
shark vs the universe

Love Begins
occasionally subtle

if i look back, i am lost
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ


pixel skylines
I'd rather be in outer space ๐ธ
RMH

oozey mess
cherry valley forever

gracie abrams

Origami Around
Xuebing Du
will byers stan first human second

Discoholic ๐ชฉ
taylor price
Mike Driver
Fai_Ryy

seen from Tรผrkiye
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seen from Venezuela
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seen from Tรผrkiye
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seen from Peru
seen from United States
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seen from United States
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@skyburger

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bunch of mandalas and symbols and textures and other assets i ripped because i think they're really cool. under the cut because long
Chapter 1
From Bestovius. these dangling jewelry that we see in pretty much every single shaman's place alongside curtains with a 4 pointed star pattern. Bestovius' is green with a subtle purple gradient, clearly showing the connection to Merloo and dimensional powers (didn't think about getting his curtain texture since they're all the same with only a colour change, so i only downloaded one. here's a screenshot from noclip to show what i'm talking about)
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Chapter 2
the same squarish symbol i don't recognize from Bestovius shows up again in Gloam Valley, but i still don't know where. the cardinal star shows up in the sky above Merlee's mansion, but i don't know where the sun and moon faces are. also dirt texture because it's really pretty
From Merlee's mansion, the flowery ones are pillars, doors and windows decorations, the circle is under the crystal ball at the entrance.
i don't know where the text is from tough, but clear letters!
the cat posters are in Mimi's office, and the other posters in the office and toilets. the paintings/mosaics are in the entrance hall. also yoinked a lamp because it looked cool.
pretty marble texture, and decorations, i think it's so cool that it's those orbs all the shamans have on their neck. and the curtains show up again.
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Chapter 3
Francis' posters, dating sim, and the photos he took when he captured Tippi
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Will add more in reblogs
Castle Bleck
i'm sorry but i'm not hunting down where each one is dhhdf. yes some are actually pixelated in the files for some reason. guessing gameplay vs cutscene maybe
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Flipside/Flopside
bunch of cool and pretty stuff i yoinked but i don't have the energy to go through every single home to find where each thing is from. only thing i know is the squarish one in the second line is the doors that lead to the chapters, and the portraits are in the mirror hall
will add more again in another reblog
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Miscellaneous
Bleck's gem and magic
The Void crack
Constellations from Outer Space
Numbers from the overthere stairs
Jayde's phone
Floro sprout
i have no idea what or where any of these are
Edit: i think the harlequin pattern is the bros' blanket in their house
Extremely cool! Reminds me of a pair of projects I once did assembling and analyzing symbols in SPM related to the Ancients! Symbols List Analysis
What did Blumiere actually DO to be redeemed?ย
I know this sounds like a really silly question, to be frank, it really is, and this isn't me trying to say something of the ending should have been changed in any way, because, no, I think the ending of Super is incredible, with Blumiere and Timpani professing their love at the altar with the incredible music, phenomenal. I just pondered this at one point and thought it would be interesting to look at Blumiere through an objective lense as opposed to a thematic one.ย
Count Bleck as a character is incredible, so are the rest of the cast, I could go on for multiple essays for each of these wacky characters. One thing I really enjoy is the juxtaposing types of villainy and roles that Blumiere and Dimentio have to each other, how one is intricatley complex and embedded in the narriative with his tragic tale, and the other is quite paper thin on the surface story (Who may have more underneath, though personally I like him being more shallow on the lore for proper contrast to Bleck, but this isn't relevant to the plot nor this discussion), with quite a strong characterisation to pull him through. They're like two extremes of the villain spectrum; between the sympathetic and complex to the more flat twist type of antagonist that balance each other out very well.ย
Count Bleck is a very well written character, I love the execution of his narriative, and the question at hand of what he did to be redeemed really doesn't matter in the grand scheme of the narriative, but it's mostly just a personal ponder-
It makes sense to me that Blumiere found happiness because of his ability to "love", how his love stretched the boundaries of comprehension, his ability to truly love is telling of Blumiere's inner good nature despite all that has been comitted. His willingness and persistance to look for Timpani to even the lengths of the Aftergame itself cannot be unoted. I'm pretty sure this is a key takeaway of Blumiere's tale that is wanted: That true love is the foundation of happiness, and without it, one is empty and hollow. Overall, the game redeems Blumiere with the sacrifice at the altar, where that true love that he does have is professed, and he is eligible for his happy ending through his act of love and sacrifice, and can now live a happy aftergame with Timpani.ย
