Miguel Adrover - Spring 2005 Ready-to-Wear đ¸ Marcio Madeira

todays bird

oozey mess
Claire Keane
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
tumblr dot com
EXPECTATIONS

Kiana Khansmith

Origami Around

if i look back, i am lost
YOU ARE THE REASON

gracie abrams
Game of Thrones Daily
untitled
Today's Document
macklin celebrini has autism
Noah Kahan
Sweet Seals For You, Always
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@solaceceremonies
Miguel Adrover - Spring 2005 Ready-to-Wear đ¸ Marcio Madeira

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South Koreaâs use of Soft Power is fucking fascinating to watch. Iâm 100% here for this ride.
Alek Wek by Peter Robathan
Lauren Bibi Drescher

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https://www.instagram.com/p/BcQ0SCkjxgA/
Moebius
HENRY BRADBURY, SCHIZYMENIA EDULIS DE BRITISH SEA-WEEDS, 1859
The white male style of debate is to antagonize you until you snap. Then they win by default, because they make up their own rules in which being upset automatically invalidates your argument. The key is also to argue about things that they have no stake and experience in, so they dont snap first. Of course in the event that they do snap first, its of course passion, not angerâŚ
White people are like little kids who make up new rules and obnoxious powers to keep themselves from losingâŚ.
At the end of it all, they are happy that you are so civil and can debate things rationally and clearly without getting upset. Everyone shakes hands and thanks everyone for being able to discuss âconflictingâ viewpoints. Because after all everyone needs to hear the opposing side to truly be sophisticated. Even if youâve heard that side all your life and it completely devalues you as a human being.
What i hear is that the mark of civilization to white people is being dehumanized and taking it like a champ.Â
They also have little to no concept of power dynamics in these âsophisticated" discussions.
Some people are as fragile as butterflies and sensitive and itâs your responsibility not to destroy them. Just because you can.
Marisha Pessl, Special Topics in Calamity Physics (via wordsnquotes)

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hotel agusti: lucia villa for serpentine collection
 Oswaldo Guayasamin (1919-1999) Â
@rivegauchegoth @untitled-1991 yâall look so cute here :~)
David Alan Harvey CUBA. Trinidad. 1998. The Trinidad Folkoric Ballet rehearses in an empty courtyard.

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Nobody tells this to people who are beginners. I wish someone had told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, itâs just not that good. Itâs trying to be good, it has potential, but itâs not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase; they quit. Most people I know who do interesting, creative, work went through years of this. We know our work doesnât have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know that itâs normal and the important thing you can do is do a lot of work. Put yourself on a deadline so that every week you finish one piece. Itâs only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone Iâve ever met. Itâs gonna take a while. Itâs normal to take awhile. You just gotta fight your way through.
Ira Glass (via realdwntomars)
Andy Goldsworthy