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For Warriors Unit Week 2023 - Day 5: Ymir joined Marley ft. a scene redraw of Aot's Final Season, Part 1 - Episode 1.
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"Miss Ymir!" - G
For Warriors Unit Week 2023 - Day 5: Ymir joined Marley ft. a scene redraw of Aot's Final Season, Part 1 - Episode 1.
Bonus Warrior Ymir Sketch:

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It's really sad to me that Ganondorf gets treated as the default straight cis guy of the Zelda series because he's like... the least straight cis guy there.
People are so quick to call Link every flavor of queer for all the different outfits he has but then they don't apply this same thinking to Ganondorf? Like, Ganondorf may not have a lot of outfits, but on average Ganondorf is like... MAJORLY outdressing Link in literally every game he's in.
Like. Look at Ganondorf’s over the top borderline drag persona ass outfit. He's wearing a SKIN TIGHT latex bodysuit,(which is usually reserved for women in gaming btw) leather armor that is MOLDED to his abs with a matching codpiece that shows his LITERAL DICK PRINT, with a pair of big ass earrings and a cape to top it off. That's not even mentioning how much functionality he's sacrificing for fashion here.
Like come on. Look at that dramatic ass hairstyle. No straight cis man has hair like that.
WW Ganondorf is more simple and even then like... you can tell he still puts more thought into his appearance than Link.
And now HW is where people really stump me because how do you look at these two people side by side and decide Link is the more queer coded one. Ganondorf is wearing FUR BOOTS and GOLDEN GAUNTLETS. AND a skirt. And you can tell he cares about his hair cuz he he's not hiding it behind some fugly green hat. He's flaunting his masculinity here like a peacock here how is his homosexuality going over people's heads???
The top knot that doesn't tangle or look millennial core somehow. The excess of gold AS PER USUAL BTW, the off the shoulder moment, the obnoxious ass forehead gem ALSO AS PER USUAL BTW, the fuckin toe rings. Link is wearing rags here btw. Literal 10,000 year old rags. And somehow Link's the queer coded one???
"But what about the Gerudo Vai outfit?" What about the Gerudo Vai outfit? Ganondorf IS Gerudo. You think he hasn't worn those same types of clothes multiple days in a row? Those clothes are nothing but a costume to Link, to Ganondorf that's just a way of life.
And even if he didn't, can we stop acting like queerness is inherently feminine? Ganondorf is the only man in an all female society. He had 2 mothers. He had no male role models growing up whatsoever. In Ganondorf’s time, the Gerudo don't have good relations with Hyrule, so men likely aren't allowed in the desert. Which means that even though Ganondorf is told he is voe, he has virtually no reference for what a voe acts like, or what a voe even is. All he really has is what his fellow countrywomen tell him, and even then men haven't ever really made that good of an impression on the Gerudo, so he's got all of these expectations for what a voe is all at once and he has to figure it out by himself. And not to mention how obsessed Gerudo society is with finding that dream voe. Ganondorf probably did have to take or at least participate in a 'voe and you' class before. Is it that big of a stretch to say that Ganondorf was expecting to find his own dream voe, and those expectations were cut short by the realization that he IS the dream voe, and so he could never have his own dream voe because Gerudo society demands it? And to top it all off, Hylian men suck. Do you not think he yearns for the company of another man with even half a shred of competence that a Gerudo vai has? Do you not think he dreams about being a vai himself under such conditions?
Ganondorf doesn't have to be feminine to be queer, this fanbase is just, as I have said before, fucking littered with sexists and racists and shit.
Also, look at his cunty little pose in this official render:
That is the face of a man who knows he is serving looks. As in he is very consciously aware and deliberate about it. There is no cisheteronormative explanation for this.
Was talking about this in the comments of another post but I really don’t understand why the popular smells associated with Ganondorf are “cinnamon” and “spices”. Practically speaking here, but why would he smell like that? Does he hang around the spice rack in the kitchen or market? Do brown people perfume themselves with cinnamon and spices? Does dark skin naturally smell like cinnamon and spices? It’s mildly infuriating to be honest. He’s a king! That man would have access to the most exclusive perfumed oils.