But outside of the incredible symbolic perspective, a hypothetical view where Blumiere's actions are analysed from a critical lense rather than a narriative one; What does Blumiere actually do to be redeemed?
Blumiere was implied to have killed the tribe that took Timpani away and searched to the ends of existence to fnd her, to which when her existence was no more, he sought to destroy everything, as nothing else held meaning to him other than Timpani. (Again, symbolically, all works perfectly well)ย
He takes in the helpless minions and promises them a perfect world if they aid him in his destruction, though this is a lie, simply so that he can recruit them and follow the passages of the Dark Prognosticus. (In the English version, some subtext implies he manipulated them to join him, though throughout the game, Blumiere still treats his minions with respect and the original implies that Blumiere had a genuine will to help these minions from the start)ย
When Timpani is seen alive, he doesn't try to stop the plan, but simly persists forth with destruction all until the very end, where when he is taken down, he immedietly stops with his destructive behaviour and aims to profess his love for Timpani one last time in a sacrifice. Thematically, this is brilliant.ย
But from an active standpoint, I don't think Blumiere really didn't DO anything to get a redemption- His sacrifice, again NOT from a thematic standpoint, hardly counts because he still gets a happy ending with Timpani, alive somewhere else. Blumiere's actions across his life have been villanous, despite his intentions being through the persistence of love.ย
Technically you could flip the question to say "Was Blumiere at fault for his actions in the first place?" to excuse the actions caused, and therefore be able to justify his redemption more clearly, and I find the take interesting, for perhaps Blumiere wasn't entirely at fault for his own actions.
Blumiere specifically sought for the 'history' of the prognosticus, seen in the Japanese translation, which implies that he perhaps didn't intend to cause harm to anyone and exclusivley wanted to find Timpani. There are also potential implications that he had been controlled by the Dark Prognosticus itself because of this, and the reason why he didn't stop the world's destruction immedietly when he heard Timpani was alive was because he was fighting for control of himself over the will of the Prognosticus over his mind....But I admit I'm not really too sure how probable this idea IS. The game is VERY clear when it wants to show something relevant to the plot foreshadowed, and I feel if this is the takeaway the developers wanted, that this would have been shown directly rather than in implication.ย Yes, technically it is said that those who read the book do not find happiness, and I think there are hints towards the book controlling him, but...I feel it's a bit vague?
Also, if he were controlled BY the prognosticus, I feel that the narriative weight of Blumiere's character would be detracted, as what makes a lot of his character so powerful is the lengths he went to show how much Timpani meant to him. Him CHOOSING to destroy all of existence because of Timpani's loss is much more powerful to me than the BOOK making him do it, because it shows Blumiere's agency in the decision. Him CHOOSING the destruction of existence proves how, without Timpani, this man did not find value in existence without the source of his true love.ย Rather than making Blumiere a victim of naivety for causing damages he didn't intend to.
Overall, this isn't really a serious question, I know very well the writers wanted the people playing the game to look at the big picture and perhaps look at the story from a thematic point of view as opposed to an objective one, as this is a fictional game with a story, rather than something to be looked at with an actual objective lense, but it was a fun ponder regardless. I'd be curious to hear any throughts on the matter. Have a nice day!
I love thinking about this question. The most crucial element of answering it, I think, is to realize that as much as this is a story about love, it is a story about agency and determination of self. For the most part, I think you're absolutely right that the story loses a lot of narrative weight if the Count Bleck identity was simply the product of him being puppeteered by the book's will. The idea that Blumiere had no willing part of that chain of events is pretty unsupported and narratively not very interesting anyway. And after all, he literally takes responsibility for it when he urges the heroes to kill him after the battle. I think it played a part, though, and makes the identity of Count Bleck sort of a mix of interplaying factors. We know that the love between Count Bleck and his minions truly was genuine, genuine enough to restore the Pure Hearts and defeat Super Dimentio. And we know that even after they know what he'd done, they look on him fondly, believe that deep down he really did want a better world. But we also see very clearly that, uninterrupted, that wasn't what he was going to do, that the promises he made to them were a lie. That contradicting tug of war between what he believes, what he lets himself believe, and what he does, informs so much of his character. He doesn't allow himself to think Timpani could be alive until there is no other possibility, doesn't let himself believe the prophecy could be overturned until he lies there dying in the aftermath of battle. He doesn't even have it in him to punish his minions when they disobey him, and he is willing to accept Nastasia leaving if that's how it will be. He does what the prophecy commands because he cannot let himself believe there can be anything else. He has seen the price paid by those who defy their fate, and he cannot bring himself to live through that again, to endure the suffering of choice. I