It turns out that submerging gender in water does not, in fact, create aesthetic. Ā Now I have a whole tub of gender fluid and nowhere to put it.

JVL
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⣠Chile in a Photography ā£

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Today's Document
i don't do bad sauce passes
YOU ARE THE REASON

if i look back, i am lost
RMH

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@reffeweizen
It turns out that submerging gender in water does not, in fact, create aesthetic. Ā Now I have a whole tub of gender fluid and nowhere to put it.

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But no you guys are right, the flag has nothing to do with racism itās all about that war you lost.
Good night!! #brightnoisejn #shakeyourtailfeatherjn #bullietrye
See how a group of Swedish police officers responded when a fight broke out on the New York subway.
Four Swedish police officersā New York vacation was interrupted when a fight broke out on the subway.Ā The train operator called for support, and ā being cops and all ā they dutifully stepped in to help until local authorities arrived.
The visiting cops had to subdue the two men involved in the fight, which no doubt takes skill to do safely. But itās how they did their job after they gained control that really impressed people.
Watch the full video here.
AND THEY DID IT UNARMED.
Say it louder for those in the back to hear. Calmly and unarmed.
But cops āFear for their livesāā¦.the fuck outta here. THIS is how you unarm and subdue someone.

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These two are constantly glued together, and upon my most recent viewing on the film I noticed a kiss in the background. THEY ARE ACTUALLY A COUPLE.
During the fight between Max and Furiosa Cheedo is actually holding The Dag back for the majority of it, in the scene where Capable is asleep on Nux The Dag is wrapped around Cheedo as they sleep as well.
When Max goes to take out The Bullet Farmer Cheddo goes up to The Dag and kisses her straight on the lips.
THE MOST PHYSICALLY INTIMATE RELATIONSHIP IN THE FILM IS TWO LADIES.
A CROW TRIED TO GO IN OUR CLASSROOM AND HE HAD A PEN
yes hello i am here to learn geometries
That crow is more prepared than some of my students.
a girl can respect herself and still take booty pics wtf y'all talkin about
General Disclaimer
Fat women do not solely take pictures of themselves in bikinis or lingerie in order to show off their confidence. They do it to show off their cute bodies and clothes. The same way that thin women do.
Saying that you admire a fat womanās confidence, but not her appearance or fashion sense can be pretty hurtful. You are essentially saying that if you looked like that, you would not be confident.
I am not confident in spite of my body, I am confident because of it.
I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didnāt really come out as a drag queen until the late 60s. When drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasnāt even in full drag. I was walking down the street and the cops just snatched me. We always felt that the police were the real enemy. We expected nothing better than to be treated like we were animals-and we were. We were stuck in a bullpen like a bunch of freaks. We were disrespected. A lot of us were beaten up and raped. When I ended up going to jail, to do 90 days, they tried to rape me. I very nicely bit the shit out of a man. Iāve been through it all. In 1969, the night of the Stonewall riot, was a very hot, muggy night. We were in the Stonewall [bar] and the lights came on. We all stopped dancing. The police came in. They had gotten their payoff earlier in the week. But Inspector Pine came in-him and his morals squad-to spend more of the governmentās money. We were led out of the bar and they cattled us all up against the police vans. The cops pushed us up against the grates and the fences. People started throwing pennies, nickels, and quarters at the cops. And then the bottles started. And then we finally had the morals squad barricaded in the Stonewall building, because they were actually afraid of us at that time. They didnāt know we were going to react that way. We were not taking any more of this shit. We had done so much for other movements. It was time. It was street gay people from the Village out front-homeless people who lived in the park in Sheridan Square outside the bar-and then drag queens behind them and everybody behind us. The Stonewall Inn telephone lines were cut and they were left in the dark. One Village Voice reporter was in the bar at that time. And according to the archives of the Village Voice, he was handed a gun from Inspector Pine and told, āWe got to fight our way out of there.ā This was after one Molotov cocktail was thrown and we were ramming the door of the Stonewall bar with an uprooted parking meter. So they were ready to come out shooting that night. Finally the Tactical Police Force showed up after 45 minutes. A lot of people forget that for 45 minutes we had them trapped in there. All of us were working for so many movements at that time. Everyone was involved with the womenās movement, the peace movement, the civil-rights movement. We were all radicals. I believe thatās what brought it around. You get tired of being just pushed around. STAR came about after a sit-in at Wein stein Hall at New York University in 1970. Later we had a chapter in New York, one in Chicago, one in California and England. STAR was for the street gay people, the street homeless people and anybody that needed help at that time. Marsha and I had always sneaked people into our hotel rooms. Marsha and I decided to get a building. We were trying to get away from the Mafiaās control at the bars. We got a building at 213 East 2nd Street. Marsha and I just decided it was time to help each other and help our other kids. We fed people and clothed people. We kept the building going. We went out and hustled the streets. We paid the rent. We didnāt want the kids out in the streets hustling. They would go out and rip off food. There was always food in the house and everyone had fun. It lasted for two or three years. We would sit there and ask, āWhy do we suffer?ā As we got more involved into the movements, we said, āWhy do we always got to take the brunt of this shit?ā Later on, when the Young Lords [revolutionary Puerto Rican youth group] came about in New York City, I was already in GLF [Gay Liberation Front]. There was a mass demonstration that started in East Harlem in the fall of 1970. The protest was against police repression and we decided to join the demonstration with our STAR banner. That was one of first times the STAR banner was shown in public, where STAR was present as a group. I ended up meeting some of the Young Lords that day. I became one of them. Any time they needed any help, I was always there for the Young Lords. It was just the respect they gave us as human beings. They gave us a lot of respect. It was a fabulous feeling for me to be myself-being part of the Young Lords as a drag queen-and my organization [STAR] being part of the Young Lords. I met [Black Panther Party leader] Huey Newton at the Peoplesā Revolutionary Convention in Philadelphia in 1971. Huey decided we were part of the revolution-that we were revolutionary people. I was a radical, a revolutionist. I am still a revolutionist. I was proud to make the road and help change laws and what-not. I was very proud of doing that and proud of what Iām still doing, no matter what it takes. Today, we have to fight back against the government. We have to fight them back. Theyāre cutting back Medicaid, cutting back on medicine for people with AIDS. They want to take away from women on welfare and put them into that little work program. Theyāre going to cut SSI. Now theyāre taking away food stamps. These people who want the cuts-these people are making millions and millions and millions of dollars as CEOs. Why is the government going to take it away from us? What theyāre doing is cutting us back. Why canāt we have a break? Iām glad I was in the Stonewall riot. I remember when someone threw a Molotov cocktail, I thought: āMy god, the revolution is here. The revolution is finally here!ā I always believed that we would have a fight back. I just knew that we would fight back. I just didnāt know it would be that night. I am proud of myself as being there that night. If I had lost that moment, I would have been kind of hurt because thatās when I saw the world change for me and my people. Of course, we still got a long way ahead of us.
Sylvia Rivera (via femmesorcery)

