call me bitch.
call me villain.
call me she-wolf.
call me bad omen.
call me
your worst nightmare
wearing a
red-lipped smile.
- even better, call me by my name.

titsay
Stranger Things
hello vonnie

blake kathryn
Jules of Nature
we're not kids anymore.
cherry valley forever

❣ Chile in a Photography ❣
$LAYYYTER
I'd rather be in outer space 🛸

Discoholic 🪩

#extradirty

Kiana Khansmith
Three Goblin Art


Kaledo Art
let's talk about Bridgerton tea, my ask is open
ojovivo
h
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@sirvictoria
call me bitch.
call me villain.
call me she-wolf.
call me bad omen.
call me
your worst nightmare
wearing a
red-lipped smile.
- even better, call me by my name.

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A dragon sleeps
Injured, but so beautiful
She is vulnerable and conniving
With fire in her belly and distrust for the world
She's been at it so long that others seem like tools in a game, threats and pawns
She curls around her pile of gold and jewels
Violet scales shining a green hue
Hoping they will make her happy
Something has to
Someday
When they see her
With gaping wounds
And she asks for care
They oblige and are roasted alive
Because bait and switch gives her control
And she guesses they probably wanted her happiness anyway
Her shining, shimmering happiness
That does nothing to heal her wounds
And so they fester and smell and she cries
"Take pity!"
And when they bring forward clean water and a poultice
She burns them up and cries some more
Once a friend made it close enough to treat her wounds
She glowered but allowed it
And the poultice stung and then it soothed
And then she ceased to trust it
So she set the whole cavern alight
As a warning
And their feathers weren't ruffled a bit
So they stayed
Knowing that a beauty with such injuries
Required patience and compassion
They hoped to fill the void
Of her loneliness
And prove that some can be trusted
She said, "I will only trust you if you let me hurt you and you still stay."
So they stayed.
And she said it every day.
And her wounds were healing but theirs were gaping,
Hidden so as to not give her shame
And as they slowly started to die she said,
"Don't you dare leave me. How could you do that to me? Don't you love me?"
Until finally they ran away.
They survived and thrived without her
Grieving every day
Angry that love was not enough
But grateful to get away and the story continues on and on
She and her happiness will never see love
And no one deserves to die so that she heals
So they ran away and licked their wounds and built a life without her
And she cries, "Take pity!"
At passers-by in the hopes to fill her void
And she burns them up so they can't leave her
Or she hurts them into staying
On and on and on it goes
And the children hear the story of a beautiful dragon who must never be approached
Because the fire in her belly knows no friends
And her loneliness cannot be cured by loving her
She loves her wounds because she knows them the best
She wants power and pity can be quite powerful
So she sits on her happiness and glowers and cries
And the kiddos are warned not to walk by
On and on and on and on
i hated - hated - my 7th grade english teacher, but he did say something that has stuck with me this whole time: the actual mark of maturity in someone is whether they take responsibility.
over time, this has become something i find to apply to too-many things. this weighty, complicated thing - responsible. almost direct from the latin respondere - the verb for "to answer to".
taking responsibility is not just "being in control of". it also means being gentle. being able to apologize. being able to accept fault. to notice your own actions and change them to be better. it is not just saying "ah fuck i dropped the plate," it is saying "okay, i'll go get the broom."
at 16, when her parents tell her i put a roof over your head, she spends that night curled in my lap, sobbing, trying to articulate something too-heavy-for-words - that they think responsibility is just about obligation; that she is bound to them because they are responsible for her. that she feels, over and over, responsible for their emotions. that she spends hours cartwheeling over eggshells, feeling the drip of their expectations slowly sushing down her body.
according to my mom, responsibility and privilege are partners. this is probably true. a car (privilege) is a weapon if used (responsibility) incorrectly. my dog is my responsibility, and he brings me the privilege of hours spent in sunshine. there are, though, a lot of times people are given one without the other - the privilege, and no responsibility for their actions. the responsibility, and nothing but hours of obligation, over-and-over. i have also learned: there is a difference between fault and responsibility. this will be important for you at some point, if you are watching.
at 21, when i am begging him again to just listen, i am asking him to take responsibility for the span of our relationship. for the ways he has shoved thorns into every part of my body. i come across as needy, because it is my job to be responsible for the relationship - somehow, he has escaped that. it is always my job to ask for help. to beg for him to just put in any-ounce-of-more.
how easily responsibility becomes assumed. it is the responsibility of the [ ] to take care of dinner. it is the responsibility of the [ ] to get groceries, to clean the house, to mealplan, to do laundry. it is the responsibility of the [ ] to wear smart clothing. it is the responsibility of the [ ] to blend in with the rest of society.
at 25, it is happening again. this is a different man in a different city, and the responsibility is one that is demanded of me. he tells me he will skip off the world and into the darkness if i break his heart, no matter how much he breaks mine. i am back to begging - get help, get better, i cannot lift you if you do not try to stand with me. i am also responsible for myself - and then, suddenly, responsible for the entire life of somebody. i remember sitting there asking him - when will it be your turn to do the carrying? and the way he wrinkled his nose at me. i would laugh-cry: i feel like i'm your mother and he would start gagging. nothing would change. still running after him, making sure he washed his clothes and took care of himself and made those appointments and did anything. my own health was suffering.
