Jean Paul Gaultier - Spring/Summer 2007 Couture

Janaina Medeiros
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I'd rather be in outer space đ¸
Alisa U Zemlji Chuda



â
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AnasAbdin
KIROKAZE
occasionally subtle
almost home
let's talk about Bridgerton tea, my ask is open

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pixel skylines
Three Goblin Art

çĽćĽ / Permanent Vacation
Keni
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@seonadh
Jean Paul Gaultier - Spring/Summer 2007 Couture

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Lilja 4-ever (2002) directed by Lukas Moodysson
Medusa
MARGARET ATWOOD
âNovemberâ, You Are Happy (1974);
original photos and edit
Jordan Tiberio

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Alien by Patric Reynolds *
Angels and people by Wilhelm KotarbiĹski
I have become obsessed with long term nuclear waste disposal warnings
LOOK AT THE HOSTILE ARCHITECTURE PROPOSED TO WARN FUTURE CIVILIZATIONS I'M GOING TO CRY
Like this is the closest thing we're ever gonna have to old gods I'm really losing my mind
@jonathan-sinsâ EXACTLY... THATâS WHAT IâM TALKIN ABOUT BABY
"we sure are a species huh"
this fails to include all of the UN's proposed companion text, which reads:
"This place is a message... and part of a system of messages ...pay attention to it!
Sending this message was important to us. We considered ourselves to be a powerful culture.
This place is not a place of honor ... no highly esteemed deed is commemorated here... nothing valued is here.
What is here was dangerous and repulsive to us. This message is a warning about danger.
The danger is in a particular location... it increases towards a center... the center of danger is here... of a particular size and shape, and below us.
The danger is still present, in your time, as it was in ours.
The danger is to the body, and it can kill.
The form of the danger is an emanation of energy.
The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited."
which gives a nice drizzle of cosmic-dread inspiring je-ne-sais-quoi to te whole thing imo
Fire No 1, 2013 Logan White

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Ripe prunes. What the World Eats. 1938.
Internet Archive
Diane Arbus: Sword swallower, Maryland, 1970
ŠKotaro Chiba    Atai-kuyoh
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dream worms graphite and pen on paper Sophie Margolin, 2017

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Aaron Siskind, Pleasures and Terrors of Levitation