Sorrow by Hanna Samutina, 1990

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@severe-intense-gaze
Sorrow by Hanna Samutina, 1990

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….. and it becomes clear that the significance of the tragedy wrought by Nilsen may be rooted not in his terrible separateness from the culture in which he lived, but rather in the extent to which he shared — and brought to life — the very fantasies of the culture that dreamed him.
On the Subject of Murder: Gender, Exceptionality and the Modern Killer, Lisa Downing (2013)
Reclining Female Nude with Long Hair, Egon Schiele,1918
““What is your religion?” said Dorothea. “I mean—not what you know about religion, but the belief that helps you most? “To love what is good and beautiful when I see it,” said Will.”
— George Eliot, Middlemarch
Летят журавли (The Cranes Are Flying) 1957—dir. Mikhail Kalatozov

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They don’t call it “to wing it” for nothing, you know. ;)
We can't live like this
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before.
But if the while I think on thee, dear friend,
All losses are restor'd, and sorrows end.
Shakespeare Sonnet 30
yeah
Equus (1977) // The Silence of the Lambs, Thomas Harris // American Psycho, Bret Easton Ellis
Hamlet, William Shakespeare // Possession (1981) (added by @katharine-hepburn)

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Bitches always say that femininity is associated with submissiveness and light but have they seen femininity in nature? Its fierce as fuck and doesn't fuck around. I think its humans that were so intimidated by true femininity that they had to make a false copy of that.
LACENAIRE (1990) dir. Francis Girod On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard’s study as he and Hermine read, and from other readers’ memory after the book is published, we see Lacenaire’s childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him. (link in title)

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I am not religious, but I was truly touched by the story of young Des Nilsen rescuing an injured sparrow, hiding it under his coat, and nursing it until it was fit to fly. It reminds me of that fable in Brothers Karamazov: a very wicked woman is thrown into hell after her death, but she appeals to God, saying that she once gave an onion to a beggar. God then pulls her out of the pools of fire using that thin green onion. I’m not insinuating that his crimes could ever be forgiven just because of that tiny good thing he did, but I’d like to believe in the benevolent nature and potential in humanity, even the most corrupt of them. Perhaps I’m just naive but I value my naivety as my most precious trait.
In Les Misérables, Victor Hugo draws an intriguing parallel between the fictional Patron-Minette gang and the notorious real-life murderer a
Ignore the fact that this took so long… but I finally got around to writing about Pierre François Lacenaire and criminal sensationalism in the nineteenth-century(!)
If you’re curious to learn more about this infamous ‘poète assassin’ and how his theatrical personality inspired the dramatised portrayal of Patron-Minette in Les Misérables, you can check out the post on my WordPress blog.