People will describe a dark skinned character as smelling like spices to denote how dangerous and alluring and sexy they are and then in real life they encounter a brown person who may mildly smell like spices from the dish they cooked and show their whole racist ass by calling said brown person “dirty” and “uncivilized”. It’s kinda funny in a way.
It especially sucks since fragrances have always been a huge deal in the cultural regions the Gerudo were based off of. There are lots of scent notes that he could smell like that would make sense for an upper class man in an arid region like the Middle East or Ancient Egypt or North Africa that aren’t “spices.”
Labdanum: a resin derived from the rockrose plant from the Mediterrranean. Shepherds would carefully comb rockrose resin off the beards and wool of goats and sheep who grazed on the shrubs, since the resin fetched a good price from traders, making it an excellent side hustle. Labdanum was used for medicinal purposes to treat colds, menstrual cramps, and arthritis, but it was also prized for its warm, clean, comforting scent. Ancient Egypt especially went gaga for it, to the point where the false beards pharaohs wore as part of their regalia may have been meant to represent a beard styled with enough fragrant labdanum resin to turn it completely stiff. Later, demand for it in the West soared when it turned out that it could function as a more ethical replacement for ambergris, which saved whales from extinction by contributing to the decline of the whaling industry. In modern perfumery, it's a key ingredient in the warm, cozy "amber" family of scent notes.
Frankincense: another resin, this time tapped from the Boswellia tree. Another extremely popular and expensive perfume ingredient, it's been used in countless sacred rites from embalming rituals in Ancient Egypt to incense used in churches in Jerusalem during the early days of Christianity. It was given to baby Jesus as a gift by the Wise Men precisely because it was so valuable, either as a liquefiable asset that could be sold for quick cash or as an essential part of any special religious ceremonies he'd take part in as he came of age. It has a warm, woody, peppery scent, so it's probably one of the notes newbie fic writers think of when they describe an "exotic" man as "spicy." However, it smells less like a seasoning and more like an extremely high-end aftershave, or a fancy men's cologne with a bit of a zing to it. Frankincense notes have a very clean, sexy, masculine scent, especially when combined with our next entry.
Myrrh: the other gift given to baby Jesus, which, you guessed it, is also derived from a resin, this time from the Commiphora genus of thorny trees native to Somalia, Ethiopia, and parts of Saudi Arabia. It has antiseptic and analgesic properties, which made it useful for wound care and pain relief in ancient times. It has a scent that's very similar to frankincense in terms of its peppery notes to the point where they're often paired together, although myrrh also has darker, earthier, and more medicinal undertones that set it apart, adding to its complexity. It's famous in Jewish history for being a rare, precious ingredient used to make sacred incense and the holy oil used to anoint the tabernacle and the foreheads of high priests and kings. Myrrh was also commonly used alongside frankincense during the embalming process of mummies in Ancient Egypt. In the New Testament, it was associated with funerary rites, and was used during Jesus' burial.
Oud/Oudh: an extremely precious and highly sought after perfume ingredient in the Middle East. However, extracting it from agarwood trees is a more complicated process than frankincense or even labdanum, as oud isn't derived from the raw sap of the tree, which is odorless. Oud only gains its signature scent from a chemical the tree produces when it's trying to fight off a fungal infection by P. parasitica. The resulting sap has a dark, rich, and earthy aroma, like rotting wood and damp forest dirt mixed with the warm fur of some huge, magnificent beast. It's a powerful note that can be an acquired taste for anyone who isn't used to it, but it's also extremely versatile and mixes well with many different kinds of floral or woody notes, giving a perfume greater complexity and depth. Unfortunately, agarwood trees are very rare due to overconsumption wiping out their wild populations, which contributes to how expensive high-grade oud gets. High quality oud is quite literally worth its weight in gold.
