It is 1994. Ted Lasso is the Dean of Sports at Wichita State University. There is a new interim professor running the radio program. It appears Ted can't stop being the butt of Professor Crimm's little radio show.
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i've said it before but i'll still say it again. i love pov outsider on tedependent, particularly like. really outsider, like. just the perspective of trent's former colleagues/other sports journos, and random ass richmond fans, that sort of thing. just the development from well-known sports reporter trent crimm who was eviscerating ted in the court room and famous richmond manager ted lasso with all that implies, and they're KISSING now. they're MARRIED. everyone saw their first meeting because it was televised and trent all but actually called him a clueless cunt in front of the entire country. and that's the man he's hopelessly ridiculously painfully-adorably in love with. truly beautiful
Baz, Paul, and Jeremy can't believe that Ted and Trent are snuggled up in the corner of the Crown & Anchor having a drink underneath the very TV where they boys watched that first disaster of a press conference.
That old guy who calls Ted 'wanker' sees the pair of them holding hands as they walk across Richmond Green. He is a bit put out that he now has to say 'wankers' plural.
Ollie is so confused about the change in dynamic from the last time they came to his family's restaurant.
The teachers at the Crimmlet's primary school can't stop gossiping about the fact that Ted drops her off once a week. But they're not complaining about how much nicer Trent is to deal with at PTA meetings these days.
Mrs Shipley is pleased that Ted spends more nights at Trent's than not. Finally some peace.
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Eyes scalding suddenly hot, trailing flames over Ted's skin as Trent gives him a flirtatious little wink. The interruption is abrupt as Trent butts in, "Welcome back KShock listeners." With a quiet gasp, Ted brings a knuckle to hold between his teeth to keep himself in check. Trent's eyes flicker to the clock behind him and to something else Ted does not see. "It is officially the eight o'clock hour, a breezy 97° in your abominable Fahrenheit. In order, you've just heard Creep by Radiohead, Ain't Too Proud to Beg from The Rolling Stones, Common People from Pulp, and now I'm here with an entirely unexpected guest."
"Unexpected? C'mon now." Ted doesn't mean it to sound so sarcastic. Surely this was inevitable from the moment Trent shoved his hand between Ted and his belt buckle.
"Uninvited then." Color flushes across the handsome man's features even as Ted recognizes Trent is struggling to play the straight man.
It's hard not to let his voice intone some kind of purr, but Ted is pretty certain he fails miserably, especially when he knows it's written across his face how precious it is that Trent would try to play off their undeniable chemistry. "I don't know about that. We all clearly heard you beg me to come in."
"Did I?" Pulling his microphone across the desk to bend over the turntables, Trent looks to the ceiling, trying to disguise the free smile that falls across his features.
Pointing his thumbs to the door, Ted's voice only grows sweeter, "I could go."
-- Excerpt from "The Great 90s Mixtape," Chapter 7: Common People, Pulp (British), 22 May 1995
As a fan of Brett’s podcast and hearing his opinions on films over the last few years, I just wanna acknowledge that this makes me very, very happy for him. I mean, so does the movie and all the other stuff leading to this, but this ep in particular feels especially lovely. To me. From the outside.
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slowburn or love at first sight // fake dating or secret dating // enemies to lovers or best friends to lovers // there's only one bed or long-distance correspondence // hurt/comfort or amnesia // fantasy au or modern au (historical au) // mutual pining or domestic bliss // smut or fluff // canon-compliant or fix-it // reincarnation or character death // one-shot or multi-chapter // kid fic or road trip fic // arranged marriage or accidental marriage // high-school romance or middle-age romance // time travel or isolated together // neighbors or roommates // sci-fi au or magic au // body swap or genderbent // angst or crack // apocalyptic or mundane // happy ending or unhappy ending
HAPPILY EVER AFTER ALWAYS
Tagging (if you want) @trentcrimminallybeautiful, @loveexpelrevolt, @bookqueen101, @galacticmermaid, @callmearcturus
Trent Crimm is a big city Food Critic. He spends his nights sitting alone at candlelit tables with his little notepads and his little clicker pens and the foldaway readers he pulls from his suit coat pockets. He visits one time or a number of times if the food is interesting enough and he cannot seem to put a pin on just what makes somewhere worth visiting. Or sometimes if the waitstaff is pleasant without realizing who he is or just what he is doing.
It is lonely a lot. Watching the hallmarks of peoples' lives. Engagements. Anniversaries. Large social gatherings along one long table against a back wall with celebratory voices. Quiet games of footsie that no one thinks anyone is paying any attention to. Everything that should bring such joy has begun to wear on him.