a lot of discussion about consequence is really a discussion of responsibility. i am an internet poet. i made a little hellsite my unfortunately-unpaid home. i believe, in my heart of hearts - make what you want, but be responsible for it. whenever we make things, we are bound to them, end of story. this is a real-life thing. watch who in your life hates having responsibility. watch the way they expect other people to have responsibility. this sense they have: that responsibility is punishment, is unfair to unload on them. that someone else should do the carrying.
i am 26 at the start of 2020. we all know what happens then. the average person is asked to take responsibility. for many, this is second-nature. simple. occasionally annoying, but eventually habitual. for many others, though, this is their great and honest reckoning. they misunderstand civil liberty to mean - a land where everything, always, is just-about-me. on a personal level, when i am not absolutely livid about this population, i am sort-of sad for them. one of the good things about responsibility is that it builds community. each of these people, one at a time, has been making the same statement: i am alone in this world. i am blisteringly, horribly lonely.
i have noticed, over time - the way that responsibility is borne. how careful i have to be as a queer cuban writer. how careful some asshole on twitter is-not-careful-at-all. knowing that if i am too-loud. abrasive, unflattering: i could make my whole community responsible for my behavior. that people would read my work and say - see! this is why there aren't that many of these types of writers. that others can make bigger, bolder mistakes - but it will just be their mistake to make; their-singular-responsibility. that what i am "careful" about is making my posts well-researched, thought-out, accessible, funny. that what others are rabidly angry about being careful about - that they would suddenly become responsible for bigotry. this horrible sense: you have no idea what it means to be forced to bear this weight, and you find it terrifying.
i have been responsible for a long time. laughing, i tell my therapist eldest daughter, middle child syndrome. i was a latchkey kid. i was the first one home and had to be sure i got the fire lit or there wasn't heat. written like that, it sounds like something from charles dickens: alone, shivering in a house that isn't home, feeding tinder to the back of the wood stove. i have been a delight to have in class. i was always charmingly responsible. i have had-to-be. there was no other option.
burnout is high, i'm told. over and over, the media paints people like me as being responsible for how we are treated. they will say it's not your fault, but we all know they think it is my responsibility. people are violent to me; it is my responsibility to be a more properly-trained minority. my boss is cruel; it's my responsibility to find a new job or just go hungry. it is not the responsibility of others to help me figure out my medical debt, i should try asking more questions at the pharmacy. it is not the responsibility of public schools to help students get an education - it is the responsibility of 17-year-olds to sign into a lifetime of debt. it is not the responsibility of the government to protect my right to choose; it's my responsibility to simply not get into any situation that might require me having an opinion. it's satisfying to watch the general, quiet strike of minimum-wage workers: the way others, confused, are demanding the same question - why aren't other people taking responsibility for the things i don't want to do myself?
the other day, i saw a post from someone who hurt me. it was sort of embarrassingly on-the-nose. he's kissing someone new now (god protect her). under the two of them smiling, the caption reads: thank you to this responsible, beautiful queen for constantly taking care of me.
now be honest. answer the following. fill in the blanks. bring your truth to your throat and keep her. 1. in general, it is normal for a [ ] to have more responsibility than a [ ]. 2. you are responsible for [ ]. 3. when you tell [ ] to take responsibility, they will say [ ]. 4. in your life, it is normal for [ ] to take responsibility. 5. when did that start? 6. and how is it going?
You were born with special eyes, the sea was as clear as glass to you, by the time you got old enough to join a ship’s crew, you were smart enough to not tell them about everything you saw below the waves
They all teased me for staring into the waves.
“That one is touched in the head. Spends all the time staring into the water, like it’ll tell the fortunes of one and all.”
I heard their scoffing remarks and bit my tongue, knowing they would tremble if they could see what I saw. We were sailing over a depth that let the ocean floor seem equidistant to the stars, and not far away swam a mermaid.
Not the delicate little sea blossom they dreamt of, this one had the rear half of a blue whale and the large muscular upper torso that could crush our vessel in a half assed hug. She was sleek and through her slightly translucent upper torso flesh, I could see teeth that could chomp through bone with ease.
As I watched her bite into a fish that seemed to have a small lantern suspended from its forehead, I smiled absently as my crew mates teased before moving on to the next topic, leaving me to stare more at the scenes they would never see.
ah, the beauty of nature.
reading the right book is like seeing a chiropractor
“I learned absolutely nothing, but some minor adjustment was made within me, some imperceptible shift that occurs only when I encounter wonder and awe, the best art.” – Yaa Gyasi

