writing arting

I'm white, so I don't talk about it because I feel like I shouldn't. There are so many brilliant people of color in this fandom who have made better posts than I ever could, and I strongly feel that it is THEM we should be listening to. Not me. There are enough white people talking over people of color in real life, I didn't want to take up space here in our fandom, too.

But, as I've seen more and more the pain, the frustration, the anger at their very valid concerns being dismissed, ignored, or argued against, I've realized that maybe my silence could be hurtful in another way. I want my blog to be a safe, inclusive space for EVERYONE. I don't want anyone to feel like I don't care, or worse, that I agree with some of the frankly disgusting bullshit that has happened. I don't want my silence interpreted as a lack of care, or concern.

I may not talk about it, or post about it, but I do see things. I quietly unfollowed some blogs, followed others. I have stated before, and I will again, that if you catch something in any of my works that I didn't see, please tell me. I don't want my blog, or my writing, to be hurtful. I don't want anyone to feel like they can't call me out.

I see the way people in this fandom love to jump in on discourse over a nasty comment about a skirt, but can't be bothered to talk about how when people of color point out hurtful things, stereotypes, and blatantly racist scenarios or characterizations they get tons of hate for it. They get blasted with hate anons simply for speaking up, or publicly dragged by the accounts they've tried to talk with.

I have seen the callouts, and I've seen some people accept it with grace, issue apologies and move on, trying to be better. I've also seen grown adults having meltdowns and behaving with a staggering level of immaturity and ignorance.

At the end of the day, I don't think that any of us get to decide what is hurtful to someone else. We also don't get a say in who forgives us, either. Apologies can certainly help, if made from a place of remorse and followed by action, but saying you're sorry doesn't guarantee anyone will accept it. If I, knowingly or not, hurt someone...it's not up to me to pass judgement on what I did to cause the hurt, or make excuses for it. It is up to me to acknowledge it, atone, such as I can, and it is up to the person that I hurt to forgive me or not. And we both will live with it, whatever the outcome.

🚨Urgent Appeal 🚨

My name is Jaber Al-Haj. I am from Gaza, married to my wife, Menna, and we have a little son named Hashim, who is less than two years old. Like any Palestinian family, we dreamed of a simple and stable life. But the recent war turned our lives upside down. The sounds of explosions never left us, and fear has become part of our daily existence. My son Hashim suffers from health problems that urgently require treatment, but the war has destroyed everything, including the healthcare system, making access to necessary medical care nearly impossible. With each passing day, our suffering deepens, and the fear for Hashim’s health and future consumes me.

Alongside my small family, I used to work with my brothers, Aboud and Bilal, on our joint project—a small lab for producing essential household cleaning products. We started this project with modest resources, dreaming that it would become a source of income to support us and provide job opportunities for our community. But the war left us with nothing. Our lab, which was once filled with life and hard work, was reduced to rubble under the bombardment. We lost our equipment, our livelihood, and with it, a part of our dreams for the future.

Even our home, our only refuge, did not escape the destruction. It was severely damaged and is now uninhabitable. We were forced to flee and live in a tent under harsh conditions unfit for human life. The cold, the heat, the lack of resources, and the absence of privacy have made life nearly unbearable. We try to cope, but every day brings new challenges and suffering.

Today, what worries me the most is my son Hashim's condition. His health is deteriorating, and he desperately needs treatment abroad. However, under the circumstances we’re living in, I lack the means to secure his travel and medical expenses. As a father, there is nothing more heartbreaking than watching my child suffer while being unable to help him.

This campaign is a lifeline for my family in our darkest hour. With your generosity, we can bring hope back into our lives and secure a better future for my son, Hashim. Every contribution, no matter how small, makes a world of difference.

Please support us through the links below:

👉Donation link

👉Paypal Link

Thank you for standing with us and helping us through this difficult time. Your kindness means more than words can express.

