John Cleghorn (active 1827-80), Interior of the Stables at the Royal Pavilion, Brighton. Etching with aquatint and hand coloring. Published 1838.
These stables featured in my novel, A Season in Brighton

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John Cleghorn (active 1827-80), Interior of the Stables at the Royal Pavilion, Brighton. Etching with aquatint and hand coloring. Published 1838.
These stables featured in my novel, A Season in Brighton

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Robert Blemell Schnebbelie (1790-1849), Interior of Drury Lane Theatre, 18 November 1817, ink and watercolor.
Robert Blemell Schnebbelie (1790-1849), Interior of Drury Lane Theatre, 18 November 1817, ink and watercolor.
Visualising Miss Searle: The Sequel
In celebration of a new season of my favourite BBC detective show Fake or Fortune? (instead of crime scenes, forensics is used to identify works of art), now seemed to be a good time to revisit my exploration of paintings that could depict Miss Elizabeth Searle â the chief character in my series of Regency-era novels. It has been nearly 18 months since I looked into theories that I had regardingâŚ
The Mercurial Rise and Fall of Master Betty
Manipulative stage parents exploiting their child? Nothing new about that. Crazed and adoring fans screaming until they faint? Itâs been done before. Child stars struggling to rekindle their past successes when reaching adulthood? Hit the history books! I love exploring parallels between modern times and the past. And when it comes to the world of entertainment and celebrity, it is fascinating toâŚ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Skeletons in the Closet?
How skeletons in the family history can inspire writing.
Sergeant Sven Stenander, wearing the Russian St Georgeâs Cross medal, 5th Class If anyone reaches into their family history, it is quite likely that they will find a relative with a questionable past. In my genealogical journey, a cousin informed me that our three times great grandfather, Sergeant Sven Stenander, had been a knight in Sweden. She emailed me a copy of his photograph and a poem inâŚ
Gentlemenâs Regency Era Portraits
Visualising Miss Searle: The Search for a Likeness
One of my favourite ârealityâ shows on television is the BBCâs Fake or Fortune? Experts get to use the latest research and forensics to try and determine whether an artwork is a hidden masterpiece, or something less valuable. It is a good thing that I was so attentive as I have had the opportunity to do a little variation of this sleuthing from behind my laptop keyboard. This all kicked offâŚ
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Georgian Illuminations
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The Artist and His Muse
I used to find looking at historical painted portraits to be a rather tiresome exercise. So many interchangeable faces in stuffy suits, uniforms and frilly dresses. But having the good fortune of living in the UK, where most museum entrances are free, I have had the opportunity to re-evaluate my initial misgivings. I began to appreciate the subtle hints of personality and genius brought to lifeâŚ
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Coal Miner's Book Available Again After Over 100 Years
I have been keeping rather quiet about a writing project that I have been involved with, as it isnât my usual sort of thing. I have been rather reticent at promoting it as I havenât been completely sure how to go about it. This all came about rather suddenly. My wifeâs cousin was at a pub in Wigan and began discussing about her great- great-grandfather, who lived in the town. Samuel Woods grew upâŚ
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Readings at Stowe Gardens
Readings at Stowe Gardens
Stowe Gardens, near Buckingham I recently (wellâŚlast Summer) published a hardback edition of my novel An Actress of Repute. In celebration of the event and to coincide with the first anniversary of the novel being published, I decided to go to one of my favourite National Trust properties: Stowe Gardens in Buckinghamshire. I then ran around the place, filming myself reading chapter excerpts inâŚ
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Cinderella: the First Theatrical Performance
With the debut of Andrew Lloyd Webber's new musical version of Cinderella, I thought it would be a good time to explore the theatrical history of the Glass Slipper. Cinderella: the First Theatrical Performance
Andrew Lloyd Webberâs latest musical production, a musical version of the story of Cinderella, has been receiving plaudits and rave reviews. As one of the oldest and best loved fairy-tales, it seems as if the story is as old as time itself. Versions of the story have long been a staple of the Christmas pantomime circuit in British theatres. But how did it all begin? There are many variations ofâŚ
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we visited the Temple of Venus at Stowe last week. This was where the summer dance scene of Bridgerton was filmed. Different sort of vibe, dancing with wellie boots, I suspect! đ #Bridgerton #regencyauthor #regencynovels #historylovers #locationshoot #perioddrama #historicalfiction #historicbuildings (at National Trust - Stowe) https://www.instagram.com/p/CJZDDwbp3M-/?igshid=14p6b07vloapn
Oi! Sad about #Sanditon ? Bereaved that there's no more #Bridgerton ? I have a Regency love patch to keep you going! The Kindle version of An Actress of Repute is less than a quid on Amazon until 3rd of January - get it quick! đ #regencyauthor #regency #regencynovels #historicalfiction #fiction #perioddrama #Sanditon #bridgertonnetflix #bridgerton https://www.instagram.com/p/CJVz5K8pnoi/?igshid=qtwmlzoyxrwx

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'Bridgerton' and the Plight of the Female Theatrical Performer
'Bridgerton' and the Plight of the Female Theatrical Performer - the Life of an Actress, Dancer or Singer was still very dependent on the whims of men of wealth. Here are some examples:
 I am always up for a good period drama series, and so I binge-watched the delightful series of Bridgerton on Netflix recently. As an author of a novel set in a late Georgian-era theatre, I was particularly pleased to see some scenes taking place at an opera house (presumably a portrayal of the Kingâs Theatre in Haymarket). I often find my eye homing in on minute details, such as the stageâŚ
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Tears of a Clown â the Great Joseph Grimaldi
Tears of a Clown â the Great Joseph Grimaldi
Joe Grimaldi as a clown by George Cruikshank I was recently doing a bit of research on one of my main characterâs co-stars, prompted by a photographic memory of a most unusual church service held in London every year which I attended. The service is attended by clowns in full costume, all in tribute to the man considered to be the âKing of Clownsâ â Joseph Grimaldi (1778-1837). His biography wasâŚ
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