talk about it a bit in this post, but Count Bleck is, ironically for his bombastic goals and demeanor, actually a remarkably weak-willed person, at his heart a man who has resigned most of his own agency. All that changed for most of his life is what he resigned it to. Obedience, expectation, and coercion, these were baked into his upbringing in the Tribe of Darkness, rigid limitations on what he could be and what he could do. And when he meets Timpani, she is of course good for him, but he exhibits the same problems with her. He ties his entire sense of self-worth to her, naively and stubbornly seeks to run with her away from everything, as if there were nothing but the two of them that mattered in all the worlds. And then, when she was gone, his vengeance served and his hopes fruitless, there was but one place to entrust the path of his life. To the prophecy, to the purest symbol of his belief that the future was not his to control. To the Dark Prognosticus. Within seconds of opening the book, a new identity and purpose burrowed into him, and he accepted it without hesitation, now sacrificing even self before the poisonous notion that nothing matters. Out of necessity and suffering and coercion, all spiraling together in dark harmony, he retreats into nihilism, into the grasp of the prophecy and of the identity of Bleck. As you touched on, he didn't really manipulate any of his minions into joining him, they came of their own accord, in many cases even against his original wishes. I'm not sure he could meaningfully manipulate anyone to that degree if he tried. He's no scheming mastermind, he's not even the originator of his own plan. And that's another part of why Dimentio contrasts him so well. Count Bleck has forsaken control of his very life, out of a belief that there is nothing he could do to change the course prophecy has outlined. Dimentio, on the other hand, no longer believes that there's anything that he can't control, and even prophecy itself is only a tool toward his own ends.
And yet, there are odd flashes you begin to notice. The fact that every one of his minions except Dimentio came to genuinely admire him. That in turn his love and care for them was real too. That he, seemingly unprompted, saved O' Chunks's life even as Count Bleck. That he is cheering you on to defeat him throughout the final battle, even as he claims it is his wish to see all worlds ended (see here). And of course, what his minions seem to still believe was in his heart, even after everything. Deep down, Blumiere was always within Count Bleck, never having died or been destroyed, but certainly buried, out of fear, of sorrow, of a refusal to be vulnerable ever again the way he had been, and yes, I think, in part, of the pull of the prophecy. Among the most firm messages of Super Paper Mario is that the belief in prophecy is nearly as dangerous, perhaps just as much so, as the threat of prophecy itself. We must believe that the future is a blank page, because to believe your story is already written is to forsake the power to write it for yourself, and that is the greatest and only power any of us have. The very idea of a prophecy is wrong, Peach says in the original script, and that, I think, is what she means. Just as significant in his descent into Count Bleck as the literal influence of the Prognosticus is the pull of his belief in its lie, the lie he has been told all his life, that his future is immutable and his efforts to change it are in vain. Count Bleck is, at his heart, a good man. Though it is perhaps a fair critique to say that not enough is done in the story to show this and to demonstrate his redemption, I think the redemption we see is less one from something as nebulous as evil, and more a liberation from a toxic idea and influence that has twisted around his essentially kind heart and driven him to evil. Even within the shroud of Bleck, though, he saved lives with no expectation of reward. He took in those the world had left to rot, given them a home, a kind of family. He loved, truly and deeply as anybody. And somewhere in there, he hoped that there might be a world better to others than it was to him, even if he was not able or willing then to truly commit himself to it. For what he materially did in a more objective sense to justify his redemption... Well, that depends on your perspective, and your style of justice. From a punitive perspective focused on paying back the severity of what he had done and planned to do, I don't know if anything could redeem that. But from a more restorative point of view, by the end he was no longer a threat. He had abandoned that which drove him to become one, and showed a full willingness to sacrifice his life even as he had just found meaning in it once again in order to undo the damage the Chaos Heart had done. That it seemingly didn't erase him in the end doesn't really change that he was fully prepared for that to happen. As with many of the promises of the story's ending, it is left to the future to know what his experience of a truer self with a belief that the future belongs to all of us will look like. We don't know what he will do, and frustrating as it is, it's in some ways important that we don't. It's a page unwritten, a future Blumiere and Timpani will get to make for themselves. But we are, I think, shown well enough that wherever he goes in his path to atoning what he has done, a good heart will guide him. His redemption comes not from a punitive death that would have achieved nothing meaningful, but from his freedom to live a restorative life.
And this is exactly why I love Blumiere/Count Bleck as a character. He is, at heart, a good man, though corrupted by evil and resigned to his fate. Heโs such a fantastic villain. I could not have put it into better words. I wish only the best for him and Timpani.
He eat a nemon

