nate fick and buster posey are kind of the same person in my mind… not entirely sure why i think this but it just makes sense

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nate fick and buster posey are kind of the same person in my mind… not entirely sure why i think this but it just makes sense

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friend: do you have any soothing music or something? i cant sleep
me: oh sure, no problem *plays a 2 min clip of nate fick giving the smackdown to casey kassem in genkill* relaxing right?
happy birthday to the man whose hollywood portrayal took over my life (nate fick)
After being endlessly entertained by Nate and Encino Man's ship name being Schwick, @alone-on-takodana hit upon the fact that Nate and Doc Bryan would potentially be Brick 🧱
We are at WORK. There was no good way of explaining why we were laughing like drains.
Add to this that the proper surname/surname ship name for Brad/nate would rightfully be Cock, a solid days entertainment all round (so to speak)
The Marine Corps motto is "semper fidelis" - always loyal. It's the motto every Marine in Generation Kill is theoretically serving under. Watch closely though and throughout we see how the campaign splits that single word into as many objects of loyalty as there are men holding it. By the end of the invasion, what each of them turns out to be faithful to - the Corps, the mission, each other, their own conscience - that is the real story the show is telling.
Take Brad and Nate, for example.
Brad's fidelity is to his craft. Everything about Brad, whether in the book or on screen, is oriented around mastery. It is all about his precision, his control, him being the best Marine. He summits Mt Shasta on a broken ankle, he tells Evan the only thing he misses from home is his motorcycle "speed, solitude, no one can touch me." His sense of self was built inside a controlled, disciplined system. Based on what we know of his chaotic domestic life - given up for adoption, wayward childhood, a fiancée who betrayed him - it's not hard to see why. The Corps isn't a means to an end for him, it is the point. The Corps is where he found that one arena which appreciates his particular gifts. So even though OIF tests him morally in ways earlier deployments didn't, he stays in.
By the finale he's recovered from his crisis of conscience and looks almost serene over an MRE. He got to keep the thing he's faithful to.
Nate visibly looks drained by the finale because Nate's fidelity is to his conscience.
Nate's whole arc is a slow-build reckoning of how much the institution he serves is broken. Schwetje is a coward, Griego is petty, dangerously so; Godfather only cares for a ribbon. Nate sees the chain of command's willingness to sacrifice lives for optics. And that is a struggle for his conscience to calibrate. Nate never stops being a good officer, but he finds that increasingly, he has to fight the system to be one. By the end, Nate has concluded the Corps is not a place for what he values - intellectual honesty, competence, and care for the men under him. The Corps is a bureaucracy (he sees this is what command is, after all) that forces him to choose between doing the right thing and staying in line.
For Brad, the Corps is the fullest expression of who he is. For Nate, the Corps was a proving ground for his values of leadership, integrity, and compassionate care, that ultimately point him past it.
To the Brad/Nate shipper in me, this reading is exactly what binds them together. Their dynamic was forged in intensity, they are two people who understood each other completely inside one specific, extreme context. For two people adept at managing men and superiors, they carry an air of melancholy that only the other sees. And despite their difference in rank, the show often has them blurring the lines to communicate via gaze and words. In Iraq, they build a bond, permanent and singular, that civilian life cannot touch or diminish and which cannot be replicated in ordinary life.
Brad's respect for Nate's judgment and Nate's reliance on Brad's candour is the emotional throughline that sustained them in Iraq and that doesn't need combat to function. It only needs two people who still tell each other the truth, who each recognizes the other's version of integrity as real even when it points to a different direction than his own.

