āFor the wise man regards wealth as a slave, the fool as a master.ā - Seneca

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āFor the wise man regards wealth as a slave, the fool as a master.ā - Seneca

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Hung Liu
Leonard McCombe Governorās Garden Party, Grenada Island, c. 1959 Gelatin silver print
Antipodean Venus:
Charles Wheeler (1881-1977), āAnd So The Story Endsā, oil on canvas, Art Gallery of South Australia
BERNARD PLOSSU (b. 1945) Afternoon Shadows in AgadĆØs, Niger, 1975 Gelatin silver print

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BBC A History of Art in Three Colours: White
Paul Himmel Untitled / Grand Central,1947 Gelatin silver prints
Tomio Seike From the series āZOE, TSZ 65-16, 1983ā Gelatin silver print
ZdzisÅaw BeksiÅski
Asano Kiichi Ā ęµ éååø (1914 ā 1993).

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āI feel that everywhere I go I could find a lover ā and I do not want a lover. I want a friend.ā
ā Anne Sexton. from a letter to James Dickey featured in Ā A Self-Portrait in Letters
The fourteen artworks of theĀ āBlack paintingsā series of Francisco Goya, painted between 1819 and 1823.Ā The paintings were originally painted as murals on the walls ofĀ Quinta del Sordo (Deaf Manās Villa), a two-story house outside MadridĀ where Goya moved at the age of 72.Ā
Frida Kahlo: Moses, 1945
āI read the book only once, and started the painting with my first impression. Later I read it again, and I must confess I found my work most inadequate and quite different from the interpretation Freud analyzes so marvelously in his [book] Moses. But now thereās no way to change it.ā
A brief look at Egon Schiele's life and work
The Sacred Wood, 1882
Arnold Bƶcklin

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Detail of The Deposition, 1876, by Arnold Bƶcklin (1827ā1901)
āI feel that everywhere I go I could find a lover ā and I do not want a lover. I want a friend.ā
ā Anne Sexton. from a letter to James Dickey featured in Ā A Self-Portrait in Letters