Vetiver: derived from the roots of the vetiver grass native to India. This plant is a common sight in fields since its deep roots protect soil from erosion by heavy rains. The oil extracted from this plant has a fresh, green, grassy scent. It's a very popular ingredient for perfumes in the "green" or "aquatic" scent families, since its note can range from "freshly cut grass on a dewy morning" to "petrichor after a nice, cleansing rain." It's also extremely useful as a fixative in perfume formulas, which is a chemical that equalizes the vapor pressure of the ingredients in alcohol- or water-based perfumes, increasing the longevity of the scent once it's sprayed onto the skin.
If we're going for pseudohistorical/geographic accuracy, the perfumes Ganondorf would wear would probably tend towards the amber family, giving it a warm, clean, resin-y scent. It might also feature a bit of musk (in perfumeland, "musk" is a name for a very specific, subtle, "crystalline" scent note associated with freshly washed human skin/baby powder/plain rock candy dissolving in water, not unwashed animal stank). If he wanted to insist on his ceremonial importance, he could incorporate a frankincense + myrrh combo to produce a very masculine scent with more punch to it that nevertheless doesn't lose its sophistication and turn animalic. If he wanted to smell like a luxury few can afford, he could use oud paired with floral notes like rose, saffron, jasmine, tobacco, etc. to create a very complex blend with many layers that slowly reveal themselves as the scent dries and fades on his skin.
However, I imagine he'd get a little more ambitious with florals as he gained access to Hyrule's perfume industry with its exotic ingredients. There's this one scent made by BPAL called "Whitechapel" that's this delicious blend of lilac, citron, and lime that smells like a pastille candy. it's modeled on a Victorian dandy's perfume, and for some reason I always associate it with WW Ganondorf because he seems like a man who'd appreciate a cold blue floral mixed with a gourmand note. "Dee" is another one I'd associate with him, since its blend of rosewood, incense, and old leather evokes the study of famed British occultist, John Dee.
Thank you so much for the detailed write up! These are still scents that get utilized by perfumers in the region and that people still wear, and honestly it would make sense to me logically that Ganondorf would smell this way given that most of the time, in fictional settings, he appears in his function as a king.
This was something I started speaking about in my initial post (but didn’t elaborate on, that’s on me for posting right before going to sleep), but more often than not scents in many fictional stories seem to be used as another way to describe a person’s characteristics versus the environment a character is in. For example, “floral” denotes someone who is feminine and demure, “cinnamon and spices” are associated with a man who is foreign and hyper masculine etc. However, when you think about it realistically smell is often an indicator of your environment and less about you as a person. A person who has just finished working out will smell like sweat, but after showering may smell fresh. A person who was on the battlefield might smell like blood and bodily fluids (and pretty nasty to be honest). A person handling horses may smell like leather and hay. And smell is not static! It changes throughout the day based on what a character is doing.
All that to say is that smell can be used so much more effectively to communicate a person’s status by reflecting the environment they find themselves in. Ganondorf being defaulted to being described as smelling spicy, for me personally, breaks immersion because what the hell is he doing that makes him smell like that???
"Hey Ganondorf, you smell like a pumpkin spice latte or something. What's up with that?" "Wha... oh, right, I was just visiting my moms. They have this insanely strong potpourri made out of cinnamon and allspice and stuff, so the smell probably rubbed off on me. I'm about 99% sure they're both nose-blind, because I can't imagine how else they can stand it. And I'm 98% sure I'm gonna be nose-blind in a few years if they don't knock it off."
He probably smells like black cardamom after visiting the Twins because they insist on roasting like ten billion seed pods whenever he comes over, just to make sure they don’t run out when they make him stew or some sweets to take home.