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So the new Pennyworth butler is rehashing the original Alfred introduction from Batman vol 1 # 16, huh.
Dan Watters is Establishing a Blockbuster-Level Crashout. Or: The Parallels between Nightwing (2016) #136/137 and Nightwing (1996) #89/90/91
Having had a little bit to reflect on the most recent two issues of Dan Watters' run of Nightwing, I've come to the conclusion that the setup, themes, and depicted conflicts almost perfectly mirror Dick's fall from grace during the Blockbuster arc. Here me out:
There’s a sudden, dramatic civilian casualty, which *can* leave Dick implicated if he has a guilty enough conscious (he does).
In #136, Dick's culpability in the 9 civilian casualties is due to letting a woman into his car, who then holds Dick at knife point and takes the wheel, causing a pileup.
Meanwhile, #89 of the 1996 run has Dick technically responsible for the deaths of at least a few dozen in his apartment complex due to Blockbuster's discovery of his identity, causing Blockbuster and his gang to go after all civilians associated with Dick Grayson.
In either case, despite external parties telling Dick that it isn't his fault, he carries the burden of these deaths and is driven to reckless action to ameliorate his perceived wrongs. In both cases, the weight this death toll holds for him, which drives his irresponsibility and self-destructive tendencies, is augmented by his failure to save civilians *during* mass casualty event he is ostensibly "culpable" for. It isn't just that people died in ways that could be blamed on him, but that he attempted to help on the scene in both cases, with little to no success.
The parallels between #136 above and #89 from the 1996 run seen below are a bit more explicit here, with both having him literally dig through rubble for survivors only to find bodies, and taking that to heart. From here, in #136, it leaves him desperate enough to pursue the witch lead by any means necessary, while in #89, it leads him desperate enough to pursue the Blockbuster gang by any means necessary.
So, okay, the setups are thus far quite similar. In the most literal sense, there are deaths that can technically be traced back to Dick, but that he holds himself far too accountable for. His failure to aid on the scene and personal witnessing of the bodies amplifies the guilt, and this leads him to a state of reckless and self-destructive investigation as a means of penance.
The penance itself pans out quite similarly, or at least it has thus far, in #137 and #90.
In both cases (left being #137 and right being #90/91), we see Dick:
Put himself in dismal or unlivable conditions due to some combination of obsessive fixation on "solving" his problem and also not believing he deserves the comfort.
Lying to family about adequacy of self-care
Taking needlessly suicidal risks and ignoring injuries
I could go on.
The point is, the similarities between the crashouts are undeniable. If the trend continues, we're gearing towards a situation where Dick either brings himself to some state of physical/mental collapse or needs to be physically stopped to prevent further self-harm. I'm wondering if Watters will take it as far as DG did, though I very much doubt it. If we're lucky, though, this could possibly *address* how terribly Dick takes his own perceived failures, his perfectionism and self-hatred for not living up to those standards, his willingness to disregard his own mortality in pursuit of that "penance", etc.
I am, put simply, hyped AF.
>”Dick… brings himself to some state of physical/mental collapse”
>”his willingness to disregard his own mortality in pursuit of that ‘penance”
-> seeks penance in a CHURCH, does so in disregard of his health/mortality by forgoing rest.
I JUST KEEP WINNING DUDE. I JUST KEEP WINNING. HOW DOES IT FEEL TO WIN? KINDA LIKE SHIT HONESTLY.
They were friends, they said. Purely the admiration of one bro to another, they said.
I love how much Nightwing is Blüdhaven’s.
It isn’t like Batman or the family aren’t Gotham’s, but Gotham has the Bats like city has a good climate. There was not a choice in the matter. Their operations are liable to change. And as much as you might want to control things, when a storm hits, like your Failsafe’s or the other dozen times one of them has gone rogue and altered Gotham, you don’t have much response other than to endure. And, sure, the police have tried to restrict them at times, including in the current run. Public sentiment has waxed and waned. But Batman and his posse respond as they please. For that matter, most of his additional network don’t face the world — or accountability — at all.
But Nightwing is something Blüdhaven feels it owns. Nightwing is a man to them. Whether through how Nightwing interacts with civilians, directly and in the daylight, or in the numerous collaborations with civilian detectives and law enforcement and other random citizens.
More specifically, I love the fact that the 9 deaths from the pileup spark outrage. God knows how much death and destruction from collateral occurs in other places, but here, it doesn’t slide. People mention it. I love not just how righteously angry Blüdhaven feels entitled to be, but how sure they seem that this will lead to their hero responding. Their hero is no greater or bigger or different than them, and on some level, there is belief that he will turn himself in because he is accountable to them.
I don’t know. I just really like that.
little lian with uncle dick ⭐️

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BradNate fic withdrawal symptoms hit hard this summer, so naturally I went trawling through old fandom archives and forgotten websites.
The pickings are slim these days, what with so many accounts gone, purged, or locked. But good lord. Some of the fic that's survived is breathtaking. The kind that leaves you clutching your chest over a single sentence. Gorgeous prose, gorgeous feelings, and enough eyefucking to sustain me for sometime❤️
Bravo!
(thank you gif artist)
If anything, I just kinda find this embarrassing for Jason 😭. Like I think it would trigger his inferiority complex to be compared to Dick like this 😭.
Although, Jason did use his free will to dress up as Nightwing to murder people and desecrate Nightwing’s reputation. So I feel like the equivalent of that here would be Jason trying to kill those kids.
“Jason doesn’t kill children!”
Is Damian not a child? Did Jason not shoot him?
And Jason is indeed still killing people as of current canon. He would imitate Dick again, but he would do it in a way that caused Dick absolute grief.
Types of people I've encountered in the Batman/Batman-adjacent community:
Would you ever want any DC theme park rides (or specifically maybe like Nightwing and the other Titans?) and if so what kind of ride would you want it to be? I know that there might already be Batman, Superman, Flash, and Wonder Woman roller coasters but I feel like it would be cool to have some other type of ride as well? Maybe like a water ride or something. Or like It’s A Small World or the Roger Rabbit ride or Indiana Jones. Idk I think it would be cool to have some rides based on them.
Huh, interesting question. I’ve never thought about it.
Some three-semicolons lore: I’ve never *been* to a bonafide theme park. But I’ve seen those ones where people get their midsection strapped on while their feet dangle, and having one of those mimic one of Dick’s acrobatic swings through Blüdhaven would be neat. Lots of loops and simulated somersaults/flips, I’d imagine.

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(and i like you)