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Assad Zaman stuns in BTS shots of episode 5 ("New York") shared by Matthew Santos on Instagram!

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dykekarkat

neil sleeping w andrew's armbands under his pillow while he's at easthaven is truly so underrated. the quintessential andrew item and he kept it safe by Sleeping over it. when before this he'd only ever put his Mother's gun beneath it. like so fucking insane and so telling towards neil's feelings and even crazier when u remember spring break neil reaching for a weapon and grabbing andrew's arm.

theresaghostinmytea

He's wearing Ronans sweatshirt

customkitchendelivery

Book 1 Neil incredibly funny wym he left the shower running as hot as possible before squeezing out of that window lmao enjoy your cold showers while I hitch a ride

wylanhendricksnotebook

Trb pynch is such an insane dynamic actually because Adam is sitting here going “I’m gonna field all of Ronan’s calls and let him drag me around on a dolly even though we literally don’t even like each other or get along” and Ronan is going “a girl just looked in Adam’s direction I’m going to kill everyone and then myself”

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starpains

on “the blond,” “the older man,” and other crimes against third-person limited

You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?

That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.

But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.

Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.

If you want to create distance or irritation, you can do it on purpose —

“The idiot from accounting emailed again.”

That’s character voice. That’s judgment. That works.

But otherwise?

As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.

If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.

Because inside someone’s thoughts, there are no “blonds” or “brunettes.”

There are only people they know.

fantasticcolorcloudflap

I think it's so funny that while Andrew and Neil are having a moment, Neil letting Andrew touch his scars to get him to trust him and go to rehab, Wymack is just on the sidelines staring at them and thinking ohmygod they're gay gay gay gay how did I not see this coming holy fuck

jemcvrstairs

adam parrish never had a bad track. i will be your hands, i will be your eyes. lonesome. thanks for the straight teeth. a place made for leaving. i am unknowable. to feel awake when my eyes are open. with a dreamer. i was here, i exist, i'm alive because i bleed. there were two gods in this church. i am such a damaged thing. i'm awake. these eyes and hands are mine.

nenejosten

it’s always, “andrew wasn’t fast enough to save neil a second time”, and never, “andrew, with a broken collarbone and limp hand, dragged himself to neil and choked his attacker before she could reach him again.”

the definition of “if I couldn’t walk, I’d crawl to you.”

fragmentsdesoleil

one of my favorite neil hc will always be that after baltimore, when he finally starts feeling safe to some degree, he sleeps a lot during the day

not everywhere, he still has that survival instinct in him, but when andrew or the older foxes are around he just…naps. he naps on andrew’s shoulder on the roof, on the couch during movie nights, in columbia while the others get ready; he has a lot of sleep to recover and when he’s with his people he feels like he can rest. he doesn’t have to pay attention, he can relax and just let go for some hours

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crokitheloki

everyone say thank you ao3 volunteers you're the best ao3 volunteers ily ao3 volunteers

hazeldomain

If you can’t think of anything to say about a fic, writers also like to know:

- what time it is

- how long you’ve been reading

- how many chapters you’ve covered in the last 24 hours

- what you were late for because you were reading

- the woeful few hours you have left to sleep

- the emotional outbreaks you’re experiencing

- the inappropriate place you’re having said outbreak

- the general public’s reaction to your outbreak

- how much phone battery you have left

naraht

I’ve had the joy of quite a few of these comments! I love them!

sarking

#if my fic has in some way ruined your life i would be honoured to know about it (via @hoidn)

themoonandmyman

Ilya deciding to host a Halloween party to prove he’s still the Fun Guy and avoid every single emotion he’s having

wtf-is-hockey

One of the funniest parts of the book is when Ilya is like "If I can't even be safe from Shane Hollander at a fucking nightclub, then where can I?" Like, lmao. He should not have been at the club.

krmillia

ronan lynch once he gets to see twitter (except he knows all the lore)

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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bluedansey

besties we do NOT talk about this enough

grotesquehorse

i love that you are always fully Aware of when andrew is in a scene because he’s the first thing neil always mentions like get a Grip josten

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