“Femme Tête Renversée" d'Emilie Charmy (1920) à l'exposition “Les Mondes de Colette” de la BnF Mitterrand, Paris, janvier 2026.
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“Femme Tête Renversée" d'Emilie Charmy (1920) à l'exposition “Les Mondes de Colette” de la BnF Mitterrand, Paris, janvier 2026.

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The mass of lilies that surrounded me exhaled, now, the odour of their withering. They looked like the trumpets of the angels of death.
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Bloody Chamber’
the july look is ‘ancient nymph presiding over fountains and shell grottos’
“…she put a touch of perfume at her temple and between her breasts; the earth was perfumed with the aroma of a thousand crushed leaves and flowers…”
— Clarice Lispector, from The Book of Delights; “The Beginning of Spring,”

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1973, ESSENCE
John Galliano Spring/Summer 1992
Kylie Minogue wearing Galliano during her Let’s Get To It tour, October-November 1991
Barry Lategan - Raffaelle, Vogue Italia, 1982, from Brides in Vogue Since 1910 by Christina Probert (1984)
BELLADONNA OF SADNESS (1973) directed by Eiichi Yamamoto

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Anita Page, c. 1930
Bizarre Vol. 1, from The Complete Reprint of John Willie's Bizarre (1995)
'carolina herrera silk gazar evening dress with voluminous puffed sleeves, fall 1981' in fifty years of fashion: new look to now - valerie steele (1997)
necklace of brilliants, french c. 1700s.
Pier Paolo Pasolini and Maria Callas (1969)
Italian postcard by Cineteca di Bologna. Photo: Mario Tursi. Maria Callas and Pier Paolo Pasolini during the shooting of Pasolini's Medea (1969).

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Miriam Hopkins by Edward Steichen for the stageplay Jezebel, 1933
Unknown Lady, called Baroness de Neubourg-Cromiere by Alexander Roslin, 1756.