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e me a mail
make the attachment a pic of a snail
give me two gifs
of critters in clover
then photoshop them on the CLIIIIIIIFFS OF DOVER
you can dig a little hole and plant me in the dirt
i read this to adam and he just yelled, outraged, "THEYRE BABIES"
TRUE HATERS, SINCE DAY 1 THEY HAVENT BEEN GIVING THEM A FUCKING INCH
this is next level
20 years later. you're kermit. opening night at the muppet theater. you look up. you can't believe it. those two awful cunts from next door are here. neither of them died yet. they're going to be here, forever.
They're immortal.
They were heckling the actors in Ford's theater on the day Lincoln was shot.
They heckled the first reading of the Epic of Gilgamesh.
They heckled the first lifeform to crawl onto land.
They heckled the big bang.
"They say that time exists now."
"I can tell."
"How so?"
"Because this show is a waste of it!"
"DOHOHOHOHOHO!"

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i feel like karoo is very inconsistently sized this is NOT a complaint i love that duck
Lives of Game Animals, Volume 3. 1927. Written and illustrated by Ernest Thompson Seton.
Internet Archive
"I can't believe humans would hunt the thylacine to extinction, humans are fundamentally evil" Hey, did you know that extinction was long thought to be impossible, and within 50 years of humans realizing that extinction via overhunting was a possibility it practically stopped happening? Did you know that humans are so desperate to prevent more losses that they're funneling millions of collective hours and billions of euros into helping other species? Hours and euros that could be spent on humans, being spent on species on whom humanity's own survival does not depend? Did you know that due to an accidental introduction of rats, the Lord Howe Island stick insect population was brought down to 24 individuals and now there are tens of thousands of them?
This bug. This bug that, to most humans, is utterly useless, relatively gross, and completely foreign. Humans saved it because humans do not want to cause another extinction ever again if they can avoid it.
#I need a source for that extinction overhunting fact
"50 years" is more a rough simplified estimate than an actual timeframe, but yes, up until the extinction of the great auk, many humans genuinely didn't believe their god would let one of his creations go extinct. I can only really speak on the perspective of Western (predominantly Christian) scientists, but it was widely believed that extinction was simply impossible. You have to remember that the theory of spontaneous generation wasn't definitively disproven until the mid-1800s.
Allow me to quote wikipedia for a second, because the editors did a great job of summarizing this worldview:
Prior to the 19th century, much of Western society adhered to the belief that the world was created by God and as such was complete and perfect. This concept reached its heyday in the 1700s with the peak popularity of a theological concept called the great chain of being, in which all life on earth, from the tiniest microorganism to God, is linked in a continuous chain. The extinction of a species was impossible under this model, as it would create gaps or missing links in the chain and destroy the natural order. Thomas Jefferson was a firm supporter of the great chain of being and an opponent of extinction, famously denying the extinction of the woolly mammoth on the grounds that nature never allows a race of animals to become extinct.
The article goes on:
Similarly, in 1695, Sir Thomas Molyneux published an account of enormous antlers found in Ireland that did not belong to any extant taxa in that area. Molyneux reasoned that they came from the North American moose and that the animal had once been common on the British Isles. Rather than suggest that this indicated the possibility of species going extinct, he argued that although organisms could become locally extinct, they could never be entirely lost and would continue to exist in some unknown region of the globe. The antlers were later confirmed to be from the extinct deer Megaloceros. Hooke and Molyneux's line of thinking was difficult to disprove. When parts of the world had not been thoroughly examined and charted, scientists could not rule out that animals found only in the fossil record were not simply "hiding" in unexplored regions of the Earth.