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i don't wanna love myself like "buy this feel good". i wanna love myself like i made a sandwich for later because i knew i'd be too busy. i wanna love myself like hang on take a breath do you actually like this. i wanna love myself like okay we're gonna set a reminder to get up and brush our teeth. i wanna love myself like - it's okay to say no, it's okay to take that nap, it's okay to go home.
i don't wanna feel sexy like tv. i don't wanna feel sexy like little black dress. i wanna feel sexy like high note during karaoke. like just got done writing 14 pages of poetry. like let me show you this scarf i've been knitting. i wanna feel sexy like hand on the back of the headrest while you parallel park. like did i tell you about that time i saved a baby bird. like don't tell her but i've been sneaking money into her purse.
i don't wanna feel pretty like expensive. like high fashion. like paid to be here. i wanna feel pretty like a bird in a puddle. i wanna feel pretty like streak of dyed hair. i wanna feel pretty like calligraphy, like new leaves, like a skinned knee bleed, like a dog running at full speed. i wanna feel pretty like lying next to you. i wanna feel pretty like the new album just dropped, i wanna feel pretty like a shower, i wanna feel pretty like a stone wall all covered in moss.
i keep saying body neutrality. that feels negative - no bad things, no good things, just body. but i mean - my body is neutral like a flower is neutral like an oil slick is neutral like a day is neutral, too. my body is neutral so a kiss can feel like lightning so a dance can feel like a hula hoop so a walk to get coffee can feel like - god, i'm so happy to just be around you.
my body is a site. not the source of the joy, just where i can find it. i don't wanna love like - finally got my body tight/forced myself through a diet/whatever trend is the current hype. i wanna love myself like - i go to this river and i find gold every time i shift around inside it. i wanna love myself like - i feel sexy because it's sexy to be alive, and laughing. i wanna love myself like - bitch, i could have died, and i didn't, and if that isn't the prettiest almost in the whole world, than i don't know what is.
wow i wanna love myself like extremely pleasing typefacing i wanna love myself like enjoyed this post i made a little art about it i wanna love myself like the little flags on the letter t love to curl themselves against their base i want to love myself like hold on mom, it's a good reason i'm crying
Murmuration of Starlings that looks like one huge bird
just write a shitty poem, what do you have to lose
my husband and i are discussing reciprocal ivf and i am terrified
i only just learned how to break away from codependency and trauma bonding and
for the first time im starting to understand my own boundaries
and i know people raise children when they haven't figured this stuff out
and i know people raise children even when they're sick and sad and struggling to want to live life
and i know im not original or alone
but how can i possibly try
when failure is so so likely
and it's looming and heavy and devastating
but success in carrying a pregnancy to term would be so joyous
and the blessing and privilege of raising a kiddo would be so messy and hard and so, so joyous
and it's a beautiful thing to share as a family; an addition, a person, a complexity
i want that
we want that
and trying is the scariest thing ive ever done
but im going to try so so hard
Writing Prompt?
Somehow you’ve ended up as your comfort character’s “imaginary friend.”
No matter what they try, they can’t get rid of you, and no one else has any idea you’re there.
How do they react?