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Ok, so now that my job has changed, my work out routine can change (from non-existent) *and* I have control over my foods. I'll probably record some stuff here. My goal is to pass ref cert and get that patch before 2016. I have 12 (hopefully) solid evals, but i need to pass the hellahard and the skating test. Not having a league to practice with regularly at the moment has been a huge detriment knowledge-wise and skating-wise.
When minor characters who are also ethnic minorities start talking among themselves in their native tongues, they sometimes take advantage of their invisibility to say things. Sometimes they break the Fourth Wall and start ranting about the movie director. Sometimes, they spout random obscenities or natter about their lousy lunch. Itās all in not-English, so whatever they say doesnāt matter! And the actual translations of their lines can be a secret source of hilarity in films where actors are instructed to use a Gratuitous Foreign Language (GFL) in order to make a scene sound more authentic. When some Native Americans cast in Westerns were told to speak their own language to add some authenticity, these actors took the opportunity to crudely editorialize about their director, which allegedly resulted in Native American audiences (in)explicably cracking up laughing during scenes that were meant to be dramatic.
Minorities can be marginalized in film, but not silenced.
(via salon)
in the original Star Wars one of the āalien languagesā that the rebels used was actually Swahili. My dad watched Return of the Jedi in Nairobi in a packed theater and during a space battle shot some nameless extra shouts āthis is not my watermelon!ā in swahili and the entire theater exploded into a mixture of laughing and cheering
(via yiffmaster)
Since I know thereās probably a fair amount of you out there who havenāt seen the first three Mad Max movies, Iām here to tell you a liāl secret about them:
All the people complaining about how Max āisnāt the main characterā in Fury Road are big olā Fake Fanboys cause Maxās primary character trait in literally every movie is āI hate this, why is it happening, please leave me alone to brood in the desert in peaceā.Ā
Heās much more the central focus of the plot in the first movie but in Road Warrior and Thunder Dome he basically just gets kidnapped or beat up by wankers in weird bondage outfits and spends the rest of the movie trying to leave as soon as possible while other people are like āplease solve our absurd post-apocalyptic problemsā.Ā There is not one single point where Max actively seeks out being a hero until it is forced upon him.Ā He ACTIVELY TELLS PEOPLE WHO ASK HIM FOR HELP to take a hike.
Mad Max himself would like nothing better than to never, ever, ever be the main character.
He would also like for people to stop stealing his fucking car.
i was about to joke about how my political stance is āend lawnmower cultureā but then it occurred to me that i actually Am against lawns as suburban status symbols and wastes of land that Could be used to sustain native flora & fauna and grow food for people, but no, instead they are these huge useless swaths of land that need Constant maintenance, the process of which is not only destructive, but Incredibly Loud
I know that M*A*S*H* is a sitcom (albeit one set in a very unfunny location), but it is amazing how profound something so simple can be.
For those of you who are curious, The Korean War, around which the show was based lasted from 1950-1953 (3 years), the TV show M*A*S*H* lasted from 1972-1983 (11 years), almost 4 times as long as the actual war.
Image Credit: Iwastesomuchtime.com

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If Iām gonna die, Iām gonna die historic on a fury road!
SANDRA DEE O'CONNORĀ