the sixth borough

“I would enter your sleep if I could, and guard you there, and slay the thing that hounds you, as I would if it had the courage to face me in fair daylight. But I cannot come in unless you dream of me.”

“ How wonderful, then, to live on a planet full of creatures that like to be petted!”

…One day—preferably when we’re both blind drunk—we can talk about it.

All the men I did get to know, every single man of them, has filled me with but one desire: to lift my hand and bring it smashing down on his face.

guillermo del toro also signed the roman polanski petition

Here’s the full list of people who have demanded Roman Polanski’s release after being arrested over a “moral issue” (aka drugging and raping a child in 1977) and holy crap it is sooooo long. 

For many of these women, the reading experience begins from a place of seething rage. Take Sara Marcus’ initial impression of Jack Kerouac: ‘I remember putting On the Road down the first time a woman was mentioned. I was just like: “Fuck. You.” I was probably 15 or 16. And over the coming years I realized that it was this canonical work, so I tried to return to it, but every time I was just like, “Fuck you.”’ Tortorici had a similarly visceral reaction to Charles Bukowski: ‘I will never forget reading Bukowski’s Post Office and feeling so horrible, the way that the narrator describes the thickness of ugly women’s legs. I think it was the first time I felt like a book that I was trying to identify with rejected me. Though I did absorb it, and of course it made me hate my body or whatever.’ Emily Witt turned to masculine texts to access a sexual language that was absent from books about women, but found herself turned off by their take: ‘many of the great classic coming-of-age novels about the female experience don’t openly discuss sex,’ she says in No Regrets. ‘I read the ones by men instead, until I was like, “I cannot read another passage about masturbation. I can’t. It was like a pile of Kleenex.”’ This isn’t just about the books. When young women read the hyper-masculine literary canon—what Emily Gould calls the ‘midcentury misogynists,’ staffed with the likes of Roth, Mailer, and Miller—their discomfort is punctuated by the knowledge that their male peers are reading these books, identifying with them, and acting out their perspectives and narratives. These writers are celebrated by the society that we live in, even the one who stabbed his wife. In No Regrets, Elif Bautman talks about reading Henry Miller for the first time because she had a 'serious crush’ on a guy who said his were 'the best books ever,’ and that guy’s real-life recommendation exacerbated her distaste for the fictional. When she read Miller, 'I felt so alienated by the books, and then thinking about this guy, and it was so hot and summertime … I just wanted to kill myself. … He compared women to soup.’