Whenever I click on a "dark" fic that features Ganondorf in some capacity, shipping or otherwise, I am 99% sure the "dark" aspect of it will come mostly from Ganondorf which, fine. He is the antagonist. He is single-mindedly focused on gathering power. He is selfish. So on and so forth. However! For your consideration: While Link and Zelda have been shown at some moments to come to an understanding with people they may have once perceived as bad, this sort of understanding has never been extended to Ganondorf. In fact, in most appearances, Ganondorf is clocked as evil on sight. If possible, neither of them would hesitate to kill him on sight. This is surprisingly in contrast with Ganondorf, mostly because of video game logic because if he killed you on sight there would be no game. However, it is always interesting to look at this feature as Ganondorf enjoying a foe he can go toe to toe with, if only to best them and prove himself worthy of the power and kingship he claims is his. Ganondorf is ready to play the long game, playing the manipulative servile vassal until he can get what he wants. On the other hand, if given the opportunity, Link and Zelda will immediately get the jump on him. BotW and TotK kind of play into this idea with the whole "being able to rush Calamity Ganon/Ganondorf as soon as you exit the tutorial" bit. You don't need to know anything about him except that he is evil and must be eliminated on sight. All's this to say, there is no love or attempt at understanding between these three canonically. It is killed or be killed. So, I do find it interesting when the onus of being understanding or being taken advantage of is always on Link and/or Zelda. If Ganondorf, for example, does make an attempt at understanding or an alliance, he is at a disadvantage politically. The Gerudo do not have divine favor, nor access to magical artifacts that can bend reality or multiply one's power. He is putting himself in danger by trusting Hyrule and its heralds. Being physically strong and imposing in this case would be an active disadvantage for him, where he could easily be blamed for being a barbaric savage for any perceived slight. Ganondorf's safety is entirely based on Hyrule keeping its word, because as soon as they decide to withdraw it, it is quite over for him. And, Hyrule's retribution has been proven to be devastating. Twilight Princess is a stark example of this.
And this can be done without making Ganondorf good in any capacity! Ganondorf often has to be underhanded because an open show of force before he gets his hands on great power would get him squashed like a bug. He has to play nice and servile until he can take advantage. So, whose to say there is no scenario in which Hyrule would not take advantage of his perceived surrender to push him more and more into a corner, strip him of his power and his authority until he breaks.
People on Twitter having brain dead discourse about Ganondorf again what if I killed myself
“Lol people really want him to be the king of moral greyness”
"Wait guys I've got a solution. What if I suggested a game about him fighting against Demise's curse for the 1029474718th fucking time and then he becomes good"
GOOOODDDD SHUT UP SHUT UP EVERYONE SHUT THE FUCK UP YOU DONT GET HIM LIKE I DO YOU'RE ALL WRONG
Ganondorf breaks Demise's curse only to reveal it was holding back his true hater potential.
I HAD THIS EXACT THOUGHT ONCE U GET ME
Alternately, Demise’s curse turns out to have only been affecting a different, totally unrelated guy/group of guys. Ganondorf was always a 100% natural, free-range, organic hater, and any physical or narrative resemblances were entirely coincidental.

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Whats their crime? Wrong answers only.
(Reblogs are HIGHLY appreciated, and so are nice tags!)
One smuggled something illegally and the other got smuggled...
So, I read this absolutely DELIGHTFUL LoZ OoT series by BetterBeMeta which I loved (Gerudo ladies! Zelda being a punk 12-year-old! Fixing the issue of the only dark-skinned dude in the game being declared unambiguously evil!).
The end of the lil’ coda-sequel made me cackle and involved Ganondorf scooping Zelda up ‘to perch on his shoulder like a finch’ and that image was TOO CUTE. Also there’s the implication that he’s going to teach her to be very sneakily seditious and not get in trouble next time and I just.
I really wish there was more, but as it is, I’m delighted and needed to Draw A Thing because authors who make me giggle myself out of the grumps deserve fanart.
Also another thing about aot, im a pretty huge grishaverse fan (that’s all this blog used to be about) so Erens dads name being Grisha was interesting to say the least. And like I know that Grisha is a name, even in the grishaverse I think it is explained that they can people who practisce the small science grishas is because of some dude named Grisha but still
Link heard soft footsteps and he put his hand on the hilt of the Master Sword. Turning around his heart clenched when he saw Zelda, eyes gleaming with a hidden malice that no one else but him could see through. The puppet's small smile was nothing short of torture, as it reminded him of the long gone princess. "Leave me alone." Link demanded quietly. "I know who you are."
