Deep South, Untitled (Dark Glow) by Sally Mann
Sade Olutola
One Nice Bug Per Day

Sweet Seals For You, Always

Kiana Khansmith
Cosimo Galluzzi

❣ Chile in a Photography ❣
TMBGareOK. The Official They Might Be Giants tumblr


shark vs the universe
Today's Document

Jar Jar Binks Fan Club

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@sea-gravess
Deep South, Untitled (Dark Glow) by Sally Mann

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brand new chanels song of the summer and it’s not even close
In 2018, I wrote down a passing thought in my cheap little leather-bound journal I was writing a collection of songs in that would go on to become Preacher’s Daughter. “If I finish this album the way it needs to be finished, it will change my life, and it will leave a hole in my heart for years that I won’t know how to fill.” I’ve always had a knack for eerily accurate self-premonition. Preacher’s Daughter certainly left a hole, and it certainly changed my life, but only on the outside. All the songs I wrote for it were about characters, a girl in a “faraway” place living her “faraway” life, albeit still parallel to mine, but wholly detached from me. Willoughby was doomed to be closer to home. I wrote Nettles and Waco the same week, the first week I spent in the Alabama house where I would finish Preacher’s Daughter after so many years of trying. The difference was I wrote them about me. There were no characters at first; it was just me. In fact, I wrote them in an attempt to hide from Ethel Cain for a moment. She eventually devoured those little ditties too, of course, as she always does. In hindsight, I’m glad I had to share them with her. I couldn’t have carried the full weight of them myself, I know that now. My premonitions were out in full force; over the course of the next few years, I’d script out my own life in the same morbid fashion I always have. Maybe it was a lesson in not training my eye downward as I’ve spent the majority of my life doing.
I had 3 weeks for the holidays between mixing and submitting Perverts and jumping back into the maw of taming an unfinished Willoughby Tucker. I spent the first three months of 2025 on probation, unable to go much of anywhere, awake only when the sun was down. I’d never mixed a record of that magnitude, which was daunting with deadlines immovable. I remember 9am on my 27th birthday rolling around after being awake for hours whittling away at mixes, announcing the album and entire tour before going back to mix an album that still wasn’t done. I’ve never cried so much finishing a record, and that was before it was even out. Combining your Saturn return, your first shot at true love, and the longest tour of your life is something I would never recommend to anyone. It was the death of both ego and everything around it. I couldn’t be more grateful. Never in my life have I been so turned inside out, so uprooted and unraveled. Looking back, I needed it more than anything.
Thank you to everyone who listened. Ethel Cain and Willoughby Tucker will always be my children, my burnt offerings, what I leave in the storm. Sometimes I wish it didn’t have to be this way, but I also fear it’s the only way. Ethel Cain, Willoughby Tucker, I really will always love you. I hope you can forgive me.
‘Always on my own’
@tankhall
i know what you did

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hi, are you a chud?
yes and proud
ethel cain
I'm gonna regret this forever
@tankhall
Lost Highway (Dir. David Lynch, 1997)
"i want trans people all the way alive." - radically pro-transgender // alex dawson

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a pic from yuuji’s camera roll <3 little harder to look back on after shibuya but he can’t bring himself to delete it (it’d be like losing them all over again)
one thing i find strange about TERFism and trans-criticism is how much of it is just attractiveness politics. it seems to be the leading talking point. sure, make your points on sexual dimorphism or biological sex differences (which any normal trans woman is fully aware of already, mind you. the average transsexual is not claiming she’s experiencing period cramps lol) but so much anti-trans discourse seems to just be “well you’re ugly so you’re not a woman and i feel unsafe.” which seems…. so counter-productive to your movement. trans women, like any group of people, are nowhere near exempt from criticism, but what is the point of putting so much emphasis on such an empty and invalid viewpoint? so much of feminism seems to hark on how men only respect women they find attractive, yet the majority of your breath is spent on here pointing out physical characteristics that you seemingly think invalidate someone’s identity. how does having broad shoulders, a wide jaw, and a five o’clock shadow somehow equate to being a predatory rapist? it’s a mindset i’ve never understood. obviously it’s prevalent outside trans discourse, people just generally seem to equate ugliness with evilness, but you would think a group of individuals who posture themselves steeped and rooted in theory and academics wouldn’t weaponize such a vapid and vague talking point. (not to say only terfs do it, your average Internet Man absolutely loves to dunk on the fuckability of any given trans woman at any given time, but….. fork found in kitchen.) idk, i’ve just always found it odd. like i’m sorry but i just don’t buy into the idea that you’re supposed to be reasonably terrified of someone in a public bathroom because you think they’re ugly. i think you might just be an asshole.
I stare at you, I sing to you I circle you
Oh, and yeah, I kind of forget to post pictures
It's something with a summer and warm vibe, guys are relaxing, they have a vacation, and everything's fine
The sun is warmer than ever
Inspired by the art I saw on Pinterest and didn't save...
i love those blinking red lights they put on top of radio towers and windmills and skyscrapers etc, theyre like electronic flowers or something to me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i do not know how to speak anymore