a Circassian kindjal, forged wiggly…

…and an Italian parrying dagger forged straight then ground wiggly…

There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.

These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.

NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.

The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.

So there you go: a quick overview of fantasy sword features in real life.

Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…

Just a very flexible one…

If you want more odd blades, Moghul India is a good place to start…

I am very much about the color choices in this movie.

Competitive Business

BEST PRACTICES

Don’t Go Overboard

You don’t have to define every single element of the world to create a vibrant one.

Make Sense Scientifically

Suspension of disbelief can suspend only so far.

It’s important that the elements in your world are at least theoretically possible.

Verify the scientific possibility before you add it to your world.

Research answers to your scientific, geographic, and cultural questions when worldbuilding.

Draw Your Own Map

Even if you don’t show it to your readers, your map can help you figure out what’s what. Use your map to build a vision for where the characters are going throughout the story.

This is helpful in epic adventures where the landscape may change.

A relationship map can help you see clear relationships between characters.

Alternatively, you can develop a map that shows the characters or objects and their magical abilities.

WORLDBUILDING ELEMENTS

Time

Many fantasies take place in the past because of our collective bias against magical elements in the present or the future.

If you could compare the era of your story to one on earth, when would it be? In the present? In the past? In the future?

Perhaps your story is tied to an actual historical event, such as The Chronicles of Narnia.

If you choose to allude to a historical event, this will partially dictate how you describe the world.

Location

What is the setting of your world?

Does it take place in a parallel universe?

Is it on another earth-like planet?

Does it occur in another dimension?

Population

Who lives in your world?

Are they humans, aliens, animals, insects, hybrids, monsters?

What is their population?

Where do they live?

Do they live in small villages or large cities?

Do they live in houses? Tents? Communes?

Society

How does your collective population relate to each other?

What is the basis for society?

Is there a class system? Who is rich? Who is poor?

How do they relate to each other?

Can one go from poor to rich and vice versa?

What is the family structure? Are couples married?

Are they monogamous? Polygamous?

Do they have children?

How many children do they typically have?

What are people’s values? What is sacred?

What is universally accepted as right and wrong?

How do they deal with old age?

What are the gender roles?

History

History is important for your protagonist’s backstory.

So take time to develop the history of your world.

You can go as far back as the beginning of time, or as recently as a few hundred years.

There should be a series of cause and effect that creates the world in which your story shows.

What is the history of your fantasy world?

What created the current circumstances of the story?

What is the catalyst for change?

Create a timeline of key events to document how historical events led to current circumstances.

Laws and Government

What are the relevant laws in your universe that the characters must obey?

What is the political environment?

Who are the controlling parties and why?

Is there a struggle for independence? Is there growing dissent?

Very important: how does magic affect these laws?

Magic

Every fantasy contains some element of magic.

That’s what sets fantasy apart from any other literary genre.

Because magic is so central to your fantasy story, you must consider it when building your world.

Magic, just by its very nature, will shape your characters and direct their actions. So, with that in mind:

What type of magic will you include in your story?

Are there wizards? Genies?

Is it mental magic?

Science-based magic, like time-travel?

Or supernatural, like superheroes?

Who has it? Is magic only available to a select few?

If so, how do they get it?

Is magic banned? Is it revered?

What are the rules of magic in your world?

You have to create rules that make sense, based on what you know of the society and its rules.

And, just as important as creating the rules of magic are following those rules.

Daily Life

What do people do to pass the time?

What do they eat? Drink?

Do they exercise?

What type of clothing do they wear?

Does clothing reflect their values or their social class?

How are they educated? What do they learn in school and why?

Sentiment

How do your characters feel about the world in which they live?

What do people agree with? How do they differ?

Religion

The prevailing religion of the society at large will affect your characters’ actions.

Are they monotheistic? Polytheistic? Atheistic?

What is their folklore?

What do they believe? What do they value?

Physical Attributes

What does the world look like in a physical sense?

What are the natural resources?

What type of plants grows there? What type of animals?

What is the atmosphere?

How does the world smell?

What does the night’s sky look like? Is there night?

What is the climate?

The prompt list is finally here!

Note that the event actually begins on October 1st, and the prompts are being posted now so that people can plan out their month.

Show us and everyone how sane you are about the characters in Darkest Dungeon! With the theme of "Helping hand", we encourage fans to create anything that features characters being shown some love from the fan creators--in whatever form that may be. Whether it's your favorite character being comforted amidst the horrors of the estate or a funny character interaction that would never happen canonically but you'd love to make, a helping hand may be all you need to witness something amazing!

The theme is just a guide--if you would like to follow your own inspirations, do as you please! But most of all, remember to have fun. You are not obligated to contribute to all 31 days to participate.

Cultures of Roshar for the Stormlight RPG (aka Cosmere RPG) by Brotherwise Games (Link to the kickstarter here)

ADs: Johnny O'Neal and Katie Payne

Looking for a stormy or colorful summer beach read? @priscellie had way too much fun creating some romance novel versions of Rhythm of War and Warbreaker. I made the illustrations and Priscillie made them look like actual books – beautifully ridiculous, curly typography, mock-up and all. I hope that there will be more :D

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I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help