"Zelda, of course." The puppet tilted her head. "Have you forgotten again, Link?"
"You can stop with your games, Ganondorf." Link snarled. "You're not her!"
The puppet chuckled. "But I'm the closest thing you have to that precious memory, aren't I?"
"She's more than a memory." Link's voice was icy, and quiet, dripping with a concealed anger. "You're nothing more than an illusion. If you think that'll stop me from my quest, think again."
"She may be alive, but she's not herself." The puppet gave a sharp grin. "Better keep me around or you'll forget what her true form looks like. Eventually, all she'll be known as is a dragon that cries and cries. Quite, pathetic for a princess of Hyrule."
Link sucked in the air and glared at the puppet. “I’m not going to talk to you anymore. Leave.”
“Turning your back to me is a very foolish move, Link. I could kill you quite easily.” The puppet said.
Link paid the puppet no mind and made one quick tap on his slate and he disappeared from the spot. When he regained his vision he walked inside his house and closed the door. Something wet welled in his eyes and he sat down on the bed that he and the real Zelda once shared. A tear fell from his eyes, trailing down his face and then many more followed it. He choked on a sob, and Zelda wasn’t there to hold his hand and reassure him that everything was okay.
And she never would be.
Do you think his dad was trying to warn him about the cane?

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Ganondorf sleeps with a lot of pillows and most of them are used for joint and back support. Do not mess with his pillows, he's got them strategically placed for a reason.
Autumn winds
(Reblogs are HIGHLY appreciated, and so are nice tags!)
slight cw!! Hange without their eyepatch
do you ever have any thoughts about Gan's bio mom? what was she like? did he know her at all? how would she feel about having birthed him? like we know that the Twinrova raised him, but I've always wondered how and why he came in their care
Honestly, I do think about her a lot. I never quite settle with one definitive idea of what she would be like (apart from one AU where she is a defining character in Gan's life) because there are so many unknowns to consider when it comes to how the Gerudo handle this rare occurrence. I think that would heavily tie into Ganondorf's relationship with his biological mother. So, in terms of the Gerudo, I imagine that they must have some meticulous system for tracking the birth of a boy so that they can be ready for him when the time rolls around for him to arrive. Given that no one can *actually* control who will give birth to this boy, I imagine they also have certain laws and practices around how the boy will be brought up, that the most respected and skilled of the Gerudo will educate him. Given that the Twinrova are elderly witches who have lived to see at least 4 kings in their lifetime, I can imagine that the Gerudo may have felt that they were the most qualified to handle Ganondorf's upbringing, for example. Maybe the title of "surrogate mother" is given to the Twinrova because they bear the great responsibility of rearing the future king. Now, for his mother. I find myself turning to Ganondorf himself and trying to pick at the attributes he has. Sure, hatred is an emotion that is often tied to villainy because that cascades well into attributes like cold-heartedness, selfishness, and greed to name a few. However, I stand by my theory that Ganondorf's hatred is in an entire category of its own. Ganondorf has survived executions, long imprisonments, and battles against divine weapons sustained on willpower fuelled by this hatred. To me, that sort of hatred cannot be *that* selfish, that it would make a man tear his own flesh and soul apart and bring it back together just to see his will carried out. Looking at TotK, while of course to the player it was rather obvious that puppet Zelda was Ganondorf's doing, it was not the case with Hyrule's people. One argument that is valid is that people were so blindly loyal to Zelda that they followed her word even if it sounded suspicious or ridiculous, but on the other hand there is also the consideration to be made that Ganondorf had to take some time to understand how people felt about her well enough to manipulate them, to appeal to their emotions about her enough that even if they had some reservations they would obey. After all, to be very good at manipulation a person has to understand people and tug at their emotions, like an empath one would say. All's this to say is that I don't think Ganondorf is an unfeeling monster; I think he is quite the opposite. I think he feels things deeply, and I think people underestimate his emotional intelligence. He is cold-hearted and ruthless to those he hates, but I think if there is someone he cares about he will care about them with just as much devotion.
