Any tips for panel layout for pacing? I feel like yours really lends itself to the stories u tell.
thank u. its random comic tips which may or may not answer your question time, cookie edition
did that help
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@sasharnie
Any tips for panel layout for pacing? I feel like yours really lends itself to the stories u tell.
thank u. its random comic tips which may or may not answer your question time, cookie edition
did that help

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I'm sure you've been asked this many times, but what programs do yo use for your art? I just stumbled upon your GIFs from your ArtFight, and I'm in love with the style and movement.
i draw the assets digitally with procreate, which one can substitute with their digital art program of choice!
the main part here is planning the layout separation
i use blender for any tweening looping animation, with the 2d assets used as the UV texture on planes (see example for the chimera piece:)
while everything can be done in blender, sometimes i am lazy with creating materials and just layer stuff in a video editor (i use vsdc free edition)
thank you for the kind words and hope that helps!
bark beetle patterns
waaaay back when I was a cashier in retail we would talk about dumb shit while unloading the truck, and we got to the "what would you do in a zombie apocalypse" me and another worker were like yeah we would just die. End it all, we can't fight or run or shit. I refuse to put that much effort into survival.
And my manager was like no!!!! If that happened, I would drive to find you guys in my truck and we could eat stuff from my wife's garden and I would make sure everyone I know survived!! I would carry you all on my shoulders away from the zombies!!
Anyway, random shout out to that guy. You were too kind for retail management, Devin.
also afterwards everyone who was talking about their cool bunker fantasies were like "Damn, Devin's right, we should also be considering helping people around us." which is the only recorded instance of a retail shift making people better human beings.
That’s exactly why I don’t like most zombie apocalypse stories (or most other post apocalypse stories). They always fall into the trap of Everyone Being Awful.
The idea that societal collapse exposes mankind’s true nature ignores one thing: society IS mankind. We make it, just by being around each other. Social mores and customs aren’t arbitrary rules inflicted on us by some unseen force, they’re our own behaviors and views. We say please and thank you because we want to be kind. We establish charities because we want to help others. We set up garbage cans because we want to be clean. We’re the ones setting the standards and frowning at the people who don’t rise to meet them. We’re the ones who are appalled by the cruelties in our history.
Yes, we’re capable of truly awful things, but we’re also capable of remarkable kindness. We’re capable of more goodness than we give ourselves credit for.
THANK YOU
The problem with nearly every post-apocalypse story is that they take the worst behavior of people during a riot or a natural disaster, extrapolate it to all of humanity, and assume that situation never changes. But even the worst disasters end. Hurricane Katrina looters aren't still looting. And there were far more people helping than looting.
I'm so tired of this assumption that the worst of humanity is "realistic" while the best is cartoonish or childish. Every single time there's a disaster, or a crisis, you see people helping and people risking their lives for others. Hell, we've even had societal collapses before and we've rebuilt civilization every time. The real childishness is assuming all people are, at heart, selfish and uncaring. Because that's how bitter teenagers who have never experienced the world view it.

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Here's some more of my paintings and their respective reference photos! murphysletsdraw on inprnt if you want to buy prints!! It's my bday month so if you buy some prints I could maybe buy myself a lil gift hehe
Shop Art Prints by My Murphy on INPRNT. Gallery-quality giclee prints, canvas, framed, and more.
I've added more prints now!!!
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“Tour Guides”
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The Hazard, Barrier to Entry Watercolor, gouache, and graphite on paper, 8x10″ 2019

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Fumarole II
Watercolor on paper, 8x10”
2023
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commission
Joseph Crawhall (British, 1861–1913), "The Magpie"
Fiona Finnegan (Irish, b. 1979, Newry, Ireland, based Belfast, Ireland) - How the Light Gets In, 2022, Paintings: Oil on Linen

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BITTEN HAND
- prayer/chanting sounds coming out of the glove?
- parasitic. that purple body was something else
- wants to make out one day
- "Has a face but it's not where you'd expect." - Anonymous Source
Jack On (& Clown of the Lost Title)
- They are equal in sin.
- 'CotLT' lost his name because he would go "NYEH HEHH HEH HEHH HEHEH H" about it.
- Jack On's Batons are actually Batoffs. Supposedly carries a secret to CotLT's stolen name.
- "CotLT got what they deserved." - Anonymous Source
Crash Course
- The red-eyed one is Crash, silver is Course.
- They help teach you how to fight! Course is more explanatory, Crash is more "Sink or Swim"
- They eat with their traffic cones. in the tubes is where their mouth holes are.
- "One traffic cone mouth is not a mouth." - Anonymous Source
Eek new Q Hayashida collage art for the s2 soundtrack CDs!! I think it’s been a while since we’ve seen her do art collage
It’s so cute how we get to see Kaiman’s stomach full of gyozas and the colors are so pretty!! And his eyes bulging out on the right picture is so silly, but curse and his spikes are so cool…! <3333