Sorcerers and Skill Users

Mori knew a lot of the things he did about Oda because Dazai told him. Akutagawa also knew about Oda and how important he is to Dazai because of Dazai's ramblings. Random, unnamed PM members know about Oda being very dear to Dazai, because Dazai praises him and talks about how great he is.

Chuuya knew straight away that Dazai had been speaking about him to the ADA. It wasn't something he expressed feeling betrayed or suprised about. It was just an immediate understanding that of all the ways they could probably have known about him and his ability despite it being confidential information in the PM, Dazai's ramblings were most likely the reason.

The way that Dazai speaks about Ranpo to quite literally anyone who will listen. To Fydor, to random cops, to Atsushi.

If you don't mind, I'd like to know what is your take on its meaning

THANK YOU, I love this ask. I think that little line is so so meaningful, because it gives us additional insight on what Akutagawa and Dazai's relationship is like and on Akutagawa’s feelings towards Dazai. There’s so much nuance to it, because it makes Akutagawa aware. So often in fancontent Akutagawa is completely oblivious to Dazai's abuse, utterly blinded to Dazai's cruelness. But he's not!!! He's not!!! And it's suchhhh an eye-opener line about his character. Because, you know what? Akutagawa actually understands Dazai deeply. Way more than one would guess upon first impression. And the reason of that is because Akutagawa and Dazai are ultimately similar: they're both the “doing evil” to Atsushi and Chuuya's “doing good”¹.

Akutagawa comes close to understanding Dazai: I think during the time they spent together in the pm he got intimately acquainted with a side of Dazai no one else knows, for better or worse. I even think that since Dazai thought so lowly of Akutagawa, he didn't spare the same effort for putting masks on for him as much as he did with everyone else; as consequence, Akutagawa ended up seeing sides of Dazai that Dazai rarely revealed to other people. And I'm not talking exclusively about bad sides, but also vulnerable sides, fecets that overall he doesn't usually let emerge.

This mutual understanding - and isn't that a surprising sentence by its own! The understanding is mutual, doesn't go only in one direction, Akutagawa actually understands Dazai plenty – comes from a similarity between the two that, I've said many times before, is likely source to Dazai's otherwise unexplained cruelness towards Akutagawa. In Akutagawa's dark, bottomless, empty eyes, Dazai sees his own, and he utterly hates how Akutagawa embodies everything that's despicable in himself, the same emptiness, the same void. In the end, they both want to find a reason to live, while also being highly suicidal.

When I say “understands”; it's not about understanding what goes through Dazai's mind (that would be, for comparison, what Dostoyevsky gets closer to do); for Akutagawa it's a more instinctive understanding induced by their closeness, their similarity, their sharing the same sentiment of struggle in finding an explanation for the act of existing. The “can you give me a reason to live” from The Heartless Cur that counts for the both of them.

They're the same, and that's how Akutagawa can get Dazai, deeply. That line reveals exactly that! “Dazai is plenty cruel himself”. Akutagawa knows Dazai isn't a good man; but that's a separate thing from wanting his approval. It's not only this line; this understanding Dazai of Akutagawa is, I believe, reiterated consistently (if subtly) in the manga. It's in “You know [what mafia is like] better than anyone else” from chapter 4 and it's in “It'd take more than that to kill the man” from chapter 35 and it's in the way he talks about Dazai in chapter 51. It's in “There's no way you're dead. You are somewhere here in Yokohama. I just know it.” from the Entrance Exam light novel. When in Dead apple he says that Dazai joined the enemy, he's wrong; but if you ask me, that shows how Akutagawa understands the potential of the darkness within Dazai's soul better than Atsushi (but at the same time fails to see the possible goodness in him, because Port Mafia Dazai is what Akutagawa has ever known). I feel like all these moments are symptomatic of Akutagawa understanding Dazai on a level that's way deeper than others.

TL;DR: That line is so important to understand the depth of Dazai and Akutgawa's relationship because it shows how much Akutagawa gets Dazai, making of Akutagawa a much more cognizant character when it comes to Dazai than what one may think!

More on Akutagawa and Dazai's relationship: (1) (2) (3) (4)

Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.

Lets start with side A (the right side):

First we see a joker:

While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.

In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.

I think the whole; wit, intelligence and unpredictability kind of speaks for itself.

Next card is the four of spades:

This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.

Next the two of hearts:

This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)

Now for Side B (prepare to cry)

The first card is the three of spades:

Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.

“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”

It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future

The next card is... the ace of spades:

The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.

But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.

Finally, (it's a bit hard to see) we have the ten of diamonds:

I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.

Bonus round Odasku card; the king of clubs

the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.

"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."

I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.

(this is also the card I think best represents Fukuzawa)

Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.

Theirs is by far my favourite relationship in the entirety of bsd, their ability to understand each other is not talked about enough. Every time they interact I feel so blessed to see my favourite best friends being silly together or giving each other the comfort that they need.

Particularly I love the moments where we see their unspoken understanding flourish!

We see in ‘Poe and Ranpo’ that Yosano not only understands that Ranpo is insecure about his lack of ability but she also knows how to deal with it. Despite usually being a harsh person she is kind to Ranpo, she isn’t blunt with him when he denies not having an ability, she doesn’t press further when he voices his insecurities, she deescalates the situation by laughing because she recognises that Ranpo isn’t ready for this serious talk yet, she humours him.

In the same vein Ranpo also knows what to say to soothe Yosano’s worries about her ability when they first meet. She speaks about the lofty expectations people hold for her ability and the extreme damage it can cause, Ranpo replies by telling her that she’s being stupid and in classic Ranpo fashion shifts it around to talk about himself, but instead of invalidating Yosano’s struggles he subtly takes the responsibility from her shoulders by telling her that he can solve any problem she may have. He says exactly what she needs to here, and that is that she isn’t needed, but instead she is wanted and welcome. He gives her the option of a home that will see her as a person first instead of an ability.