It is nice sometimes. Sometimes, after a significant amount of time has passed and he has made a pleasant review, he will revisit somewhere he enjoyed. Maybe he will finally have someone to bring. Maybe his little girl. Maybe coworkers at The Independent. The staff will know him then. Bring another small plate or two. Find a cherry to put in his little girl's sparkling water. Perhaps the chef will step out of the back and place a warm hand on his shoulder in front of Trent's Editor in Chief.
Often it is heavy work. He would never complain though. It is pleasant enough. Extraordinary enough sometimes. But the heartburn. The requirement on his body to keep it up so he survives a night of rich sauces and fried gut bombs. The drinking alone. It weighs on him.
Trent has a lovely little collection of superb spots across the island. Some mom and pops on the sea side. Cafes on the river. Tea at outdoor spots where the sunset shines so gold, that alone is worth the improperly made cups. One spot in a castle so drafty the pints are so cracking cold it stings between his eyes. Community tables he should hate, but place him directly in the center of the best the human experience has to offer. Spots that require him to sit directly on the floor. Eat with his hands. Eat with chopsticks. Sit at bars and swipe at his chin, soaked in butter. One spot where an ancient woman named Mae serves him mince pies, calls him "luv," and makes him miss his mum so badly he grieves all over again.
When he visits home, his father ambling toward the end, but stubbornly standing on two feet and insisting Trent continue his city living; his father mentions Trent's favorite chippy has a new bloke at the helm. Old Mannion passed the shop to his young wife, who has hired an American to run the thing. Notes there is some chinwagging, but doesn't know aye or nay whether it has any standing.
That news is bewildering. Baffling. Upsetting to no end. An American?
Of Trent's collection of spots, there are no places that hold so much sentimentality as the local he was raised on. The walls should be soaked in fryer oil and the chips should be just the right amount of soggy. There should be a small crowd gathered after the sun goes down standing piss drunk in the mothy, fluorescent light under the front awning. Bodies should be glowing from the alcohol sweating through their pores. Light shining muted from the greasy, see-through paper bags. There shouldn't be room to move in the queue.
The first time Trent tried (and failed) to ask another boy if sometimes girls were just a nuisance was in that shop after school. He got ketchup on his tie. It never did wash out completely. The first time Trent noticed a boy looking at him sideways was while he was leaning against that lone storefront window. The boy had been dressed up so punk Trent spent the next decade visiting his record store every weekend, hoping he might happen on that boy, until he was able to con himself into his first and favorite job ever.
This chippy, his local, had etched itself onto his very tongue, a short, permanent scar from a second degree burn across the side, discoloring bright red there.
How on earth might some American understand this particular gastronomical culture?
The moment Trent has his father tucked in for the night, Trent steps out to follow the sunset, one foot in front of the other, until he is standing in front of two bistro tables. Bistro tables? There is an awning, new and striped blue and red, but there is no fluorescent light. There are no moths. When he looks up, there are a number of young people sitting inside the window, bright smiles on their faces, sipping on straws and plucking perfectly golden chips inside small white bags.
When he steps inside, there is a boy, much too young to be taking his order, with a curious smile on his face. A dimple on one cheek. Dusky hair. When he calls Trent's order back, an affable older gentleman, Trent has to assume his own age, responds with some cartoon cowboy accent. The man bares the same dimple on one cheek. Has an affable mustache that compliments his snaggletoothed smile. He wears a simple white tee-shirt and a white apron over it. Wears a baseball cap to cover his hair. His nails are trimmed and neat when the man reaches to dredge the fish in front of him, dropping it into the crispiest, bubbling oil Trent has heard from this close. It's nearly impossible to look away.
The walls still smell like his youth, though there must be a new ventilation system. Trent doesn't feel like he is breathing oil. There is a fresh lick of paint. The front counter is lower than he remembers. Trent can see now just how small the space is and just how much the American can do. The menu, tacked from the ceiling, is not much more expanded, though it includes a few things that seem to make a lot of sense. And the man sings along with a small radio set on a shelf, sweet and swoony. Trent must be gawping. The American looks up briefly, doing a double take when he catches Trent's eye. Offers a wink.
Trent is undone. He stutters to the child as he passes his coins. Smiles awkwardly as the boy hands him his food and flushes as he turns to the door. Where he'd usually turn right at the door and stand on the wall, Trent finds the sky growing purple and the empty bistro tables beg him to rest. So Trent sits and is startled when the young boy runs out of the shop with a bottle of Coca-Cola he'd forgotten he'd ordered. The boy snaps the bottle top off right in front of him and wishes Trent a lovely night before running back in.
And shit. When he reaches into the bag, the fish is blisteringly hot. When he can finally bite into it, the batter is shatteringly crisp. It doesn't taste quite like Trent remembers from his youth, but instantly, Trent understands it's because the fryer gets cleaned regularly now. The oil is maybe a day, maybe two days old at most. The vinegar is sharp, clearing his sinuses. The salt is perfect. And when Trent reaches for a chip, it is thick. Sturdy. Perfect for a blob of ketchup.