With heartfelt gratitude, Jaber AlHaj

✅ My Campaign ✅ 🔍Vetted by @90-ghost here 🔍Vetted by association in this post

As always, when writing about sensitive topics/injuries/illnesses, we encourage everyone to research and tag works appropriately. This is to ensure that the whump community can remain a safe space for everyone, as well as assist writers in creating well-informed works that avoid offending people and stereotyping, romanticising, or sensationalising hard topics.

We have also added some additional links that may be useful when creating characters.

Below are some links to resources we and others found useful - we'd like to thank the wonderful members of our community for helping us with finding great resources.

Blogs/Tumblr Posts:

@cripplecharacters - A whole blog dedicated to helping people write disabled characters.

^ A Guide to Writing Disabled Characters

@writingwithcolor - A whole blog dedicated to writing and resources centered on racial, ethnic and religious diversity.

^ Stereotypes and Tropes Navigation

@creatingblackcharacters - Creating Black Characters *with intent!

Resources for Writing Injuries (Tumblr Masterpost)

Resources for Writing Sketchy Topics (Tumblr Masterpost - please note that a couple of links are broken due to the post being 7 years old, but many are still working!)

A guide to designing, drawing or writing characters who use mobility aids (Tumblr post)

Writing A Blind or Visually Impaired Character (Tumblr Post)

Independent Websites

Avoiding Stereotypes in Fiction: Characters with Mental Health Issues (WritersHelpingWriters)

How Do I Depict a Disabled Character Respectfully? (Fay Onyx, Mythcreants blog)

Respectfully Depicting a Character Adapting to a Disability (Fay Onyx, Mythcreants blog)

Writing Deaf Characters (T. Frohock, author.)

How to Write Deaf or Hard of Hearing Characters (Melanie Ashford, Science Fiction & Fantasy Writers Association)

How to Write a Blind or Vision Impaired Character (AllWriteAlright)

If anyone has any additional sources, feel free to share them in the reblogs/replies!

POST CONTRIBUTERS - Thank you!

@psychologeek - Thank you for sharing some of the primary resources with us, it helped us a great deal :)

Hello, I am Mahasen,a Digital Artist from North Gaza, where creativity thrives despite challenges.

PLEASE DONATE HERE

In this tough situation, I am a digital artist finding solace and resilience through my art .. pixels and colors.

For over a decade, I've navigated the freelance world, weaving intricate digital tapestries that reflect the beauty and strength of my surroundings.

My father died, and I am the main provider for my family.

Before the war, I worked with international companies in motion graphics,

specializing in character design and storyboarding.

The conflict forced us into repeated evacuations, and our home suffered damage, including the theft and destruction of my essential art equipment and tablet. Each stolen piece held not just monetary value but years of dedication and creativity and hard work. We are left HOMELESS, UNSAFE, SICK with VERY LITTLE FINANCIAL SECURITY!

Our family consists of:

• My mother, 62 years old.

• My sister Mai, 35 years old, who is also visually impaired.

• Myself,Mahasen, 31 years old.

• My brother Mohammed, 28 years old, who is visually impaired.

• My brother's wife Iman, 28 years old.

• My youngest brother Amin, 21 years old.

Your support is crucial as I rebuild what was lost. Your contribution will help replace my tools and restore hope and creativity. And mainly for my family's safety, ability to survive the current situation and community.

Together, we can affirm that art is more than expression,

it is a lifeline that connects us and enlighten even the darkest moments.

Expenses Needed:

• Travel arrangements to Egypt ( $5000 per person ) for 6 family members.

• Living expenses to survive the current situation in Gaza.

• Buying art equipment and tablet to recover what I've lost and be able to work again.

• Living and transportation expenses during the initial period of travel.

• Food and medical expenses.

Every donation counts! Your support makes a real difference for my family and me.

Please consider contributing and sharing to help us.

Please Help Share AND Donate

DO NOT PUT MILK IN YOUR EYES FOR PEPPER SPRAY OR TEAR GAS.

It can and will cause infection due to bacteria. Flush with water, distilled if possible, and never EVER wear contact lenses to protests where there may be police retaliation.

a couple snippets from a presentation i gave at school this past week on storyboarding!!

‼️DISCLAIMER: I am a still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!

