can he hurry up and die
hello vonnie
The Stonewall Inn

Product Placement
The Bowery Presents
2025 on Tumblr: Trends That Defined the Year
tumblr dot com
TVSTRANGERTHINGS
Monterey Bay Aquarium

Origami Around

izzy's playlists!
YOU ARE THE REASON
occasionally subtle
todays bird
NASA

@theartofmadeline
Sade Olutola
Noah Kahan
RMH

seen from United Kingdom

seen from Bangladesh

seen from Brazil
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seen from United States

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Singapore

seen from United States

seen from France
seen from United States
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seen from Malaysia
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@sarrasins
can he hurry up and die

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california through the eyes of photographer sevilla brace shuey, american c. 1950s.
just had some hood river cherries so good it was a borderline sexual experience
okay it was entirely sexual
just had some hood river cherries so good it was a borderline sexual experience
mamquam falls, squamish, british columbia

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Thierry Mugler 90s metal gauntlets, made in collaboration with Jean-Pierre Delcros. Seen on Estelle Lefébure, ca. 1993, photographed by Bettina Rheims. Object photograph by Emil Larsson.
Knowing that Christopher Nolan has no idea of women’s inner lives AND that he knows his own happiness is completely reliant on his wife, who is also his boss, without whom he would be creatively and emotionally adrift, suggest that his marriage is this intensely spiritual, almost theological type of femdom. Not unlike the guy who defrauded Harvard with a fake “Jesus’ wife” papyrus less as a financial fraud than as an extension of his belief that his own wife, with whom he was in a femdom relationship, was the reincarnation of Mary Magdalene. But Nolan is, I guess, a more pagan iteration, in which Emma Thomas is like a puzzling oracle to whom her husband must keep making a variety of sacrifices to please. A sort of cargo cult femdom. I’m very happy for them both, to be clear.
Betty Blayton, Consciousness Traveling, 2012, 59.5″ acrylic on canvas
'stag at sharkey's,' oil on canvas; framed: 110 x 140.5 x 8.5 cm; george bellows american, 1909.

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Fra Angelico & Mark Rothko
Link to the exhibition
NYT writeup of the exhibition
Interview with Christopher Rothko (Rothko's son) Carl Strehlke (art historian and curator of this exhibit) and Arturo Galansino (director of the Palazzo Strozzi, host and venue for the exhibit)
Portraits of a chateau kitty. Chateau de Maizet. Photos by Amber Maitrejan
“Cows Up High” ~ Maharashtra, India ◆ They know where the ridge goes; we don’t
The Rotten Cherry dress by Dilara Findikoglu s/s (2026)

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Look at my birthday cake...
parallel play but it’s me shopping the all clad factory seconds sale for my friend’s brother while said friend borrows my dad’s power sander to refinish a coffee table and said dad power washes the back deck