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moleskine = bad
IT'S SO BAD AND I HATE IT
moleskine makes people hate pens and is probably a huge part of why so many people give up on good pens.
to folks who might not know, moleskine is extremely famous AND infamous. they are hardcover notebooks with elastic enclosures. they are expensive, and sold everywhere from pharmacies to bookstores, and does collaborations with a variety of brands including james bond and pokemon. moleskine has tried to establish itself as a luxury notebook, which it technically is.
as long as you do not write in it.
moleskine paper is wholeheartedly shit. it is complete fucking garbage. you might wonder, what makes good paper? well the first thing is how well it can be written on. good paper can handle ink well. good ink handling means clear, solid lines without any feathering (fuzzy spreading), not bleeding through the page, and not ghosting. basically, you want paper that can do crisp lines with a variety of different inks and be used on both sides.
moleskine does not do that. anything more than a ballpoint or pencil will look fuzzy and gross and bleed right through the fucking page. the paper is shit. and that makes people think their pen is shit. and ballpoint pens can be seen on the other side of the page.
common knowledge is that fountain pens, rollerball pens, gel pens, felt pens, and more work better on good paper. good meaning good with ink. but when many people think good paper without knowing any better, they will reach for a moleskine notebook. because moleskine is expensive and advertises itself as good and is widely available. so people try out actually good writing implements on this shit paper, see how bad it works, and then blame the pen.
fountain pens, gel pens, and rollerball require much less pressure than ballpoint pens. they are ergonomic. easier on joints, easier for chronic pain. and moleskine makes people give up on them. nobody wants shitty bleeding feathered lines.
in the united states, our ideas of good paper and good stationery in general are extremely warped. so much of this is because paper here fucking sucks. a lot of paper performs like moleskine. there is shit paper at all price ranges. but you can pick up caliber brand paper (the ones that say made in vietnam) from cvs and have infinitely better performance for pennies. even though it looks low quality, caliber paper (vietnam) can even handle calligraphy ink clearly. bad paper makes people hate good pens and bad pens make people hate writing.
another thing really important to mention, a lot of people think thick paper is always better. this is extremely wrong. in terms of being able to handle a wide variety of inks clearly and cleanly, some of the best paper in the world is tissue thin (tomoe river).
do not buy moleskine. even if the stand is right there. they have some of the worst paper you can get at that price point. expensive paper is not always good paper, good pens need good paper, moleskine paper makes good pens seem awful, and moleskine is something you should only give to someone you loathe.
THIS.
God Moleskine is such a frustrating product, and as an aspiring stationer, I hate that it's so popular in North America. They're beautifully constructed, yes, but god the 70gsm paper that they use is SUCH GARBAGE when it comes to inks wetter than a ballpoint pen. They do offer heavier paper - 100-200gsm weight - but only in extremely expensive, large, or difficult to find products.
Leuchtturm 1917 produces great sketching books and, if you get their 120gsm notebooks, they hold up to inks fantastically. Their standard notebooks come in 80gsm paper, and that does hold up to fountain pen ink much better than Moleskine, but while you do get much less feathering and bleeding, there is still some bleedthrough with wetter pens.
Now, if you want the finest fountain pen paper I've found in a notebook format, you want Maruman's Mnemosyne 183. It's also an 80gsm paper, but it's treated and laid in such a way that there's no feathering or bleeding, even with a very wet fountain pen.
That said though, honestly the best notebook I have, in terms of accessibility, expense, and quality of paper, is a Brandz United notebook that I got for my birthday a few years back. It's not anything special, in terms of paper weight - I can't find anything concrete, but it feels like 80gsm to me - but it barely feathers and you need to really saturate the page for it to bleed through.
Also, if you're looking for loose paper, I highly recommend Tomoe River's paper - so fine and thin you can practically see through it, but it holds ink like a sponge, doesn't bleed, has no feathering, and is smooth as glass. For correspondence, though, I am a fan of G. Lalo's Pur Vélin, which is a 125gsm 50% cotton and 50% wood pulp paper. It's absolutely beautiful and has just enough grain to it that there's a super pleasant tactile feedback when you're writing.
