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“Today is August 4, 2026.”
It isn't while I write this, as I'll be overseas, but it's a special date enough to schedule a post.
August 4th, 2026 is the setting date for the only piece of Ray Bradbury's writing I've ever actually liked: There Will Come Soft Rains.
The short story is a popular one, at least here in the U.S., for classrooms to have students read and discuss: it's short enough that even students who struggle to read can get through it rather quickly, and it's of a contemplative enough subject that everyone will have thoughts on.
For those who haven't read it (seriously though, it's a short story - just go read it in the link above): in it, a house run on automation starts the day, runs through its scheduled functions and tasks, schedules out its entertainments and reminders, and manages the lives of its inhabitants. Quickly, the reader realizes that these duties are performed for no one: there's no one living there. No spoken details are given about their whereabouts.
As the story progresses, you are given the only clue as to what happened outside: five blast shadows baked into the charred outside, capturing a moment in time like a reverse photograph. The house sits alone in a destroyed city.
The house, at the end of the story, burns down. All of its functions finally stopping, barring the voice announcing the date: August 5, 2026.
I wouldn't say it's the most provocative story for the modern era. Almost everyone has heard the concept of nuclear war wiping out humanity in the modern age, though major nuclear powers aren't as trigger happy about trying to make it happen as they used to be. But May 6, 1950 was more than 76 years ago, and still close to the dawn of the nuclear age. Everyone was terrified of nuclear annihilation.
Bradbury's short story was, at the time, the latest in a series of works across multiple authors wondering about what would happen if humanity wiped itself out with its petty squabbles escalating into all-out war that destroyed all of its belligerents. There were several written for the nuclear era, as the horrors of atomic warfare brought a fresh wave of anxiety and paranoia anew.
But it was still only the latest in that series.
Over thirty years prior, Sara Teasdale wrote There Will Come Soft Rains, the inspiration in both subject and title for Bradbury's short story. Bradbury even includes the poem inside the short story itself, noting Teasdale as Mrs. McClellan's favorite poet (a woman with good taste, I see). Teasdale wrote it sometime in 1917/1918, at the height of World War I and around the start of the German Offensive. At the time, it seemed as if the war was never going to end, and all belligerent nations were just sending their young soldiers off into a pointless meat grinder with no hope of actually winning.
The poem considered what the world would be like if humanity just never stopped fighting, and "mankind perished utterly." Her thoughts were that the world would move on, and we would be little more than a footnote in the history of the world. It was one of the first 20th Century considerations of humans driving themselves to extinction.
Teasdale was the first awardee of the Pulitzer Prize in Poetry, before there even was a dedicated poetry category. She was highly influential for many authors in the 20th Century, using lyric that was normally reserved for quainter verse for unhappier themes - a poetic style more associated with Dickinson than anyone else.
This post is, primarily, a half celebration/half talk about my favorite poet and an influential work that was inspired by her own lyric. But it's important to remember these past works that discuss end-of-the-world thoughts in modern times. The world often feels hopeless: unending wars, climate change, unbridled hate for the pettiest of reasons, and ceaseless greed. But it's never a hopeless situation. We've been here before. People will live to see another day. The world might forget us when we're gone, but that doesn't mean you shouldn't show kindness to each other while we're still here.
It means something to someone, I promise.
“[Tomorrow] is August 5, 2026, [tomorrow] is August 5, 2026, [tomorrow] is...”
happy There Will Come Soft Rains by Ray Bradbury day
i love this little guy

