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@silverbridge-harbor

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i was on the way to the movies & i saw an old guy with a piece of wood over his shoulders. it was huge -- a pole several feet long with a kind of wide fan at the end of it. and i said "what the hell is that?" and he looked at me and had this kind of ear to ear grin, and he said "what do you mean 'what the hell is that'?" and he sat back on his heels, still with that big smile like the sun spilling from the underside of a cloud and waited for me to answer and i said "i mean i don't know why you're walking around with that thing, whatever it is." and he laughed and put down his pole and kinda clapped me on the shoulder. "can i get you a drink?" he said. and i said "no, the show's in ten minutes," and he said "oh? what are you seeing?" and i said "christopher nolan's odyssey, i'm pretty excited," and he sighed and picked up his oar and kept walking.
Well, that answers that regarding the elf stones, I guess.
THAT MEANS WRONGO'S GOT THEM. THIS ISN'T GOOD
A detail I find really interesting about Chell, GLaDOS, and Wheatley's first confrontation in Portal 2 is when Wheatley starts gloating about taking over the facility. "I did this! Tiny little Wheatley did this!"
And GLaDOS interjects like, "You didn't do this. She did all the work!"
I find that interjection fascinating because. Like.
GLaDOS doesn't actually know anything about what happened behind the scenes. She lost track of Chell and Wheatley after Wheatley opened up a wall panel and they bolted off together into the facility's inner workings. She doesn't see them again until Chell falls for her fake door trap, at which point GLaDOS is unpleasantly surprised to discover that Chell's disabled the turrets and neurotoxin in the meantime.
She has no evidentiary foundation to base that accusation on.
This is also before GLaDOS recognizes Wheatley as the Dumbass Core, so it's not based on an assessment of him.
The only explanation it leaves is that it's based on her assessment of Chell. Despite GLaDOS's enmity towards Chell, the one thing she rarely goes after Chell for is her intelligence.
When she does, it's an admission of her high standards for Chell; Like when the fake door trap works and GLaDOS concedes, "I didn't actually think that would work. I already built a much better, smarter trap up ahead for when this one fails." That's a backhanded insult. It's calling her dumb, but in a disappointed way rather than an affirming way.
Chell tests very well. Between the two games, GLaDOS has developed a strong understanding of Chell's aptitude for critical thinking and problem-solving in stressful situations.
And so she takes it on faith, just from what she knows of Chell, that Wheatley is stealing Chell's credit.
tags by @phidelta

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imgonna throw up laughing theres a cat outside my apartment complex and i was trying to get a picture of my hand on him for size comparison and my phone decided im the whitest person ever like literally #FFFFF 0% saturation 100% lightness i put it in my art program and color dropped itthis is so funny why . Why did this happen
dude
not the first time this has happened to me
its funny to me how warmups for instruments generally sound nice and pretty. like just basic scales or chords. the exercises i do on my guitar could be mistaken for actual music at times.
and then vocal warmups are shit like. bark like a seal. grunt like a thwomp from mario 64. now sing the melody but instead of the lyrics youre saying 'moo moo mee mee mah mah' even the scales you gotta moo mee mah through that shit and its just so goofy every time. and this is why im not a singer
see this is exactly what i mean. i thought someone was having a mental break of some kind in my notes until i remembered what i had posted last night
love when i'm reading something from the ancient world that would still work today. rn i'm reading some poems from the greek anthology and there's one by lucillius about a rich man who loves his money so much that when he gets sick and finds out it would cost him one drachma more to get healed he decides to die instead. and i could see ancient roman galfridos bezos doing the exact same thing
i am half blind. on my eighteenth birthday, a freak accident left me with a slashed retina, a temporary eye patch and a permanent loss of 86% on my right eye. i don't talk about it much, and apart from the inability to drive a car, placing my notebook next to the desk instead of on it once in a while, and making me truly abysmal at beer pong, it has not impacted my life much.
except for the bittersweet fact that i can never show people how breathtakingly beautiful the world looks when you eyesight is fractured straight through the middle. i close what my opitician calls my good eye and the world explodes in colour, every pinprick source of light spreading out into iridescent flares into all directions culminating in bright circles at the edge of my vision. every star, every streetlight, multiplying into a tenfold symphony of colour and light. it's so overwhelmingly beautiful. how can i ever explain this to people? that when they find out and look at me with pity they should be envious instead. what an immense privilege, to be able to look at the world and see it too.
I have never read or watched Death Note and i know the whole ābook that kills peopleā premise but from all the shit i see on here it seems to be two teenaged boys acting out this scene over and over
Pretty much. Except 90% of the dialogue is in their heads, so they're just staring at each other with unresolved sexual tension

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You're telling me these "trans sisters" are switches? Intriguing. Y'know, I think I'm beginning to understand these computer-things.
I need to smoke weed with this bitch
Our age of reblogs is collapsing

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sometimes I like to check in on the original "I can imagine anything" thread on r/notinteresting
In terms of establishing the fundamental aesthetic of the 1990s strand of cinematic cyberpunk, the 1993 Super Mario Bros. adaptation is probably up there with Johnny Mnemonic and Lawnmower Man influence-wise, as much as we all hate to admit it.
What the fuck
Welcome to the "learned from this post that the first major live-action feature film adaptation of a pre-existing video game franchise was a dystopian cyberpunk AU of Super Mario Bros. for some inexplicable reason" club.
I do believe the stink of this movie saved us from some far worse projects. I have no idea what those would have been, but I believe.
Are you kidding? This film was the vanguard; it may have tanked in theatres, but the novelty of it led to a number of bandwagon-jumping projects in following years. After Super Mario Bros. dropped in 1993, we had Double Dragon and the Jean-Claude Van Damme Street Fighter in 1994, then Paul W S Anderson's Mortal Kombat in 1995; the unexpected commercial success of the latter film was reportedly the deciding factor when Angelina Jolie accepted the lead role in Tomb Raider a few years later, which in turn kicked off the second wave of major live-action video game adaptations in the early 2000s that gave us the Resident Evil films
Don't forget the šš°š°š® Movies
I prefer to focus on positive outcomes.
#The aesthetics of this film are fascinating #Iām obsessed with the bumper car style contact poles on the vehicles (via @cantovvn)
Everything in the dinosaur dimension runs on electricity because the fact that dinosaurs never went extinct there means there's no oil.
No, seriously; that's the actual, textual explanation for why the cars look like that.