So, how does that link to his mother? I think that behind every villain that has the resilience of a Nokia phone is someone who loved them deeply. Love can be a double-edged sword after all. I mean in the Oracle games the Twinrova, when all else failed, sacrificed their own body so long as it meant that they could resurrect Ganon. Even the Gerudo don't seem to have true visceral hate for him. The sage of lightning says he was their chief until "he changed". To me it just points to the fact that Ganondorf was well loved by the people close to him, and I think that must have been the case when it came to his biological mother. From what we see in TotK, the Gerudo are mindful and loving towards their children, and even if a Gerudo lives outside of Gerudo territory, her child remains with her until she is old enough to return to Gerudo town to begin her education. I can see the same being the case with Ganondorf; even if he is their one male born every 100 years I can't imagine that they would rip him away from his mother so quickly. I can see her being proud that she was the one who birthed the long awaited son, but I think she would just simply be proud of being a mother to a healthy baby. I can see him still seeing her even after being taken in by the Twinrova, or whoever is educating him for that matter.
This is around where I stand with his biological mother. It could be interesting if she could see that her son was starting down a dark path (mother's intuition and whatnot) and be the voice of reason. Maybe her love for him was so intense that she would do whatever she could for him and try to shield him from harm, even if it was to his detriment at the end. Maybe his biological mother enjoys an elevated status amongst the Gerudo for carrying their future king and birthing him. To me thinking about her just puts so many ???? around how the Gerudo just handle Ganondorf to begin with.
HE WAS LOVED HE WAS LOVED HE WAS LOVED
Personally, I've never taken the "1 boy in a hundred years who always becomes king" factiod to heart - seeing as we always observe the games from a Hylian perspective, to me that is something Hylians came up with because the only man they ever saw during nation meetings was the king, and eventually the Gerudo encouraged that belief partially for political reasons and partially because they liked to mess around - but I do think it's reasonable they would keep a record children born, and especially boy/AMAB children, in case one of them would take on the trials of the King.
In OoT Ganondorf's case, to me his mother was the chief who ruled before him. I like to have painfully personal relationships between heroes and villains (and also angst, lol) so she was executed after the Civil War ended, and the desire to avenge her was part of the reason why Ganondorf wanted to personally be the one to kill King Hyrule. I believe she was beloved and widely-respected, though some people occasionally express frustration that she led them into the war and caused them so many losses. Ganondorf doesn't treat them kindly.
(I also like the idea of like. Him worrying he doesn't remember her in his later adulthood. She died when he was about 11, and then he was brought up and studied under the Twinrova, who were extremely present and involved in his life. One of the reasons he takes up drawing is that he can paint his mother and have something to remember her by.)
The Twinrova were always involved with him in some way - during his mother's time, they were her chief advisors, as they've been to every king and chief for several generations - and very early on they sensed his potential for sorcery and began teaching him. But it wasn't until after his bio mother's death that he was put under their custody - his mother had nominated him as the next chief, and so he had to learn the ropes. An interim chief was chosen while he grew up, and during that growing up Ganondorf decided that he didn't want to be a chief, but a king instead. And we know how that goes...
(For TotK Ganondorf, my headcanon is that he fought his way up to become a king, but his mother - who is actually one of my favorites OCs - is important in a different way... I have to get ready for work now but I will talk about her later!)
harleyrossillustrates said:That’s a cool idea- like there could still be a matriarchal ruling council but with him as a figurehead to foster good feeling amongst races that don’t understand
That was always what it felt like in OoT to me, like Ganondorf was the face man and Nabooru was the one taking care of business back home, but Ganondorf had reached a degree of popularity where if he and Nabooru butted heads the other Gerudos were more likely to take his side, so she was kind of on a solo mission to get him to check himself before he wrecked himself.
But that’s just one way of reading the super limited amount of story they provided on that front.