The other half of the class were told, “you can make only one pot”. But that pot had to be perfect. The quality had to be high; the highest quality pot would get the best mark.

But when it came to the grading, they noticed something weird.

All the best quality pots were in the ‘quantity’ group.

The guys who were literally churning out pots, trying to make as many as possible, not concentrating on the quality. But every pot they made, made them better at making pots. By the end of the month (I think it was a month) - they had some pretty awesome pots coming out, because they enjoying finding all the ways and all the things they could do to make all their pots. Where as the ‘quality’ guys had spent their time reading up on pots, and technique, and researching and planning; which was all great but they’d had no further practice at actually making pots.

The best way to get really good at something, the only way to be really good at something, is to make lots of shitty attempts at that thing several of which will fail. If all you create are perfect things then you won’t improve, because how can you improve on perfect?

alice is dragged from place to place without warning, forced to play stupid games with no good prizes, grilled over her schooling and manners and recitation and dress, scolded, judged, insulted to her face, sent away, given gifts she didn’t ask for and doesn’t like, corrected incorrectly, been subject to shifting and arbitrary rules, and then when she gets snappish with all this bullshit everyone acts like a little girl’s temper is the end of the fucking world.

I have been in two fandoms that echo chambered their way to a theory invalidating all of canon, thereby making the source material itself irrelevant. One is the “Scott is an unreliable narrator” theory from the Teen Wolf fandom, which uses an odd POV choice from the series finale (the protagonist telling the story of their final battle to a character in a flash-forward) as evidence that the entire SHOW is actually him telling a heavily edited version of the story to make himself look like the hero. The other is the “Ghostfacers Effect” from the Supernatural fandom which also uses a weird POV episode (told through camera footage from a ghost hunting crew) to argue that, because the characters swear (bleeped out) in that episode but nowhere else in the series, this is evidence that the whole series is censored and edited by the author/God Chuck.

Both fandoms had animosity between fans and show creators, especially from queer shipping bases. Both have a huge amount of fanworks for those ships, and both experienced the “fandom echochamber” effect. Reinforced by positive responses from those seeking fluffy, kinky, self-insert, or otherwise wish-fulfilling stories, popular fanon characterizations slowly drifted until many fanworks featured characters virtually unrecognizable as their canon counterpart.

These drifts are addressed differently throughout fandom: Most people look at it and say, “No, that’s not canon, but it’s fun to read sometimes anyway,” or “This is just my headcanon.” Fanfic readers who never watched the source material are oblivious and perpetuate fanon characterizations as canon. Canon lovers decry the OOC-ness and complain that they can’t find fics about the actual characters they want to read about.

And some start arguing that fanon is actually more correct than canon.

Thus, the erosion of canon begins. “These episodes don’t count because the head writer was garbage.” “They made the character act like that to advance the plot - they wouldn’t have actually done that.” “Everything after this season is basically a different show.” “This happened off-screen but the network was too cowardly to show us.” And, finally, “Canon isn’t real.”

There is no canon. It’s a fanon shell wrapped around a desiccated center.

It’s Goncharov (1973).

Why do we need a source material? Canon isn’t real!

No shit canon isn’t real. It’s a fictional show.

You can’t argue the objective reality of a fictional story.

“But what’s the truth?”

None of it. None of it is the truth. It’s about werewolves. It’s about a gay angel. It’s not real.

You can argue objective reality in real-life historical accounts, analyzing sources and biases and excluded viewpoints. In a fictional story with an unreliable narrator, you can argue about what the text of the narration reveals about them. But there is no argument to be had about the objective reality of a fictional character. They are the text. Everything else is interpretation.

Why can’t your interpretation be what it is: an interpretation? Why can’t your headcanon be a headcanon? Why do you feel the need to saw the ladder off from underneath you? Why does fanon need to be more “true” than canon? Why would you rather have a fandom built on nothing than a fandom built on a text that disagrees with it?

Goncharov (1973) is the perfect canon because it will never disagree with fanon. It has no voice to do so. It is the perfect void that people have been trying to carve into their respective canons for years.