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Ok but like. What the fuck is there to do on the internet anymore?
Idk when I was younger, you could just go and go and find exciting new websites full of whatever cool things you wanted to explore. An overabundance of ways to occupy your time online.
Now, it's just... Social media. That's it. Social media and news sites. And I'm tired of social media and I'm tired of the news.
Am I just like completely inept at finding new things or has the internet just fallen apart that much with the problems of SEO and web 3.0 turning everything into a same-site prison?
Long collection of resources under the cut.
You're right that the internet is smaller than it used to be, but there's still some cool stuff left in the corners. I'd recommend checking checking out Neocities if you haven't--it's an independent web hosting platform like Geocities of the old web, and there are hundreds of interesting and active pages discoverable both through their search function and through web buttons (links attached to small pictures with the title of a website) within the websites themselves. Here are three examples of web buttons you may find in link pages:
Most Neocities websites have link pages or button collections with anywhere from tens to hundreds of these. Don't be afraid to explore!
If you're looking for something more like a search engine, I can point you towards Marginalia. It's not a particularly smart engine, but it's perfectly usable if you've ever been taught to use search engines back when they were mostly run through keywords instead of full sentence comprehension. There's also an "about" and "tips" section on the front page with more information. The algorithm of Marginalia can be filtered by the user to allow, disallow, or require JavaScript depending on your needs, plus there are filters designed specifically to prioritize web 1.0 sites or mostly text-based ones. It is possible to search for modern websites with it, but it can return websites from just about any decade (since the invention of the web, obviously) so long as they contain the information you're looking for. For example, here are some random interesting sites I've found using Marginalia:
Native Languages of the Americas: Native American Cultures
BASIC HTML COMPETENCY IS THE NEW PUNK FOLK EXPLOSION!
Earthbound Text Labs by Bill Eager
The possibilities for discovery are truly endless.
Now you might want to know about directories. These make browsing for websites easier, but require you to read through and judge which ones to visit, as there aren't algorithms ranking the sites besides the whim of whoever coded the directory. Some of them have themes, others don't. Here are two that I've used:
Yesterlinks Directory
Ichigo Directory
Directories can be harder to come by just by surfing the net, but they aren't impossible to find. Many personal websites have their own directories of interesting sites hidden within them.
Webrings are similar to directories, but are actually more community-based. You have to register your website to be a part of a webring, usually by sending an email to whoever runs it and meeting some kind of entry criteria. For example, my personal website used to be a part of a webring called Sweet Dreams, which was for websites that heavily utilize color palettes and images of cute things, particularly sweets. Webrings will give you access to a widget upon entry that allow visitors and other members to browse between the registered websites in a massive ring, ergo, where the term gets its name. Webrings can have any theme or criteria for entry. If you can make a website about it, you can find a webring for it.
Now, you might be wondering about social media alternatives. I can't offer much, but I can nudge you towards the idea of forums. Here's one I found that could really use some traffic. I also browse a bit on MelonLand forum, which is actually closed right now--it's currently closed on Mondays--but on any other day of the week, you can find a fun community there dedicated to web revival. You can find it through MelonLand's main page. I'd also recommend checking out SpaceHey, which is a MySpace clone that's customizable and easy to use.
I hope this is of some help to you. The internet may feel less magical than it used to be, but that doesn't mean that the spark has completely died out. These types of indie websites need more attention if we ever hope to reverse the damage done to the internet by centralization and corporate interest. People are trying to make the web a cooler place to be, but we're going to have to do the work of finding and interacting with these projects in order to get them off the ground someday.
ALSO you should consider browsing Virtual Pet List and seeing if there are any pet sites you might be interested in playing. There is a whole genre of browser games right under your nose
Another one that I just found recently is this, which is a whole collection of blogs, organized by topic!
A collection of 1,966 blogs about every topic
Look guys the real internet IS STILL THERE I'm going to cry
try Radiogarden
And it's amazing that you can find information that you looked for, just in the off chance, never expect ing that it would really be there.
Are you a word nerd like me, and my father before me?
Then may I introduce you to...
The online etymology dictionary (etymonline) is the internet's go-to source for quick and reliable accounts of the origin and history of Eng
Explore live radio by rotating the globe.
Thank you @headspace-hotel
Chiikawaaaa arttt i made for a comppp todayyy
doing things at the right age is literally a made up concept. you can start/pursue anything at any age. btw.
remember remember
It is never too late to learn, it is never too late to love, it is never too late to make something, it is never too late stop hating, it is never too late to be better, it is never too late to do the right thing,
Whatever it is you want to chase, it's never too late to start the run.
All of the otters/ Lutrinae !
Had a lot of fun doing this one, probably because there are only 13 lol

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float
Shit is bad, but today, I learned that California's kelp forests have made a major comeback with the help of scientists, fishermen, and hammer wielding volunteers.
It's a win for habitat restoration. It's a win for marine life. It's a win for all of the people who helped make it happen.
It's a fucking win and it makes me happier than words can describe.
Pollution, warm oceans and hungry urchins devastated Pacific kelp. Now, thanks to divers with hammers, one of the world’s most successful re
Edit: now with video and link.
At some point in your life, you were taught that being slightly annoying is an unforgivable sin. Maybe it was by your parents or a teacher or a friend or a bully or an older sibling. But someone taught you that being slightly annoying is a crime punishable by death.
You must unlearn this.
You must accept that all people will be annoying at some point or another in their lives, maybe all of their lives, and that this is okay. It is okay for strangers on the bus, it is okay for children in the grocery store, it is okay for people on social media, and it is okay for you.
If you ever want to truly love your fellow humans, if you ever want to truly love yourself, you must have forgiveness for being annoying.
Hope and Joy Detected!!
Everyone needs to stop saying death of the author when what they mean is separating the art from the artist. Like FR stop it.
I know it's mainly just ignorance of what the term means but I do wonder if this happens in part bcos 'death of the author' sounds so dramatic like oh this author is dead to me, I don't care about them anymore. Whereas 'separating the art from the artist' is a lot more neutral and well. In CERTAIN CASES it is kind of immediately apparent that you cannot.
TO REITERATE:
Death of the Author is a term coined by Roland Barthes for his essay of the same name in 1967.
In brief: death of the author is the concept that analysis of a work of art should not be focused on the artist's intent; the artist's intended reading of their own work is just A reading and no more valid than anyone else's.
A good straightforward example of this in practice is the response to Andy Weir and Project Hail Mary. Weir is adamant that his work contains no politics but I would say that PHM is pretty clearly a story about climate change.
You can apply death of the author to any work of fiction and it has nothing to do with whether the author is a good or bad person.
advertising lemonade is pointless. the human body already knows it needs it

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i am massively overdue for a very very good week where not a single bad thing happens and everything is easy
reblog to give prev a very good week where not a single bad thing happens and everything is easy