Ace in the Streets and also in the Sheets (-.-)~☆

like

emoji access? supremely powerful 🙂💖

But

Kaomoji ?

Today this woman called our information desk and said, “my son’s band is playing tonight. I want to come see him, but he never answers his phone…..I want to be there. Have you heard anything about his band?”

And I felt so bad for this lady but I’m not in the music scene around here so I had to tell her no, sorry.

Five hours later, I’m hiking and run into a group of guys setting up for some outdoor performance, and as I watch them unload the drums it hits me.

“Hey,” I said, “are y’all in a band?”

They said yeah and smiled and I told them “one of your moms called today. She wants to watch you play, but she can’t get a hold of you. Call your mom.”

And they all pulled out their phones and started discussing whose mom it probably was as they presumably dialed their own.

And now, unless we meet again and recognize each other, that’s who I’ll be forever to those guys–some mysterious courier for mom-messages who came out of the woods and told them their mom called.

I didn’t even tell them why their mom called me. Who am I to their mom?? Nobody even asked. They just took my word for it and called their mothers.

NEVERMIND WE ARE SO BACK

This is art to me

The half-circles are called zaï! They're a traditional farming practice in the Sahel desert, and their introduction + reintroduction can be largely credited to Yacouba Sawadogo, the man linked above! He reintroduced and innovated on the zaï on his own farm in the 1980s, and did extensive outreach (along with scientist Mathieu Ouédraogo) to encourage other farmers to adopt them as well.

He also promoted the use of cordons pierreux, which are basically just lines of rocks to reduce erosion, preserve sediments, and increase water absorption.

It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."

what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.

Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.