Of course there were naturalists proposing the concept of extinction as early as 1796, but a proposal of a concept is not the same as widespread societal acceptance of a concept.
Someone in the comments of this post brough up the dodo bird as an example of a more recently extinct animal that 'proves' that humans ought to know about extinction. After all, there were written accounts, paintings, and even body parts to prove its former existence.
But to that I raise you the Jenny Haniver:
Jenny Hanivers are skates or rays preserved to look like dragons or devils. They've been sold as hoaxes since at least the 1500s, and naturalists have warned people of their fraudulent nature for just as long. People knew about hoaxes and misrepresentations. We've all heard the story of how the first platypus body to reach London was thought to be a clever hoax.
By the 1700s, one taxidermy dodo was known to exist. It was donated to the Oxford Museum, which burned it in 1755 because it had decayed considerably, meaning it was unfit for study and display, plus it was putting their other taxidermy specimens at risk. Taxidermy back then mostly just involved drying the skin on a base without preservatives, leaving the specimen vulnerable to pests and fungi. Only the mummified head and foot were saved and thrown in a drawer where they were more or less forgotten about.
So by the year 1800, naturalists had no evidence that the dodo was real, and enough evidence that it was a fraud. According to "Panatiโs Extraordinary Endings of Practically Everything and Everybody" (1989), p. 203:
Only a hundred years after the dodo was officially declared extinct, Europeans refused to believe such a fantastical creature had ever existed. It became a myth like the unicorn. By 1800, professional naturalists were casting doubt on written descriptions of the bird, as well as on extant drawings, many of which did display striking inconsistencies. It became scientific vogue to deny the birdโs existence and to challenge the Oxford head and foot as fakes. Why, skeptics asked, had no one preserved a skeleton? Unless there had never been a dodo. Skepticism was so strong by 1850 that a group of zoologists journeyed to Mauritius in search of dodo bones.
Dodo bones wouldn't be discovered on Mauritius until 1863, but even after the dodo was proven to have existed, people still needed to be convinced that it's extinction was 1) a total extinction, 2) not a fluke, and 3) preventable.
By 1830, naturalists were aware that the great auk could soon be extinct (at least locally), but instead of calling for the protection of great auks, they called for specimens to be collected while they still had the chance. Conservation of a dying population was simply incoceivable to them. The last two known great auks were killed by an ornithologist in 1844.
It wasn't until the mid-1800s that extinction was really understood as a possibility, and it wasn't until the early 1900s that the conservationist movement as we know it took form. This was thanks in large part to everyone's favorite rampantly racist anti-indigenous animal lover, Theodore Roosevelt, who laid the groundworks of the Migratory Bird Treaty Act, and created wildlife preserves and national forests out of land stolen from Native Americans (but that's a story for another day).
Prior to the mid-1800s, we lost the mammoth, aurochs, European wild horse, moa, dodo, passenger pigeon, Steller's sea cow, Malagasy hippo, great auk, quagga, bluebuck, Falkland Islands wolf, huia, and many more megafauna, as well as countless rodents, bats, marsupials, and subspecies due to overhunting. We have lost many species since, but very few were due to malicious/targeted hunting. Most were due to ignorance, carelessness, or desperation. And every megafauna extinction has been fought by a conservation movement that is now, more often than not, succesful.
And there are signs, like the Lord Howe Islands stick insect, that soon enough it won't just be megafauna who reap the fruits of conservation efforts. A zoo near me is paying a guy to breed the critically endangered Desertas wolf spider. It doesn't get much less "charismatic megafauna" than that. And its extinction would weigh no lighter on the Earth than that of the mammoth.
to finish this i had to pretend the De La Serre's themselves had paid me for this piece But this was a fun style study
Don't talk to me or my son ever again. Photo from my collection, no date/info.

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DAY 4 - FEELING ARTISTIC ๐จ
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