Ocean Vuong, On Earth Weâre Briefly Gorgeous
[ Text ID: Ma. You once told me that memory is a choice. But if you were god, youâd know itâs a flood. ]
Peter Solarz
let's talk about Bridgerton tea, my ask is open

Andulka
noise dept.
we're not kids anymore.
cherry valley forever

@theartofmadeline
Cosimo Galluzzi
RMH
Stranger Things
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay
Show & Tell
Three Goblin Art

JBB: An Artblog!
hello vonnie

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@saraeb
Ocean Vuong, On Earth Weâre Briefly Gorgeous
[ Text ID: Ma. You once told me that memory is a choice. But if you were god, youâd know itâs a flood. ]

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â CZESĹAW MIĹOSZ, translated from the Polish by CzesĹaw MiĹosz & Robert Hass.
âIt happens surprisingly fast, the way your shadow leaves you. All day youâve been linked by the light, but now that darkness gathers the world in a great black tide, your shadow joins the sea of all other shadows. If you stand here long enough, you, too, will forget your lines and merge with the tall grass and old trees, with the crows and the flooding riverâall these pieces of the world that daylight has broken into objects of singular loneliness. It happens surprisingly fast, the drawing in of your shadow, and standing in the field, you become the field, and standing in the night, you are gathered by night, Invisible birds sing to the memory of light but then even those separate songs fade, tiny drops of ink in an infinite spilling.â
â  Rosemerry Wahtola Trommer, âStill Life at Dusk,â Poetry of Presence: An Anthology of Mindfulness Poems, eds. Phyllis Cole-Dai & Ruby R. Wilson (Grayson Books, 2017)
leather, chris abani
Separation is like               unmaking love               ungluing names to places               undoing God.
â Mohammed El-Kurd, from âBulldozers Undoing God,â Rifqa

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A woman using her husband's shadow to protect and shelter herself from the sun in Masijd al- HarÄm.
Linda Pastan, from Waiting for My Life: Poems; "What We Want"
[Text ID: "and in the morning / our arms ache. / We don't remember the dream, / but the dream remembers us."]
and you must learn to see in darkness. Here you can praise the light, having so little of it:
Margaret Atwood, from Selected Poems II: 1976 - 1986
The Valley of the Kings , Egypt, 1900-1920
ocean vuong, âmy father writes from prisonâ
[ID: âsome nights you are the lighthouse / some nights the seaâ end ID]

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âA labyrinth is a metaphor in both senses, carrying you on a brief journey that reminds you that you are always on a journey. You are always in a labyrinth, always a little lost and always feeling your way forward, there is always an unexpected turn ahead, in fact you were born into the labyrinth out of the darkness of the womb and you will only exit in that other darkness of tombs.
The two paths, literal and metaphorical, become one path on which you know at last that you are a traveler in darkness. But in the labyrinth, you arrive before that finale, and one of the great spiritual uses of a labyrinth is to compress the journey of pilgrimage into a local space, so that you may wander, may know that in order to get to your destination, you must turn away from it, become lost, spin about, and then only after the way has become overwhelming and absorbing, arrive, without having gone far.â
â Rebecca Solnit, âJourney to the Center: (on ElĂn HansdĂłttirâs Labyrinth Path),â The Encyclopedia of Trouble and Spaciousness
Franz Kafka, the metamorphosis / Jane Austen
Penny Dreadful (2014-2016) created by John Logan
more and more, margaret atwood

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Jacques Derrida, Specters of Marx
Marguerite Duras, from The Lover