"Well hey there. You must be the Crimm boy. Your dad's been a frequent visitor. He's very grumbly, but he is kind."
A red squeeze bottle appears on the bistro table in front of him, held by a slim, clean hand with neat, trimmed nails. Trent has watched this skyline for so much of his life that it may well be etched into the back of his eyes. When he finally shakes free of the horizon and looks up, the American is smiling warmly. Nods at the table next to Trent's.
"Do you mind if I sit a spell? I've been on my feet a few hours and these bones are much older than they look."
The American looks Trent directly in the eyes with a confident boldness that Trent has never once betrayed in his entire life. Flustered, Trent has no choice but to consent, "Oh, ehm. Yes! Yes, of course."
The American rounds the table to sit directly next to Trent at the second table. Removes his baseball cap and places it on the table before leaning forward on his elbows and rubbing his hands over his face. Trent cannot help but take a peek between bites. The American is handsome. Broad. His apron is missing and Trent can see the shadow of every muscle, every sinew of his fine back in the light of the chippy. Trent wants to remain nonplussed, but the ball of energy beside him is dimmed and quiet. Heavy.
Dressing a chip, Trent takes a chance. "How did you know?"
"Hm?" The American turns his head and Trent cannot help but register the distinct look of some bedroom he'll never cross the threshold of.
"Oh. Ehrm. My dad…" Trent can only imagine what impression his father has made on this man. This fit, capable man. His father is a bit corny. A bit sentimental. More than likely to offer his single, gay son for a bag of crisps on a good day. Which doesn't help that another bite into his fish and Trent is one proper pudding from proposing they take this back to his.
Brightening instantly, the American responds, "The hair and, uh, the whole…vibe, I s'pose."
"Right." Surely the American cannot see just how Trent's cheeks burn with embarrassment.
They sit in an oddly comfortable silence as the last of the sky grows from purple to black, the light behind them shifting as bodies rise and exit the chippy. The group of young people turn to the American and bid him goodbye by name.
"Goodnight, Ted!"
"Y'all be safe and make wise decisions, now. And I'll see ya when I see ya," Ted says, his dimple appearing like its own private goodbye to them.
Trent zeroes in on how unexpected it is, that a handsome man should be sitting next to him in the dark. That he is dining, but in some form of company. That this American is a stranger, but is already somehow familiar. And maybe it isn't so bad that some strange man turns his chin just right and grins Trent's way. And maybe Trent will let loose tonight. Tuck the instinct to pull out his little notepad and his clicker pen and don his foldaway glasses to make a handsome friend who just happens to work in a chippy.
The American responds through a bone-deep yawn. "Quiet. The boss asked me to start opening earlier in the day." When he lets his arms loose, Trent can see slight pink pockmarks on his forearms. Likely irritation from reaching over hot fryer oil. "We have yet to see much business yet."
"You're an outsider." Trent stares above the short string of businesses across the road before finally turning to look the man in the eye. He means to continue, but his response is cut short by the small huff of laughter.
"I trim a mean hake. I crack a few eggs. And I man a fryer. I'm not here for any kind of coup dee tot."
Trent freezes at that, squinting because he can swear what he's heard is intentional, "Did you just make a potato pun in French?"
--Excerpt from "An Upgrade in Nostalgia," Part Two.
Yes, I added it to Ao3, because @minatofnowhere asked "How many visits would it take for this poor food critic to speak to the handsome cook?" And the answer is: oh no, he doesn't have the kind of time that will allow him to hesitate.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 2/2
Fandom: Ted Lasso (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Trent Crimm/Ted Lasso
Characters: Trent Crimm, Ted Lasso, Henry Lasso
Additional Tags: Tedependent, Food Critic, Romance, Food as a Metaphor for Love, Alternate Universe - Chefs, Fluff, Gay Trent Crimm
Summary: Trent Crimm is a big city Food Critic. Ted Lasso is the new cook at Trent's childhood local chippy.
Because I got this question, I added a part two to this post. Also, because I am me, I added it to Ao3.
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Feeling so unwell... Had Colin not left the group, would Ted and Trent have had a fateful encounter at the museum? Would they have grabbed dinner at the Yankee Doodle Burger Barn together? Would Ted have found the something new he was looking for, something to break him out of the box that he was stuck in (in terms of his personal life)?
There are some parallels between Ted's dinner at the American-themed restaurant and his meal with Trent in S01E03... And Trent is dressed in a yellow shirt and green trousers, sunflower colors... Meanwhile, Ted and Collin are both wearing solid orange tops. "Right by this big pink triangle"... There's so much! Why? Why is the missed connection between Ted and Trent this episode so obvious? I have been thinking about this for months.