And if you want to go a lil’ bit fancy with gorgeous designs (and I mean GORGEOUS designs), look up Castelli.Â
My current fave. No feathering, no bleeding, works perfect with ballpoint pens and with fountain pens, and the paper is super smooth. I’ve literally written novels in these fuckers. Also: cheaper than moleskine.Â
“When doctors stick their fists into the chest cavities of human beings, they leave something behind, some sadness that glues itself to the insides of the operated ribs. It is as if your heart knows it has been exposed to the sky and it is mourning the loss of light. It grows dark when they break you open. For some reason, you know the call is coming before it does. He says it’s over between you and him and you thought you were ready for it but instead you find yourself shaking and sobbing with the same nauseous out-of-control feeling as when you were seven and spun over your handlebars and hit your head against the concrete. His words are a high-speed collision without a helmet. This is what it feels like when you put the phone down: it feels as if you are lying with cold feet on the crinkled paper of a hospital table and there is an ongoing surgery occurring without anesthesia. Every doctor has his face. You picture the small moments that are being carefully plucked from your sternum - no more quiet moments while you sort clean clothing, no more ice cream trips at two in the morning, no more waking up before him to see the sun shift through his eyelashes, no more summer days with bare legs tangled on beaches, no more kissing him, no more curling up near him, no more him. And you hate that you want it all back, that you would take everything you have and trade it for another chance to feel him beside you. You are not someone’s princess and you never were. Your mother did not raise you with a wolf in your chest so you could howl over losing a man. But here you are, open-heart operation in progress while he cleanly snips out his connection to you. That’s it. No more future. He leaves you there, bones bent back to make room for the hole he has punched in you. You are the one in charge of your recovery, but you have shaky hands and there aren’t enough band-aids for a hurt like this. Every time you make a peanutbutter sandwich or listen to your favorite music or stare up at the ceiling, you remember him and the stitches come undone again. And your friends grow weary of hearing your story and hearing how you called him drunk and hearing how you hate him and hearing how you love him in an almost impossibly unending way and hearing how you’ll never be the same and hearing how you’re feeling better really and hearing how you’re back in the same sad space and your mouth grows wearing of saying his name like each letter was a prison wall and one day you don’t speak of him at all. You carry the scar but you no longer flinch when the sharpness of this world brushes against your chest. You are wolf, and you might be wounded, but one day you will get over it. You are still waiting for when that moment hits.”
— Soft dies the light (part two of five) /// r.i.d (via inkskinned)
i have this writing style i like to call “uncertain.” it’s where the narrator isn’t really sure what they’re talking about either
That is so powerful and I want to write a short story in this style now thank you
“the park had been there for as long as i’d lived there, i think. i couldn’t be sure. i was never one to go to the park anyway” nobody has any clue what’s going on
self aware unreliable narrator
snippet from a poem i’m writing!

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the people i have called family have let me down,
chosen and forced family,
and i'm realizing that one of my strengths amidst all of that hurt
is my flexibility of philosophy.
family has never been defined by these people, by any people,
it's a concept that i apply and remove.
love has never been defined by people.
i apply it and i remove it.
my family systems are a construct and are mine to apply or remove.
grief of family is heavy. it's devastating. sometimes it feels insurmountable. and no family member can be replaced.
but i make my family.
it's not broken because it has changed,
it's just evolved.
and with all the emotional grave-digging involved in that,
i still love family.
i love my family.
i love having family.
i love my teddy bear from past relationships because it still means family to me, even if some of those relationships don't.
i love my dreams of togetherness and community, even if they look different now.
i love the home i share with my hubby, even though it holds the loss of two family members in its walls.
and i could hate it all.
that would make sense.
and it can make me sad.
but i love it.
i will always love my family.
- Love is the Foundation