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the villain of Legend of Zelda has the exact same backstory as wonder woman~*~*~*~*~*
He is a 7’5” gigantic burly wizard feminist raised in a race of male-deriding fiercely independent warrior women that only ever have female children (besides him). He is the only male, adopted and raised and taught magic by two ancient unapologetic crone-witches that he later names his swords after (sob)
ganondorf is used to female superiority to the point where he would probably not even be able to parse power inequality favoring males - he was literally surrounded by nothing but ladies 24/7 growing up.
the rest of the races have an extreme racial/sex-based hatred toward Ganondorf’s matriarchal all-female race - the leader of the patriarchal all-male Goron race at one point says how much he hates them, and you hear almost violently negative, suspicious remarks about them from random townspeople.
Ganondorf begins to interact with the patriarchal societies outside his own, more and more, and eventually becomes obsessed with ruling the world outside his desert. the further he gets away from his sisters and his feminist homeland and the more power he accrues outside of it, the more cursed and power-hungry he becomes until by the end of the game you find him where he ends up - alone in a cursed demonic castle filled with monsters, nowhere near his sisters or his home, literally turned into a monster. (((((exposure to patriarchy will do that to you)))))
but still, he was raised by women, and he is a feminist so deeply he doesn’t even think about it - he only takes Princess Zelda seriously as a threat the moment he learns she is a woman (when she stops passing as the (dangerous-looking) male persona she had used to hide from him for all her formative teenage years and puts back on a demure princess dress (but, oh man, zelda in this game is a whole other gender essay entirely). (eta: And late in the game, he admits that he “underestimated this kid” - that he didn’t take Link seriously compared to Zelda. He looks down on Link because of his gender.)
both ganondorf and princess zelda are (perhaps unintentionally, but still unarguably) genderqueer characters, balanced against the main character who is a 12-year-old, raised by a race of children, trapped in an adult’s body.
Ocarina of Time is a really neat, powerful game that asks a lot of interesting questions (perhaps unintentionally) about gender and racism and childhood and growing up and doesn’t really answer them. It leaves the questions and answers up to you. It’s one of my very favorite games to think about when it’s not making me weepy with nostalgia.
I still want to draw a comic about M.Bison and Ganondorf debating gender politics.
I am mostly convinced this was kind of a happy accident rather than intentional worldbuilding, but this here’s a thing I get a kick out of regarding Gerudo fashion;
In Gerudo society, this is women’s armour that armoured warriors would wear;
When you crack even the regular not-Nabooru Iron Kuckles open there’s a unique, not-Nabooru Gerudo lady inside of them, Iron Knuckles are covered in Gerudo motifs, this is all around a pretty Gerudo construct.
BUT, this is Ganondorf’s armour when he was young and functioning as their king;
We got a skin tight black leather catsuit under sculpted muscle leather armour topped off with thigh-high boots. Ganondorf comparatively wears the masculine equivalent to form-fitting titty breastplates. I’d go so far as to say this is like the Gerudo saying “But if they can’t see his sweet abs and manly, narrow hips how will they know he’s a guy? Better hammer some pecs into that chest plate just to be sure. Put some weird beads on his big bulgy biceps, it’ll draw people’s attention and he’ll get the upper hand while they’re distracted.”
The in-universe implications of of the character with the most aggressively on-display masculine secondary sex characteristics also being the character who was most likely dressed by women are kind of interesting to consider. It’s kind of taking “male power fantasy” and looping it around into some kind of “strong male character” situation, like some Gerudo fashion designer is standing there all “okay, so the fabric might not breathe at all and you’ll probably get your sternum crushed by the first guy who tries to punch you in the chest, but just get a load of how masculine and empowered you look!”
Wouldn’t it be nice if someone did female society worldbuilding deliberately and unironically like that?
Matriarchal society (say, drows?) where female warrior attire is designed with functionality and coolness in mind, while male fighters are dressed to look as masculine and conventionally attractive to the women as possible.
It’s quite sad that no-one in the mainstream media seems willing to try the idea.
~Ozzie
(ht: @lightlunas)